DIRT is the story of an Australian tourist, played by Will King, travelling in Moscow who hooks up with the local tour guide (Patrick Livesey). The romantic interplay between the two evolves over the course of the performance, but each has a hidden story that gradually unfolds. The play is set in contemporary Russia and […]
Read MoreWith everything that occurred in the year that was 2020, Appropriate, directed by Wesley Enoch seems, well, appropriate. Written by the American playwright Branden Jacobs-Jenkins, the play centres around a dysfunctional American family brought together by the death of their father. As they begin to sort through his belongings they struggle between a desire to […]
Read MoreTheatre was briefly back in Melbourne before another five day lockdown saw shows rescheduled. Before the enforced hiatus, I was fortunate enough to catch a performance of The Gang of Five at La Mama Mobile Theatre. The Gang of Five opened to a full house, based at Creative Spaces’ Studio 1. Repurposing a dance studio […]
Read MoreMelbourne’s theatre scene is back! If you’ve missed the feeling of sitting in one of Melbourne’s lavish theatres, enjoying snacks and a drink from the bar while enjoying a show to remember, get excited because there’s a stellar lineup of shows ready to blow you away. From the Comedy Theatre to Her Majesty’s, Melbourne’s best […]
Read MoreBeing a teenage girl is rough. Expectations are high, bodies are changing, social media is all consuming and society deems your interests as silly. There have been countless attempts to represent teen girl culture both on stage and screen, yet most rarely seem to get it right. Originally premiering in 2019, Fangirls attracted a buzz […]
Read MoreIt is with no small amount of amusement that I tell you, Magic Mike Live has been one of the most difficult reviews I’ve ever had to write. It would be easy for me to sit here and wax lyrical about how attractive the dancers were (because they were) or how much the crowd of […]
Read MoreSybylla Melvyn announces (triumphantly and somewhat without apology) that this is a play all about herself. Stuck on her family property as the eldest of eight, her drunken father (Jason Chong) has squandered much of the family resources while her mother (Blazey Best), keen to marry her off, is worried she’s too plain. In strong […]
Read MoreLove it or loath it, you cannot deny Disney’s 2013 animated musical Frozen is one of the biggest pop culture phenomenons of our time. With box office figures, soundtrack sales, and merchandise revenue not seen since the Disney Renaissance of the early 1990s, Frozen was the cultural sensation the House of Mouse had been chasing […]
Read MorePippin is the first major musical to return to Sydney theatres, with distancing restrictions easing just before the show’s opening. The show’s offering of colour and magic are perfect medicine for our current climate. But, on another hand, its somewhat confusing premise and over-reliance on smoke and mirrors are yet another symptom of them. This […]
Read MoreThere’s a strange level of satisfaction reviewing a new album for such a universally loved band like Ball Park Music. It’s like listening to the news that your best friends are getting married, that you’re going to become a parent for the first time or that the coronavirus has been eradicated. It’s pure, unadulterated excitement, […]
Read MoreFebruary saw Dutch contemporary classical composer Michel van der Aa release his debut indie-pop album. Time Falling saw the composer collaborating with the ever talented and versatile Australian singer-songwriter Kate Miller-Heidke. Today we’re incredibly excited to bring you the exclusive premiere of the music video for album track “What A Dream”. Time Falling is billed […]
Read MoreFrom the moment he swaggers into the room, you can tell Tyler Everett (played by Tom Crotty) is going to own the audience. Making eye contact, he begins his story of sex, violence and city living. Dressed in a black leather jacket, white t-shirt and designer stubble, with a backpack slung over his shoulder he […]
Read MoreFebruary 2020 marks the one year anniversary of Harry Potter and the Cursed Child reaching Melbourne. With over 325,000 attendees surging into the Princess Theatre to watch the tale unfold across the last twelve months, the show has been a record-breaking success. Although it has been on stage since its London premiere for almost four years, […]
Read MoreRip, Drag and Ruminate is a collection of short works from the Adelaide College of the Arts 3rd Year Dancers. Six pieces were presented. The opening sequence by Isobel Stolinski, “To Whom it May Concern”, dealt with art censorship and scrutiny. The Acid Arab soundtrack helped to create an uplifting message which contrasted with the […]
Read MoreBilly Elliot was a hard-hitting film that intertwined the beauty of dance with sentiments of toxic masculinity, as well as giving us an intense glimpse into the class struggles working-class England faced in the early 1980s. Not your obvious choice of musical magic; however, Elton John was so moved after seeing the film at Cannes […]
