Interviews

Interview: David Robert Mitchell on The End of Oak Street, suburban unease and the childhood memories behind his dinosaur epic

There’s something inherently unsettling about the suburbs in the films of David Robert Mitchell. Familiar streets, quiet houses and seemingly ordinary neighbourhoods have a way of suggesting that something strange might be lurking just beyond the frame. With The End of Oak Street, the filmmaker behind It Follows and Under the Silver Lake takes that…

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Interview: Director Kat Good on bringing CoComelon: The Movie to the big screen; “Remember the joy in the journey.”

For countless families around the world, CoComelon is already an instantly recognisable part of childhood. Now, director Kat Good is taking JJ and his friends somewhere they’ve never been before: the big screen. Marking Good’s feature directorial debut, CoComelon: The Movie expands the preschool phenomenon into a colourful musical adventure that follows JJ (Connor Esterson)…

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Interview: Chloe Van Landschoot on embracing the grotesque for Son of Sara; “Let’s make people feel something.”

Pregnancy has long been fertile ground for horror cinema, but Son of Sara transforms familiar fears into something far more intimate. As Sara, a woman whose increasingly disturbing cravings coincide with the return of her estranged boyfriend and the terrifying possibility that something sinister is growing inside her, Chloe Van Landschoot delivers a performance that…

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Interview: Adam C. Briggs and Geoffrey Vagg on Phillip Philadelphia, creating mythology and finding beauty in decay

There’s something gloriously difficult to pin down about Phillip Philadelphia. At once a queer melodrama, an absurdist comedy, a portrait of creative decay and a love letter to the strange beauty lurking beneath the Gold Coast’s sun-soaked façade, Adam C. Briggs‘ latest feature refuses to settle into any one identity. Shot on luminous 16mm, it…

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Interview: Allan Clarke on the responsibility of bearing witness and why untold stories matter

For Allan Clarke, documentary filmmaking isn’t simply about preserving history – it’s about challenging audiences to confront the stories they’ve long ignored. The award-winning Muruwari and Gomeroi filmmaker, journalist and writer has built a career giving voice to communities too often left out of Australia’s national conversation, from The Bowraville Murders and The Dark Emu…

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Interview: Producer Kelly McCormick on embracing bigger, bolder ideas for Violent Night 2

When Violent Night arrived in 2022, it felt like the cinematic equivalent of finding a lump of coal that somehow turned out to be the perfect Christmas gift. Tommy Wirkola’s gleefully blood-soaked action-comedy paired David Harbour’s weary Santa Claus with outrageous festive carnage, but beneath the shattered ornaments and sharpened candy canes was an unexpectedly…

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Interview: Tommy Wirkola on making Christmas naughty again with Violent Night 2

After proving that Santa Claus could dispatch mercenaries with the same ease he delivered presents, director Tommy Wirkola‘s Violent Night earned an unlikely place alongside the festive classics many audiences return to every December. Beneath the gloriously excessive violence and gleefully inventive action was a surprisingly sincere Christmas story, one that found David Harbour’s weary…

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Interview: Broken Lizard on expanding the increasingly absurd mythology of Super Troopers 3 and why it’s stranger than we’ll ever see

Twenty-five years after Super Troopers transformed a group of sketch comedians into unlikely cult icons, Broken Lizard still hasn’t grown up. Thankfully. If anything, Super Troopers 3 proves they’ve become even more comfortable embracing the wonderfully bizarre universe they’ve built. What began as a relatively grounded story about Vermont state troopers amusing themselves on lonely…

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Interview: Rebecca De Mornay on heist thriller The Gentleman Thief and finding the mystery inside her character

Few actors have built a career as fascinatingly varied as Rebecca De Mornay. For many, she’ll forever be synonymous with Risky Business or the unforgettable menace of The Hand That Rocks the Cradle, but her filmography reveals an artist who’s consistently gravitated toward women of intelligence, mystery and quiet strength, whether in prestige dramas, thrillers…

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Interview: Andy Huang on discussing the ethics of AI and humanity’s relationship with technology

Artificial intelligence is often framed as a technological revolution, but for producer Andy Huang, it’s the profoundly human stories emerging from that revolution that matter most. His latest documentary, Replica, follows women who have formed intimate relationships with AI companions, using their experiences to explore loneliness, connection and the rapidly shifting boundaries of what we…

