Pregnancy has long been fertile ground for horror cinema, but Son of Sara transforms familiar fears into something far more intimate. As Sara, a woman whose increasingly disturbing cravings coincide with the return of her estranged boyfriend and the terrifying possibility that something sinister is growing inside her, Chloe Van Landschoot delivers a performance that…
Son of Sara opens with a compelling premise. Sara (Chloe Van Landschoot) is heavily pregnant after a one-night stand and living with her supportive partner, Carol (Tymika Tafari), but increasingly disturbing symptoms – an insatiable appetite for raw meat, violent bouts of sickness and terrifying visions – suggest something far more sinister than a difficult…
Eli Roth has never been a filmmaker I’ve felt compelled to defend. He’s a provocateur whose work often lives or dies by how much you’re willing to embrace outrageous violence, juvenile humour and unapologetic excess. At his best, films like Cabin Fever, Hostel and Thanksgiving understood the particular corner of horror they occupied, balancing their…
For many audiences, Australian actress Lily Sullivan is about to feel like an overnight discovery. When SOULM8TE, the erotic sci-fi thriller set within the expanding M3GAN universe, premieres digitally on August 1st, Sullivan steps into her biggest international leading role yet, playing an advanced android companion purchased by a grieving widower. It’s the kind of…
Religion and horror have long shared a common language. Both deal in fear, temptation, guilt, and the consequences of transgression. Adrian Chiarella‘s Leviticus understands that connection intimately, using supernatural terror not simply to frighten its audience but to examine the emotional violence inflicted upon queer people by institutions that claim to offer salvation. Set within…
A decade after redefining modern zombie cinema with Train to Busan, filmmaker Yeon Sang-ho returns to familiar infected territory with Colony, a frenetic, blood-soaked thriller that trades speeding trains for a towering Seoul skyscraper. While it never quite reaches the emotional highs or cultural impact of its predecessor, it remains an entertaining and inventive genre…
Kane Parsons’ Backrooms understands something many horror films about internet mythology completely miss: the fear was never just the monster. It was the feeling. The wrongness. The sense that you’ve stepped somewhere familiar that suddenly no longer obeys reality. Expanding a concept as abstract and collaborative as the Backrooms into a feature-length narrative was always…
André Øvredal has proven himself capable of delivering horror with atmosphere and restraint. Whether it was the creeping dread of The Autopsy of Jane Doe, the gothic ambition of The Last Voyage of the Demeter, or the gateway scares of Scary Stories to Tell in the Dark, his work usually contains at least a few…
There’s a particular kind of horror film that doesn’t just aim to scare you – it lingers, quietly burrowing under your skin by tapping into something far more recognisable than any monster. That’s exactly what Proclivitas achieves, weaving together grief, addiction, and memory into something as emotionally raw as it is unnerving. At its centre…
There’s a particular kind of grime that clings to the best grindhouse horror – the sense that if you wiped your hand across the screen, it would come away sticky. Dolly, directed by Rod Blackhurst, leans into that filth with feral enthusiasm. This is not polite horror. It’s blood-caked, sun-bleached, and proudly nasty; a love…
Thanks to Roadshow Films, we have 5 double digital in-season passes (Admit 2) to see the terrifying new horror flick Whistle, in Australian theatres from February 12th, 2026. A group of high school misfits inadvertently come across an ancient Aztec death whistle. Blowing it summons their future deaths to hunt them down. As the body count…
It’s been an event thirty years in the making as Sidney Prescott faces her past in Scream 7. After sitting out the events of Scream VI, Neve Campbell is back facing the knife in the hotly anticipated sequel which sees original writer Kevin Williamson step into directing duties, three decades after the original film terrorised…
When Valentine hit American theaters in February 2001, it arrived at a strange and unforgiving moment for horror. The post-Scream boom had peaked, critics were exhausted by the meta-wave, and studios were scrambling to find the next box-office darling. Into this atmosphere entered a stylish, glossy, almost defiantly straightforward slasher film – one that critics…
When Hostel was released theatrically in 2006 (it technically debuted in 2005 at the Toronto International Film Festival), it arrived like a blunt instrument. Audiences recoiled, critics argued, and the term “torture porn” entered the mainstream horror lexicon almost overnight. Directed by Eli Roth and produced by Quentin Tarantino, Hostel quickly became a lightning rod…