Read MoreGrace O’Malley (Gráinne Mhaol), was a powerful seafaring chieftain in 16th-century Ireland who commanded 200 men at sea, and met with Queen Elizabeth I. Curiously, she is not readily found in history books, so Jennifer Liston has bought her story to life, using original poems, songs and music. The upstairs room in the Gilbert […]
Read MoreThe year was 1977. The legend Jim Steinman wrote (along with Todd Rundgren) what would become the biggest debut album of all time. That album is called Bat Out Of Hell. Singer of Bat out of Hell, Meatloaf, became a sensation with his range of powerhouse vocals often coupled with female singers with such pizzazz […]
Read MoreCalling all magical fairytale creatures, pack your bags, vacate the swamp, and fly on down to Her Majesty’s Theatre to see everyone’s favourite green ogre belting out a tune in Shrek The Musical! When I first heard that they were turning Shrek, arguably one of the greatest animated cartoon’s of all time into a musical, […]
Read MoreAmanda Palmer has created a deeply personal, autobiographical performance piece that resonates with passion and dignity. As the lead singer of the Dresden Dolls, Palmer is no stranger to controversy and never shies away from the difficult conversation. “Cornflake Girl” by Tori Amos fills Bonython Hall, signally the arrival of Amanda Palmer. Dressed in a […]
Read MoreBefore Moulin Rouge! premiered at New York’s Al Hirshfeld Theatre on July 25th, 2019, a theatre where Kinky Boots had called a home for the 6 years prior, the producers did something quite surprising: so sure they were of its popularity, they announced it would tour out of New York – including a 2021 run […]
Read MoreThe Midsummer Carnival is in town, and the big top has set up shop at Brisbane Powerhouse. A troupe of pixies and players invite audiences to wander through their carnival, filled with sideshow games, fortune tellers, and death defying stunts. But hidden amongst the crowd are four young lovers, and as the mischievous Puck sets […]
Read MoreMagic is so often about secrets, smoke and mirrors, but James Galea also adds a dash of silliness to the mix. The hip youngster projects a cool and calm exterior that is so charming. He also has an irreverent sense of humour; his tongue is placed firmly in cheek. In Poof! Secrets of a Magician […]
Read MoreAn all-star collaboration of sorts, Anthem sees acclaimed writers Christos Tsolkas, Patricia Corneleus, Andrew Bovell and Melissa Reeves reunite with composer Irene Vela following their 90s-era play Who’s Afraid of the Working Class? A series of stories interweave through the backdrop of Melbourne’s train network, with a range of characters thrust together on public transport […]
Read MorePerformance artist Bryony Kimmings is known for work centering on the personal, with prior shows exploring her partner’s depression, a show devised with her tween-aged niece and another sleuthing the source of an STD. In I’m a Phoenix, Bitch, however, things get far more raw. If one uses life experience as a platform for their […]
Read MoreBased on the 1982 novel of the same name by Michael Morpurgo, War Horse returns to Melbourne to dazzle audiences at the newly refurbished Regent Theatre. The play exhibits a deeply moving and emotional story about the bond between a boy and his horse during the outbreak of WWI accompanied by stellar puppetry, captivating lighting […]
Read MoreThe wedding comedy is common shorthand through which to explore culture. Those from different traditions are forced to navigate a new frontier, negotiate new sets of terms and decide what parts are most important. Black Ties sees this culture clash cleverly told between an Indigenous and Maori family, highlighting both the similarities and stark differences […]
Read MoreThe White Album may have been a seminal record by The Beatles but it’s also a book of essays by Joan Didion. Published in 1979, it is an evocative text where the author made some piercing observations about her world during the late sixties in America. Sydney Festival played host to a clever adaptation of […]
Read MoreFood, glorious food can mean so much. It is nourishing and keeps us alive. It’s something we share with loved ones. It can also be a window to certain cultures- you can be an active participant in a small and perhaps unknown community. This is the scene that Double Delicious operates in: it’s a heart-warming […]
Read MoreWhile the fanfare over Tim Minchin’s work on Matilda felt deafening, it may surprise some to learn that he’s not the only Aussie who’s setting Broadway alight with his lyrics and music. Enter another composer-actor-comedian, Melbourne born Eddie Perfect – who you’ll remember from performance in Offspring or from penning and starting in the hilarious […]
Read MoreShakespeare’s Romeo and Juliet is one of the most iconic tragedies of all time. If you’re unfamiliar with this tale of woe – plot spoiler – they die in the end. But Giles Gartrell-Mills, the writer behind Mercutio and The Prince of Cats, isn’t interested in the star-crossed lover’s plight. Instead the play focuses on […]
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