Author: Peter Gray

Seasoned film critic and editor. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Contact: [email protected]

Baby Ruby is a disturbing psychological drama about the uncertainty of new motherhood: TIFF 2022 Review

As much as this film titles itself after an infant whose actions drive much of its horrifically-laced narrative forward, it’s the newborn’s mother that earns much of the focus in Baby Ruby, an unsettling psychological drama from Bess Wohl, the writer/actress making her directorial debut here. That mother is Jo (Noémie Merlant, best known for…

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Interview: Annie Mumolo on Confess, Fletch, choreographing comedy and if she’d ever write her own classic remake

If you’re one of the many that have laughed on repeated viewings of Bridesmaids (and hopefully the underrated Barb and Star Go to Vista Del Mar) then it’s because of Annie Mumolo.  A writer and actress who has long been a reliable staple in the comedy genre, she’s once again making her presence undeniably known…

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Film Review: Confess, Fletch; the long awaited sequel we didn’t know we needed

The idea of a Fletch remake/reboot/sequel has long been discussed for almost three decades now.  The obvious suggestions of Jason Lee and Jason Sudeikis were thrown around for contention to follow in Chevy Chase’s comedic footsteps during its production, but after consistent stop/starts it has fallen to Jon Hamm to pick up the mantle and…

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Steven Spielberg’s autobiographical The Fabelmans is a thing of cinematic beauty: TIFF 2022 Review

“Mommy and Daddy will be right next to you the whole time.” From the opening line of dialogue in Steven Spielberg‘s The Fabelmans, an autobiographical coming-of-age tale that boasts itself as his first writing credit since A.I. some two decades prior, we get a sense of what’s to come as, outside a New Jersey movie…

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The Good Nurse adheres to a more refreshing approach when detailing its true crime narrative: TIFF 2022 Review

There’s something incredibly refreshing about The Good Nurse in that its true-crime temperament isn’t marred by overt manipulation – as so many of such adapted tales can be. Jessica Chastain (as typically great and committed as expected) is Amy, the titular good nurse, a single mother who is hiding her own ailment as she dedicates…

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The Son is emotionally manipulative in its interrogation of teenage depression: TIFF 2022 Review

The claustrophobic and emotional resonance Florian Zeller created with 2020’s The Father is unfortunately nowhere to be found in The Son, a prequel of sorts based off another of Zeller’s stage plays. A chamber piece on the subject of dementia that rightfully won Anthony Hopkins his second Best Actor Academy Award, The Father expressed subtlety…

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Film Review: George and Julia keep Ticket To Paradise a satisfactory destination

Few actors possess and exude as much movie star wattage as George Clooney and Julia Roberts.  And it’s his attractive gruffness and her screen-lighting smile that keep Ticket To Paradise from being a destination you’d request a refund for. Local audiences – predominantly those based in Queensland – are sure to get a thrill from…

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Pearl takes pride in being a demented character study over slasher genre thrills: TIFF 2022 Review

If X was Ti West‘s homage to classic 70’s horror effort The Texas Chainsaw Massacre, then Pearl could almost be aligned with The Wizard of Oz, just with, you know, a lot more blood and dry-humping scarecrows. The fact that X was an initial singular success story was enough of a win for independent horror…

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Interview: Kaitlyn Dever on Ticket To Paradise, working in Australia and what she learned from George Clooney and Julia Roberts

At only 25 years old, Kaitlyn Dever is already over a decade into her career. From Bad Teacher(‘s pet) to Booksmart by way of Beautiful Boy, the Golden Globe-nominated actress is now navigating a genre she has yet to tackle; the romantic comedy. Starring alongside Julia Roberts and George Clooney in Ticket To Paradise, where…

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Causeway is a quiet drama anchored by a stripped back Jennifer Lawrence: TIFF 2022 Review

