Arts

Bangarra Dance Theatre’s Sheltering at the Sydney Opera House is a masterclass in strength and movement

Sheltering at the Sydney Opera House is a triple-bill from the acclaimed Bangarra Dance Theatre. Bangarra’s unique style of dance fuses traditional First Nations movement and narratives with contemporary dance to tell stories that resonate and challenge the audience. Sheltering acknowledges and honours the theatre’s history through the work Sheoak, while looking forward to the…

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Saplings at the Sydney Opera House exposes the injustice of the youth justice system

In NSW, Aboriginal and Torres Strait Islander children make up over 56% of those in youth detention, but only around 4% of the youth population. Presented by the Australian Theatre for Young People (ATYP), Saplings at the Sydney Opera House sheds light on the youth justice system. Written by Yuwaalaray playwright Hannah Belanszky and directed…

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Theatre Review: The Importance of Being Ernest brings a sharp satire of high society to Adelaide

Oscar Wilde‘s satiric play, The Importance of Being Earnest, is a “Trivial Comedy for Serious People”. South Australia’s State Theatre Company have sprinkled their own flavours into this delicious mix.  The best way to describe the event would be queer and quirky – in the most over-the-top camp way imaginable. The plot begins with Jack…

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Interview: Karis Oka on the importance of representation and the emotional whiplash of Beetlejuice the Musical

Death, grief, loneliness, goblin demons, and a “crusty old” bio-exorcist in black-and-white stripes are probably not the ingredients you’d expect for one of musical theatre’s most unexpectedly heartfelt shows. Yet that strange emotional cocktail is exactly why Beetlejuice the Musical has developed such a fiercely devoted following around the world. Beneath the chaos, the absurdity,…

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Review: State Opera South Australia’s Cinderella is a sumptuous rendition of a classic story

What better way to celebrate the State Opera of South Australia’s 50th anniversary (Golden Jubilee), than with a special presentation of Rossini’s classic and joyful story of Cinderella (La Cenerentola). Artistic Director Dane Lam and Executive Director Mark Taylor have hit the nail on the head by choosing this beautifully simple story of an innocent…

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The Other Side of Me at the Sydney Opera House is a heartbreaking insight into the Stolen Generation

The Other Side of Me at the Sydney Opera House is a heartbreaking story of loss and identity. Based on actual events, the dance duet tells the story of a young Aboriginal man in the Northern Territory who is adopted, along with his brother, by a white English couple in the 1960s. The adoption process…

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Waitress the Musical serves up an irresistible slice of “heart, humour and happiness pie”

Got yourself a case of the sweet tooth? Treat yourself to a slice of happiness with the hit Broadway musical, Waitress, where there’s a bun in the oven… and certainly a pie. Picture entering Her Majesty’s Theatre and the room being filled with the intoxicating scent of fresh apple pie. And no, it’s not artificial;…

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News: Illuminate Adelaide 2026 is shaping up to be a massive winter event

Illuminate Adelaide is a beacon of light and energy in the midst of the city’s chilly winter. Expect the City of Churches to transform between July 1st and 19th into a vibrant winter playground of light, art, music, technology, and culinary discoveries. With world premieres, Adelaide exclusives and over 100 experiences and performances, this year…

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Stay, play, dine: A cultural getaway through Sydney’s Potts Point

Arriving in Sydney’s vibrant inner-east feels like stepping into a city that has learned how to reinvent itself without losing its edge. Just past the iconic Coca-Cola sign at the crossroads of Kings Cross and Potts Point, where neon glow meets leafy side streets and boutique energy, you’ll find a pocket of Sydney perfectly suited…

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The dinosaurs are here! Erth’s Dinosaurs have arrived with a big bang at the Sydney Opera House

Co-founders of Erth, Scott Wright (Artistic Director) and Steve Howarth (Head of Design), have brought their large scale, animatronic puppet dinosaurs to life in the world premiere of Erth’s Dinosaurs, now playing at the Sydney Opera House. Geared towards kids (5+) and families, Wright and Howarth really show their commitment to teaching young audiences about…

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Theatre Review: MJ The Musical; don’t stop ’til you’ve seen this!

