Theatre

Bangarra Dance Theatre’s Sheltering at the Sydney Opera House is a masterclass in strength and movement

Sheltering at the Sydney Opera House is a triple-bill from the acclaimed Bangarra Dance Theatre. Bangarra’s unique style of dance fuses traditional First Nations movement and narratives with contemporary dance to tell stories that resonate and challenge the audience. Sheltering acknowledges and honours the theatre’s history through the work Sheoak, while looking forward to the…

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Saplings at the Sydney Opera House exposes the injustice of the youth justice system

In NSW, Aboriginal and Torres Strait Islander children make up over 56% of those in youth detention, but only around 4% of the youth population. Presented by the Australian Theatre for Young People (ATYP), Saplings at the Sydney Opera House sheds light on the youth justice system. Written by Yuwaalaray playwright Hannah Belanszky and directed…

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Theatre Review: The Importance of Being Ernest brings a sharp satire of high society to Adelaide

Oscar Wilde‘s satiric play, The Importance of Being Earnest, is a “Trivial Comedy for Serious People”. South Australia’s State Theatre Company have sprinkled their own flavours into this delicious mix.  The best way to describe the event would be queer and quirky – in the most over-the-top camp way imaginable. The plot begins with Jack…

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Interview: Karis Oka on the importance of representation and the emotional whiplash of Beetlejuice the Musical

Death, grief, loneliness, goblin demons, and a “crusty old” bio-exorcist in black-and-white stripes are probably not the ingredients you’d expect for one of musical theatre’s most unexpectedly heartfelt shows. Yet that strange emotional cocktail is exactly why Beetlejuice the Musical has developed such a fiercely devoted following around the world. Beneath the chaos, the absurdity,…

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The Other Side of Me at the Sydney Opera House is a heartbreaking insight into the Stolen Generation

The Other Side of Me at the Sydney Opera House is a heartbreaking story of loss and identity. Based on actual events, the dance duet tells the story of a young Aboriginal man in the Northern Territory who is adopted, along with his brother, by a white English couple in the 1960s. The adoption process…

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Waitress the Musical serves up an irresistible slice of “heart, humour and happiness pie”

Got yourself a case of the sweet tooth? Treat yourself to a slice of happiness with the hit Broadway musical, Waitress, where there’s a bun in the oven… and certainly a pie. Picture entering Her Majesty’s Theatre and the room being filled with the intoxicating scent of fresh apple pie. And no, it’s not artificial;…

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Stay, play, dine: A cultural getaway through Sydney’s Potts Point

Arriving in Sydney’s vibrant inner-east feels like stepping into a city that has learned how to reinvent itself without losing its edge. Just past the iconic Coca-Cola sign at the crossroads of Kings Cross and Potts Point, where neon glow meets leafy side streets and boutique energy, you’ll find a pocket of Sydney perfectly suited…

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The dinosaurs are here! Erth’s Dinosaurs have arrived with a big bang at the Sydney Opera House

Co-founders of Erth, Scott Wright (Artistic Director) and Steve Howarth (Head of Design), have brought their large scale, animatronic puppet dinosaurs to life in the world premiere of Erth’s Dinosaurs, now playing at the Sydney Opera House. Geared towards kids (5+) and families, Wright and Howarth really show their commitment to teaching young audiences about…

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Theatre Review: MJ The Musical; don’t stop ’til you’ve seen this!

There are standing ovations… and then there are the kind that feel inevitable. The opening night of MJ the Musical at Brisbane’s QPAC Lyric Theatre didn’t just earn one – it triggered waves of them. The kind that start mid-show, ripple through the crowd, and return again before the final curtain even has a chance…

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Adelaide Festival Gatz

Adelaide Festival Review: Gatz’s take on The Great Gatsby comes close to greatness

Few texts are as closely associated with a single era – or as widely mischaracterised – as The Great Gatsby. In truth, the two go hand in hand; the imagined glamour of the Roaring Twenties often serves to obscure just how deeply cynical and pessimistic the novel is. Despite its brevity, abridged adaptations inevitably prioritise…