Given the shameless pun that is its title, one needn’t worry about subtlety or nuance with a film like New Fears Eve. Whilst we are in the midst of a true appreciation for the horror genre and how deeply layered it can prove, there’s something refreshing about a gory slasher that follows a classic formula…
Thanks to StudioCanal Australia and Sixth Dimension, we have 5 double in-season passes (Admit 2) to giveaway to the new Christmas horror Silent Night, Deadly Night, in Australian theatres from December 11th, 2025. After witnessing his parents’ brutal murder on Christmas Eve, Billy transforms into a Killer Santa, delivering a yearly spree of calculated, chilling…
The spooky season is once again upon us, and with that comes necessary horror viewing. Sure, you could always revisit the classics (we’re talking your Halloween, Friday the 13th, Scream – and they’re iconic for a reason, so no judgement), but half the fun of the Halloween season is unearthing something scarily unexpected. Between endless…
Whilst there is a certain initial familiarity in Jessica Rothe portraying someone who’s in something of a cyclical environment in her latest horror effort, Affection, it becomes all too evident in the early minutes of BT Meza‘s genre outing that this is no retread of the more humorously minded Happy Death Day – the film…
As someone who hasn’t played the video game upon which this film is based, and is only vaguely familiar with its plot outline, I’m coming into David F. Sandberg‘s adaptation with horror movie eyes. And in that regard, the Lights Out director – returning to the genre that made him a name after dipping his…
Whilst the slasher genre has certainly maintained a steady presence within the horror genre as of late, Heart Eyes very much leans into the sporadically gory, gloriously nonsensical mentality that so many Scream imitators indulged in across the late 90s and early 2000s in the wake of Wes Craven’s original slasher rejuvenating the field. The…
25 years ago, a rejected X-Files plot and a morbid sense of humour came together in the most glorious (and gory) fashion for Final Destination. At a time when the horror genre was heavily reliant on the slasher subsect, Final Destination dared to go beyond conventions, taking the pin-up cast of its contemporaries and offing…
As we learned from “the rules of a horror sequel” in one of the few horror sequels that actually held its weight against the original – 1997’s Scream 2 – things are always bigger and bloodier in a Part 2; “Carnage candy,” as it was so deliciously described. And, indeed, Parker Finn has a sweet…
Following the critical and commercial success of Smile in 2022, writer/director Parker Finn knew that if he was going to make a sequel, it had to be an “insane” idea. Centering on a global pop sensation, Skye Riley (played by Naomi Scott), who begins experiencing increasingly terrifying and inexplicable events ahead of a world tour,…
At over 2 hours long, with performances that are predominantly uninspired, and a script that doesn’t delve beyond setting up a narrative solely to off its variety of stock-standard characters, Michael Leavy‘s slasher Stream leaves a lot to be desired. In the same breath, it’s so gloriously gory and committed to not taking itself seriously…
In A Violent Nature is being praised as a one-of-a-kind horror experience that must be enjoyed on the big screen. Following its premiere at the Sundance Film Festival in January as part of the festivals celebrated ‘Midnight’ program, this unique horror film released theatrically in the US on 1,426 screens and grossed US$3 million in…
Looking at a film like In A Violent Nature from the surface, it’s easy to link Chris Nash‘s slasher to something like the Friday the 13th series. His creation here – the non-verbal, physically imposing Johnny – is akin to Jason Vorhees in his stature and seeming penchant for walking after his victims over a…
Back in March of 2022, Ti West birthed a horror trilogy the genre didn’t know it needed. X, a 1970s-set porn shoot-turned-massacre tale, indulged in its dirty aesthetic, before its 1918-set prequel, Pearl, arrived mere months later, similarly revelling in its own unique temperament, one that came across like The Wizard of Oz on a…
Russell Crowe stars as troubled actor Anthony Miller, who begins to unravel while working on a supernatural film. His estranged daughter wonders if he’s slipping back into his past addictions or if there’s something more sinister at play. Such is the logline for The Exorcism, a new dramatic horror film from writer/director Joshua John Miller,…
Perhaps because we’re simply used to his New Girl persona, or that even in the realms of a horror setting he’s playing with a little uncertain levity, Lamorne Morris‘ presence in the opening moments of Night Shift suggest that The China Brothers (filmmaking duo Benjamin and Paul China) may be preparing their audience for a more…
Your fate is in the cards. Thanks to Sony Pictures Australia we have 5 double in-season passes (Admit 2) to see the chilling new horror film Tarot, starring Jacob Batalon (Spider-Man: Homecoming) and Mean Girls‘ Avantika, in Australian cinemas from May 2nd, 2024. When a group of friends recklessly violates the sacred rule of Tarot…