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Interview: Destin Daniel Cretton on why Spider-Man: Brand New Day is Peter Parker’s most personal battle yet

For Peter Parker, saving the world came at the ultimate personal cost. After the heartbreaking ending of Spider-Man: No Way Home, Spider-Man: Brand New Day finds Marvel’s iconic hero navigating a life where everyone he loves has forgotten he exists. But rather than simply raising the stakes with another city-destroying threat, director Destin Daniel Cretton…

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Interview: Talking Test: Brock Yurich, Sam McConnell and Paloma Garcia-Lee on finding the strength in softness

On its surface, Test is about bodybuilding: the relentless pursuit of physical perfection, the sacrifices demanded in chasing a professional career, and the dangerous temptations that can accompany that ambition. But beneath its sculpted physiques and competition stages lies something far more intimate. Director Sam McConnell and writer-star Brock Yurich use the sport as the…

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Interview: Star Trek: Strange New Worlds stars Celia Rose Gooding, Melissa Navia and Jess Bush on the friendships that anchor the Enterprise

Across four seasons, Star Trek: Strange New Worlds has boldly proven that its greatest strength isn’t just the adventures awaiting the crew of the U.S.S. Enterprise—it’s the people who share them. Whether navigating impossible missions, confronting terrifying new threats or simply finding strength in one another, the series has built a crew defined by empathy,…

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Interview: Pene Pati on challenging the traditions of opera with his Samoan identity in documentary Tenor: My Name Is Pati

For Pene Pati, opera has never just been about perfect notes or standing ovations. Despite becoming one of the world’s most celebrated tenors and earning comparisons to Luciano Pavarotti, the Samoan-born New Zealander remains driven by something far more personal: family, community and the hope that his journey might inspire someone else to believe their…

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Interview: Director Rebecca Tansley on the family at the heart of Tenor: My Name Is Pati

Opera has long been associated with grandeur, but Tenor: My Name Is Pati reminds us that every soaring performance begins somewhere far more intimate. Charting the remarkable journey of Samoan-born New Zealand brothers Pene and Amitai Pati – from singing in church as children in South Auckland to commanding some of Europe’s most prestigious opera…

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Interview: Olivier Assayas on adapting a story whilst history was still unfolding with The Wizard of the Kremlin

As global politics becomes increasingly shaped by disinformation, media manipulation and the battle to control public narratives, Olivier Assayas‘ latest film, The Wizard of the Kremlin, arrives with unsettling relevance. Adapted from Giuliano da Empoli’s bestselling novel, the political drama charts the rise of Vladimir Putin through the eyes of the enigmatic strategist who helps…

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Interview: Producer James Wan and director Rob Savage on their new psychological horror movie Other Mommy

Based on Josh Malerman’s acclaimed novel “Incidents Around the House,” Other Mommy is the latest collaboration between horror powerhouse James Wan and director Rob Savage follows young Bela, whose seemingly ordinary family life is disrupted by a sinister entity that looks exactly like her mother. Starring Jessica Chastain in a remarkable dual role, the film…

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Interview: Andy Serkis on why his Animal Farm feels more relevant than ever

Andy Serkis has spent much of his career exploring what power does to those who wield it. From Gollum’s all-consuming obsession in The Lord of the Rings to Caesar’s reluctant leadership in Planet of the Apes, his work has repeatedly examined the fine line between idealism and tyranny. Now, the acclaimed filmmaker turns his attention…

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Interview: Lin-Manuel Miranda on the live-action iteration of Moana and that its greatest legacy isn’t the music – it’s who gets to tell the story

Ten years after audiences first sailed beyond the reef with Moana, Lin-Manuel Miranda has returned to one of the defining works of his career – not because the songs needed rewriting, but because the story deserved to be experienced in an entirely new way. The Pulitzer Prize, Tony, Emmy and Grammy-winning songwriter, who penned the…

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Interview: Catherine Laga’aia and and director Thomas Kail on bringing Moana to life in Disney’s ambitious live-action reimagining

Few modern Disney films have resonated with audiences quite like Moana. Nearly a decade after the animated original became a global phenomenon, the beloved adventure returns to cinemas in an expansive live-action adaptation that honours its roots while charting a course of its own. Directed by Emmy and Tony Award winner Thomas Kail (Hamilton), Disney’s…