A low-key slice of independent cinema that you imagine wouldn’t be given as big of a spotlight had it not been for lead Jennifer Lawrence, Causeway nonetheless deserves its attention as it’s a determined and moving picture about one’s healing, both emotionally and physically. Adhering to the stripped-away mentality that drove her to her first…

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Interview: George Clooney, Julia Roberts and the cast of Ticket To Paradise

Putting together two of the biggest movie stars is always going to come with a certain electric dynamic.  When it’s George Clooney and Julia Roberts? Chaos! And that’s meant in the best possible way. Ahead of the release of their anticipated romantic comedy reunion Ticket To Paradise, where they play a duo of exes who…

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Film Review: Moonage Daydream is a headfirst dive into the unmatched, other-worldly psyche of the one and only, David Bowie

A feast for the eyes and the ears, Brett Morgen‘s Moonage Daydream is a headfirst dive into the unmatched, other-worldly psyche of the one and only, David Bowie.  In some aspects Morgen – who is no stranger to the musician-centred medium, having helmed the Nirvana doco Kurt Cobain: Montage of Heck – has adopted an…

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Interview: Director Brett Morgen on his David Bowie documentary Moonage Daydream; “Chaos and fragmentation were his through line”

Moonage Daydream is not a documentary.  It is a genre-defying cinematic experience based on one of the most iconic and global rock stars of all time: David Bowie. Directed by Oscar-nominated filmmaker Brett Morgen, director of Cobain: Montage of Heck, and featuring never-before-seen concert footage, Moonage Daydream is an immersive cinematic experience; an audio-visual space…

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Sisu is a shamelessly playful and violently unpredictable exercise in modern exploitation cinema: TIFF 2022 Review

There’s both a sense of adhering to the temperaments of action films gone by and embracing the current and future state of the genre present in Jalmari Helander‘s Sisu. Matching its dark sense of humour (and I mean dark) with a violently bloody mentality (and I mean bloody!), Sisu manages to present the simplest of…

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On The Come Up harnesses a strong, fierce voice that cuts through narrative familiarities: TIFF 2022 Review

Author Angie Thomas has become something of a contemporary prose lyricist for the new wave of young coloured youths through her breakout novels The Hate U Give and On The Come Up.  Breathing a certain life into their own coming of age stories, her words prove a promising soundboard for actress Sanaa Lathan‘s foray into…

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Interview: Neighbours star Matt Wilson on backing WWF Australia’s National Threatened Species Day

On September 7th each year, people stop and reflect on the fact that on this very date in 1936, Australia’s Tasmanian tiger slipped over the extinction line.  Sixty years later, in 1996, WWF Australia (World Wildlife Fund) founded in partnership with the Australian Government’s Natural Heritage Trust the National Threatened Species Day to commemorate the…

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Interview: Director Daniel Roher on controversial political documentary Navalny; “It’s really important that the world remembers that not all Russians are evil”

In August 2020, Alexei Navalny, the leader of the Russian opposition was poisoned with a lethal nerve agent in an assassination attempt.  In the months following, the shocking revelations about the attempt on his life came to light during his road to recovery, a process that was captured by award-winning director Daniel Roher in his…

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Mean Spirited is an enthusiastic horror-comedy that delights in the purposefully awkward: FrightFest Film Review

When watching Mean Spirited I couldn’t help but wonder why Jeff Ryan isn’t a household name.  As a director he has worked within a duo of spaces that have well been tested – the mockumentary comedy and the found footage subsect of horror – but both this and his previous effort (YouthMin) prove he has…

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Interview: Jena Malone on the real-life awareness behind adult adoption in new film Adopting Audrey

Fired from her seventh job in two years and estranged from her family, Audrey (Jena Malone) is restless and dwells in a distinctly modern solitude, relying on YouTube for companionship. After falling down a video rabbit hole, she discovers the world of adult adoption and decides to try it herself in hopes of finding a…

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Interview: Australian director Samuel Gay on his decade-long passion project A Guide to Dating at the End of the World

Brisbane, 3.15am, Sunday March 28th, 2010; A single woman survives the apocalypse only to be reacquainted with her blind date from hell.   Based on true events. Kind of. A Guide To Dating At The End Of The World tells the story of a single woman who survives the apocalypse only to be reacquainted with her…

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Film Review: The Invitation; serviceable enough to accept or best to return to sender?