There are standing ovations… and then there are the kind that feel inevitable. The opening night of MJ the Musical at Brisbane’s QPAC Lyric Theatre didn’t just earn one – it triggered waves of them. The kind that start mid-show, ripple through the crowd, and return again before the final curtain even has a chance…

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Adelaide Fringe Review: bed bug … if they didn’t already scare you, they will now

As the Adelaide Fringe reaches the final quarter of its four-week life, the tempo of the event changes. The audience and the artists are tired and weary. Some are elated. Some are just waiting to be newly discovered. With over 1500 shows on offer, it can be difficult to be heard above the noise of…

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Adelaide Fringe Review: Elf Lyon interprets “Swan Lake” like no other

Comedian Elf Lyons is no stranger to the Adelaide Fringe, with rave reviews of her show Raven back in 2024, making her the talk of the town. Which is no mean feat in the cut-throat world of the Fringe. This year, she has brought the ballet “Swan Lake” to life in a way that even…

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Adelaide Festival Gatz

Adelaide Festival Review: Gatz’s take on The Great Gatsby comes close to greatness

Few texts are as closely associated with a single era – or as widely mischaracterised – as The Great Gatsby. In truth, the two go hand in hand; the imagined glamour of the Roaring Twenties often serves to obscure just how deeply cynical and pessimistic the novel is. Despite its brevity, abridged adaptations inevitably prioritise…

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Adelaide Fringe Interview: Writer Bridie Connell describes the evolution of boy band The Fuccbois

“Fuccbois: Live in Concert” is a comedy that satirizes boy bands and that culture, but featuring women and non-binary actors in the lead roles. The premise is the band’s final concert and has the audience actively singing along. The music is authentic pop. The show is currently being performed at the Adelaide Fringe and heading…

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All About Women at the Sydney Opera House strives for hope in a world of chaos

It’s been 115 years since the first International Women’s Day in 1911. A day that celebrates women’s achievements and raises awareness about discrimination. 115 years of fighting for equality, for fundamental human rights, for basic respect. I wonder what our foremothers would say if they had a glimpse of our world today. A world where…

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History of Violence

Adelaide Festival Review: History of Violence examines the nature of truth

On the surface, this deeply confrontational play deals with several heavy themes, including (but not limited to) trauma, discrimination and the destructive aftermath of both. But it’s equally concerned with an even more ambitious matter: the nature of truth. The action begins with several figures in hazmat suits sweeping a crime scene as Laurenz Laufenberg's…

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Adelaide Festival Review: Perle Noire does justice to Joséphine Baker

This is not the story of Josephine Baker that you know. As the title suggests, it is “for”, rather than “about” the famed singer, dancer and actress. Baker’s story defies neat narratives, and while this performance touches on many elements of her life, from her onstage persona to her Rainbow Tribe of adopted children and…

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Interview: James Barr on comedy, abuse, and taking back the narrative with his stand-up show, Sorry I Hurt Your Son (Said My Ex To My Mum)

Multi-award-winning comedian, podcaster (A Gay And A NonGay), radio presenter (The Hits Radio Breakfast Show), TV host – and unapologetic gay icon – James Barr is bringing his fearless, critically acclaimed stand-up show Sorry I Hurt Your Son (Said My Ex to My Mum) to the Adelaide Fringe Festival. A deeply personal hour of comedy,…

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Interview: Max Norman and his champagne-fuelled alter ego Coco the Time Travelling Tart on their Adelaide Fringe show; “I’m interested in joy and irreverence.”