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History of Violence

Adelaide Festival Review: History of Violence examines the nature of truth

On the surface, this deeply confrontational play deals with several heavy themes, including (but not limited to) trauma, discrimination and the destructive aftermath of both. But it’s equally concerned with an even more ambitious matter: the nature of truth. The action begins with several figures in hazmat suits sweeping a crime scene as Laurenz Laufenberg's…

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Adelaide Festival Review: Perle Noire does justice to Joséphine Baker

This is not the story of Josephine Baker that you know. As the title suggests, it is “for”, rather than “about” the famed singer, dancer and actress. Baker’s story defies neat narratives, and while this performance touches on many elements of her life, from her onstage persona to her Rainbow Tribe of adopted children and…

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Cherry Orchard at Fringe

Adelaide Festival Review: The Cherry Orchard eats the rich with comedy and tragedy

The most popular prestige television shows of recent years have made it clear that we all love to watch rich people being awful, but Chekhov’s 1904 masterpiece is a reminder that this is nothing new. The action in The Cherry Orchard centres around an aristocratic family in terminal decline, and the coddled individuals who prioritise…

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Theatre Review: Head Over Heels is a Shakespearean-style Go-Go’s musical that will fill your queer heart to the brim

The opening night of Head Over Heels could have been a complete disaster. Days before the season commenced, the air conditioning system broke, the preview was cancelled completely, and one of the main performers was struck down with illness, unable to perform. Having the director announce this before the lights went down makes you wonder…

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Adelaide Fringe Review: Darkfield’s Seance is a mind-bending experience

Nestled amongst the attractions of sideshow alley at the rear of the Garden of Unearthly Delights is an unassuming collection of white ocean containers. They house three of the Darkfield experiences, Seance, Flight and Invisible. The nearby screams of patrons being flung high in the air on the various rides lend a strange contrast to…

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Adelaide Fringe Review: Earnest? … or the importance of having stand-ins

Oscar Wilde‘s farce The Importance of Being Earnest is all about two young men about town who lead double lives, avoiding their social obligations. It is normally played in a rather rigid format by rather experienced thespians. It’s a play that explores explores themes of identity, social expectations, and the nature of truth and deception. Which…

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Adelaide Fringe Review: Orpheus and Eurydice reinvented for the modern world

The Greek mythological tragedy Orpheus and Eurydice is an epic tale of how the musician Orpheus descends into the Underworld to rescue his wife, Eurydice, after she dies from a snake bite on their wedding day. His music moves Hades, allowing her to return, on the condition that Orpheus walks ahead and does not look…

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Adelaide Fringe Review: Holden Street Theatres has a plethora of great shows

Holden Street is known as “Home of Theatre” during the Adelaide Fringe. For some 23 years, the artist-run hub has been at the forefront of cutting-edge theatre. Hidden away in Hindmarsh, it’s like a secret gem in the inner west. This reviewer saw a small selection of plays, each of which were world class, thought-provoking…

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An hilarious take on art and friendship, ART at Roslyn Packer Theatre is a must see

Three friends, one artwork, three very different perspectives. ART The Play, written by French Playwright Yasmina Reza and directed by Lee Lewis, is the story of three friends – Marc (Richard Roxburgh), Serge (Damon Herriman) and Yvan (Toby Schmitz) – whose 20+ year friendship is thrown into turmoil when Serge decides to spend 160,000 euro…

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Insights into the Adelaide Fringe event, “Darkfield”

Meet Nathan Alexander, one of the brilliant minds (alongside Amy Johnson) behind Realscape Productions. These creative producers are all about pushing boundaries and delivering work that’s both mind-bending and emotionally charged. They’ve got a knack for blending different genres, from sci-fi dance in “Future Cargo” to psychological thrillers in “Ghost Stories.” And let’s not forget…

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Get your skates on, Sydney Festival presents Mama Does Derby at Town Hall