It’s all too easy to wax lyrical these days about trailers spoiling and “giving too much away” for the keyboard warriors who oft decide they hate a film before they even see it.  Whilst the jury is still out on how many will dislike The Invitation, I can attest that, as far as spoilers go,…

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Interview: Orphan: First Kill director William Brent Bell on “brutal” horror fans, specific casting and executing the perfect plot twist

When you talk of iconic horror characters, we usually think of Halloween‘s Michael Myers, Friday the 13th‘s Jason Vorhees or Freddy Krueger from A Nightmare on Elm Street.  But what about a demented little orphan who goes by the name of Esther? In 2009’s Orphan, Isabelle Fuhrman and director Jaume Collet-Sera created a new age…

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Film Review: Orphan: First Kill adopts a blackly comic, campy personality that succeeds in shocking its audience

Of all the unexpected horror sequels to come to fruition, Orphan: First Kill would be up there as one of the more unlikely titles.  Yes, it’s a prequel, first and foremost, but original star Isabelle Fuhrman is back in the unsettling role of Estonian psychopath Esther that birthed her career in 2009’s Orphan.  Why this…

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Interview: Idris Elba and the cast and crew of Beast on calibrating fear and shooting in South Africa

As their nail-biting thriller Beast gears up to roar into Australian cinemas this week (you can read our review here), Idris Elba, co-stars Sharlto Copley, Leah Jeffries and Iyana Halley, director Baltasur Kormákur, and producer Will Packer spoke with our own Peter Gray about creating a familial bond on set, working on location in South…

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Film Review: Beast is a B-grade popcorn thriller with a surprising injection of emotion and immersion

Given that we’ve had a share of snakes and sharks and bears (Oh My!) over the years as the creatures that have opted to stalk various familiar-faced talent, it’s only fair that the majestic king of the jungle get their due too. If the circle of life taught us anything, it’s that what goes around…

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Interview: Director Rebekah McKendry on her philosophical scarer Glorious

The pandemic gave many a creative time to think as so much of the entertainment industry faced an uncertain future. For director Rebekah McKendry through, it played into her favour. Presented with a unique, near-singular-set horror film that mused on philosophy and existentialism, Glorious seemed like an idea born from a world that was unsure…

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Film Review: Glorious is surprisingly contemplative for a lightly demented horror film

With a rest-stop bathroom glory hole serving as a type of universal gateway between a confused, confined Ryan Kwanten and an unseen, but very heard, J.K. Simmons, one would be forgiven for thinking Glorious may be, well, just a little filthy. Sure, it’s dirty at times and leans into a gory mentality when it sees…

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Interview: Tyler Atkins on writing and directing Bosch & Rockit; “I wanted it to be a raw piece of Australian cinema.”

When you meet Tyler Atkins you’re immediately aware you’re in the presence of someone calm, intelligent, and confident in their own surroundings.  But, as Peter Gray learned, it took some time to get to that place for the Australian filmmaker, especially within the crafting of his feature debut, Bosch & Rockit. After first meeting earlier…

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Film Review: Bosch & Rockit is a spirited and emotional film that succeeds off its own scrappiness

A meditative presence, a sometimes-actor, and now writer/director, Tyler Atkins seems to revel in the difficulty of categorisation.  And it’s that loose scrappiness that shapes his feature-length debut, Bosch & Rockit, a spirited and emotional film that’s equally as uneasy to singularly designate. Based on Atkins’ own childhood, the film flirts with multiple genre temperaments…

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