History has always belonged to the victors – but Coco The Time-Travelling Tart would like a word. Logging on to meet London’s self-proclaimed “Champagne enthusiast” and historical menace, our Peter Gray was immediately thrown into her gloriously unhinged orbit. Fresh from sold-out gallery tours and 30 million-plus online views, Coco is bringing her chaos Down…

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Interview: Sophie Power on breaking the shame cycle with her confrontational Adelaide Fringe cabaret show

*Interview contains adult language and references After completely sold-out runs at Melbourne International Comedy Festival and Melbourne Fringe – and taking home the award for Best Comedy – Sophie Power isn’t so much returning to Adelaide Fringe in 2026 as she is staging a full-scale uprising. Her debut solo show, CVNT, is exactly what it…

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Cherry Orchard at Fringe

Adelaide Festival Review: The Cherry Orchard eats the rich with comedy and tragedy

The most popular prestige television shows of recent years have made it clear that we all love to watch rich people being awful, but Chekhov’s 1904 masterpiece is a reminder that this is nothing new. The action in The Cherry Orchard centres around an aristocratic family in terminal decline, and the coddled individuals who prioritise…

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Adelaide Fringe Review: Fafi D’Alour is a fun and sexy piece of burlesque

From the producers of burlesque show The Delinquents, their new show Fafi D’Alour is just as fun and exciting. A five piece band sets the tone of the evening in the upstairs room at the House of Delinquents in Adelaide’s Pirie Street. It’s a feature of the Adelaide Fringe that venues are created all over the…

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Theatre Review: Head Over Heels is a Shakespearean-style Go-Go’s musical that will fill your queer heart to the brim

The opening night of Head Over Heels could have been a complete disaster. Days before the season commenced, the air conditioning system broke, the preview was cancelled completely, and one of the main performers was struck down with illness, unable to perform. Having the director announce this before the lights went down makes you wonder…

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Melbourne International Comedy Festival unveils 40th Anniversary Program

The laughs feel a little different in 2026 – fuller, louder, maybe even a touch sentimental – as the Melbourne International Comedy Festival celebrates its 40th birthday. What began in 1987 as a relatively modest gathering of funny people has grown into something that now feels woven into the city’s DNA. For four decades, every…

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Adelaide Fringe Review: Bernie Dieter’s Club Kabarett is a steamy hot extravaganza

As the audience take their seats in the Speigeltent, the atmosphere is already electric. Bernie Dieter’s Club Kabarett is described as the hottest cabaret, East of Berlin! The three piece “haus band” are already on-stage, filling the tent with upbeat tunes.  Meanwhile, dazzling performers sashay through the assembled throng, handing out flags emblazoned with “Slut”,…

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adelaide fringe

Adelaide Fringe Review: Keep In Touch uses acrobatics to explore human connection

The darkened stage contains little but a white telephone upon a table. It rings. Young dancers, clad in harlequin-style outfits race to answer it, reminding us of the time that was commonplace in our homes. It becomes a dance of calling, answering and connecting, setting the scene for what is to come. The young Taiwanese…

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Adelaide Fringe Review: Darkfield’s Seance is a mind-bending experience

Nestled amongst the attractions of sideshow alley at the rear of the Garden of Unearthly Delights is an unassuming collection of white ocean containers. They house three of the Darkfield experiences, Seance, Flight and Invisible. The nearby screams of patrons being flung high in the air on the various rides lend a strange contrast to…

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Adelaide Fringe Review: Earnest? … or the importance of having stand-ins

Oscar Wilde‘s farce The Importance of Being Earnest is all about two young men about town who lead double lives, avoiding their social obligations. It is normally played in a rather rigid format by rather experienced thespians. It’s a play that explores explores themes of identity, social expectations, and the nature of truth and deception. Which…

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Adelaide Fringe Review: Comedian Nikki Britton’s new show is the hug you didn’t know you needed

There would be very few people who, at some stage in their lives, hasn’t been labelled as “dramatic”. Let me rephrase. There would be very few WOMEN who, at some stage in their lives, hasn’t been ACCUSED of being “dramatic”. Perhaps this is why comedian Nikki Britton’s new stand-up Not To Be Dramatic at Adelaide…

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