Irrespective of how old you are, the memories of adolescence are never far behind. The awkwardness and insecurity of growing into yourself – both physically and mentally – and the overwhelming sense that your parents will simply never understand. And if they try, well that’s just so embarrassing. Perhaps that is what makes the character…

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The story of an unsung hero, My Cousin Frank at the Sydney Opera House is a must see

Frank Roberts, a Widjabul Wia-bal and Githabul man, known as ‘Honest Frank’, was Australia’s first Aboriginal Olympian. A man of incredible integrity and determination, Frank’s skills in a boxing ring saw him selected for the 1964 Olympics in Tokyo. In My Cousin Frank at the Sydney Opera House, his first cousin, artistic and cultural leader…

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A Christmas Carol – the perfect way to start the festive season

There’s something exciting about A Christmas Carol returning to the Melbourne theatre each year. Much like the season itself, Charles Dickens’ timeless tale has a way of circling back with a sense of familiar comfort, but the Old Vic’s acclaimed production manages to make that return feel exciting rather than routine. Back at the Comedy…

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How Stranger Things: The First Shadow strikes the perfect balance for fans of the stage and screen

This is a spoiler-free article that was originally published 25th June 2025.  Less than 18 months after it premiered on the West End, Stranger Things: The First Shadow made its anticipated Broadway debut this April. The play is Netflix’s first production on the stage, and understandably, the production was initially met with skepticism. Could the…

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Theatre Review: Gravity is a topical romantic dramedy that honours all facets of sexual fluidity

With sexual fluidity becoming more a open topic of discussion and exploration, it’s quite surprising how revelatory something like Gravity still feels in 2025; Bradford Elmore‘s sexual celebratory romantic dramedy that flips the usual boy-meets-girl narrative with a boy-meets-boy-meets-girl layering. A tale of two distinct love stories unfolding simultaneously, Gravity initially sets up the meet-cute between Heather (Annabelle Kablean, comedically…

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AUTG production of The Whale is a satisfying exposition of the nuances of life

The 2022 film version of The Whale, directed by Darren Aronofsky and starring Brendan Fraser, earned two Oscars and a BAFTA Award for Best Adapted Screenplay. Samuel D. Hunter‘s play, written in 2012, centres on a morbidly obese online English tutor trying to reconcile with his perpetually angry daughter. The University of Adelaide Theatre Guild,…

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Hair the Musical tells a story of love, war and hippie counterculture through a dated lens

It’s 1968, and Hair has just brought a story about identity, hippie culture and war to the musical theatre scene. Cut to nearly 60 years later, and the same cultural movement is making its way through Australia, capturing the audience with an emotion-fuelled tribal ritual. This tribal love rock musical is hinged around 60s counterculture,…

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The wild wild west comes to the Sydney Opera House with Calamity Jane

Appropriately pitched as a “stripped-back, rough-and-ready reimagining”, Calamity Jane at the Sydney Opera House is a rowdy and rambunctious tale of the well-known American frontierswoman. Known as a sharpshooter and avid storyteller, there have been many reprising’s of this infamous character – Doris Day in the 1953 film, Robin Weigert in the 2004 series Deadwood…

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Theatre Review: Pretty Woman: The Musical; Samantha Jade exudes big, huge charm in faithful, pop-driven adaptation

If you’re a popular-enough movie with a strong feminine edge, there’s a good chance you have been, will be, or are receiving the screen-to-stage treatment.  Over the last near-two decades we’ve seen such titles as Legally Blonde, Bring It On, 13 Going On 30, and Mean Girls all get the musical treatment, and now, the…

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Interview: Samantha Jade on moving from the pop studio to the Pretty Woman stage; “It’s really nice to be able to say you’re proud of yourself.”

Australian pop sensation Samantha Jade has long been a powerhouse in the music industry – from winning The X Factor in 2012 to topping charts with her platinum-selling hits and captivating audiences with her dynamic performances.  Known for her stunning vocals and undeniable stage presence, Samantha has continually evolved as an artist, expanding her talents…

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