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Interview: Olivia Wilde on The Invite, relationship reinvention, and finding her filmmaking specialty

Across Booksmart, Don’t Worry Darling and now The Invite, Olivia Wilde has shown an unmistakable fascination with characters reaching a point of rupture. Her films may differ wildly in tone and genre, but they all orbit a similar question: what happens when people begin to challenge the life they have accepted as normal? With The…

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Interview: Evil Dead Burn stars Souheila Yacoub, Hunter Doohan and Luciane Buchanan on grief, gore and surviving hell

For more than four decades, the Evil Dead franchise has revelled in pushing the boundaries of horror, blending relentless gore, pitch-black humour and unforgettable Deadite mayhem. But with Evil Dead Burn, director Sébastien Vaniček adds another layer to the carnage, grounding its blood-soaked terror in the raw emotions of a family already splintered by grief…

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Interview: Mary Zournazi on her documentary Acropolis Cats & Other Wondrous Animals and why the smallest acts of care may ultimately be our greatest expression of peace

There are countless documentaries that ask audiences to feel outrage. Acropolis Cats & Other Wondrous Animals, the latest film from award-winning Australian documentarian Mary Zournazi, instead asks something far more radical: that we choose tenderness. Beginning among the stray cats of Athens before expanding across Greece, Australia and beyond, the film explores the fragile bond…

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Interview: Carla Gugino on new horror film Lockbox and why quiet strength makes the strongest heroes

Horror has long explored the monsters lurking in the shadows, but Lockbox is far more interested in the fears that live inside us. Beginning as a quiet meditation on grief before gradually unfolding into something far more unsettling, the film follows Ellen (Carla Gugino) as she retreats to a rural town after the death of…

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Interview: Producer Jeff Purser on why authentic stories will always find their audience; “I think audiences have always rewarded honesty.”

For more than two decades, Australian producer, writer and director Jeff Purser has worked across both commercial hits and critically acclaimed cinema, helping bring stories as varied as Fat Pizza and Cedar Boys to the screen. With a career spanning film, television and streaming, Purser has seen the industry evolve through changing technologies, audience habits…

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Interview: Jeff Bridges and Bobby Moynihan on Minions & Monsters and the beautiful chaos of making movie magic

For audiences expecting little more than Minions-fuelled chaos, Minions & Monsters has a delightful surprise waiting. Beneath the slapstick, sight gags and monster-sized mayhem lies an unexpectedly heartfelt tribute to the magic of cinema itself. Set during Hollywood’s seismic transition from silent films to talkies, Illumination’s latest adventure isn’t simply about the Minions accidentally conquering…

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Interview: Jesse Eisenberg and Zoey Deutch on Minions & Monsters and falling in love with cinema all over again

On paper, Minions & Monsters sounds exactly as delightfully ridiculous as its title suggests: Minions accidentally conquer Hollywood, unleash monsters upon the world and somehow have to save it all over again. What our Peter Gray wasn’t expecting was a surprisingly heartfelt love letter to the movies themselves. Set against Hollywood’s transition from silent films…

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Interview: Director Sarah D’Ambrosio and star Hannah Emily Anderson on the right to feel bad in Good Vibes Only

With Good Vibes Only, writer/director Sarah D’Ambrosio imagines a world where artificial intelligence doesn’t just organise our lives – it dictates how we’re allowed to feel. After a painful break-up, Eva desperately wants to cry, but her relentlessly upbeat AI companion, Margaret, insists on steering her back towards positivity, transforming grief into something that needs…

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Interview: Brian Cox on his directorial debut Glenrothan and the great exports of Scotland; “(Our) sense of identity runs very deep.”

For a film centred on whisky, Glenrothan is ultimately far more interested in what people inherit than what they produce. Set against the striking backdrop of the Scottish Highlands, Brian Cox‘s directorial debut follows two estranged brothers forced to confront decades of resentment, family history and the pull of a homeland neither can truly escape….

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Interview: Craig Gillespie on building the world of Supergirl from the ground up

One of the most striking things about Supergirl is how fully realised its universe feels. The latest entry in DC Studios’ growing cinematic universe doesn’t simply introduce audiences to new characters and planets; it presents entire cultures that feel as though they’ve existed long before the camera arrived. Watching the film, there’s a sense that…

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