Album Reviews

Modest Mouse’s album An Eraser and a Maze is a meandering self-reflective tribute to life

Modest Mouse is an American rock band formed in 1993 by lead singer Isaak Brock. Their output is prolific, with well over a dozen albums and EPs released. In their latest release, An Eraser and a Maze, Brock explores the theory of time existing simultaneously. Which, of course, is an oversimplification of the fifteen tracks…

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Paul McCartney

Paul McCartney turns inward on The Boys Of Dungeon Lane

It’s a big week for Beatles fanatics. The newest addition to an extensive and mind-blowingly successful discography, The Boys of Dungeon Lane, transports listeners back to where it all began for prolific artist and Beatle, Sir Paul McCartney, in post-war Liverpool. The album gives listeners personal insight into Paul’s beloved memories of growing up, playing…

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Kingswood hit the open road on Midnight Mavericks (2026 LP)

KINGSWOOD’s seventh album Midnight Mavericks is a love-letter to country rock and all things Americana.  The album kicks off with “Two Lovers”, a solid opener that features Steph Greenwood on vocals alongside lead singer Fergus Linacre. The rhythm guitars paired with a slide-guitar riff show off the band’s country-rock style, and sets the scene for…

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Album Review: Genesis Owusu – Redstar Wu & The Worldwide Scourge (2026 LP)

There’s nothing you like to see more from a musician than someone willing to take a risk on a body of work; all the while managing to pull it off as if it wasn’t a risk at all. At a time when it feels like the most bankable, popular songs sound and feel very similar…

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Restless, raw and reflective: Basement on WIRED (2026 LP)

The easiest thing Basement could have done after eight years away was make another Colourmeinkindness. Instead of chasing nostalgia and recreating their past sound, they’ve come back with WIRED, their first studio album since 2018. It definitely still sounds like Basement, but entirely different at the same time- it’s sharper, more self-assured and serves as…

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Album Review: Unpredictable and deeply human: Aldous Harding’s Train On The Island (2026 LP)

New Zealand-born and based artist Aldous Harding is set to release her fifth album, Train On The Island, on May 8. The 10-track album comes in collaboration with producer John Parish. The two have worked together across much of Harding’s musical career, on previous albums including Party (2017), Designer (2019) and Warm Chris (2022).  The…

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Album Review: Young The Giant revisit their roots on Victory Garden

Californian Indie rock band Young The Giant return with their fifth studio album, Victory Garden, and it feels like they’re deliberately revisiting their roots. Following their ambitious 2022 concept album, American Bollywood, this record trades conceptual scope for a more familiar sound. Across the 11 tracks, they lean fully into the breezy indie rock sound…

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Album Review: Melanie C finds freedom on the dancefloor with the euphoric Sweat

There’s something deeply full-circle about where Melanie C lands with Sweat. A ninth studio album could easily lean into legacy, nostalgia, or safe reinvention – but instead, Sweat feels like a liberation. It’s a record powered by movement, memory, and a genuine love for the dancefloor, one that reconnects her with the euphoric chaos of…

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Album Review: Foo Fighters’ Your Favorite Toy is their best album in some 15 years

On Friday, the Foo Fighters released their 12th full length LP, and first in almost three years, Your Favorite Toy. Early reviews indicated this is the best the iconic American rockers have sounded in more than a decade. And as a fan of the band for almost 30 years, I’m here to tell you that…

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Album Review: Don Broco’s Nightmare Tripping is an experience

Don Broco aren’t figuring it out anymore. That part’s done. With their fifth studio album, Nightmare Tripping, you get a band that knows exactly what it is and is running with it. Since they started out back in 2008, they’ve bounced all over the place stylistically, pulling from alt rock, pop, electronic and heavier, but…

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Album Review: Naomi Scott’s soulful pop record F.I.G is a statement of intent

There’s a quiet confidence running through F.I.G that immediately reframes expectations. This is not the glossy, hyper-engineered pop pivot some might anticipate from a former Disney Channel breakout, nor is it a continuation of the darker, urban-leaning textures flirted with as Skye Riley in Smile 2. Instead, Naomi Scott delivers one of the most assured…

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Album Review: Willa Ford oscillates between unapologetic pop excess and vulnerable reflection on playful LP amanda

More than two decades after bursting onto the pop scene, Willa Ford returns with amanda, a record that feels less like a comeback and more like a personal exhale. Ford has been open about the fact that the album “was never supposed to happen,” describing how music unexpectedly resurfaced in her life during a period…

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Molly Millington

Album Review: Molly Millington – Frank Morgan (2026 LP)

As someone who listens to their fair share of new music, there’s honestly not much better than seeing an artist you’ve followed on and off for a couple of years release a large body of work and absolutely crush it. In this instance, Molly Millington has gone about and released a debut album that’s one…

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Album Review: Hilary Duff balances romance with realism on clever statement LP luck…or something

On her new LP luck…or something, Hilary Duff sounds completely at ease with herself – no vocal acrobatics, no trend-chasing detours, just a confident embrace of her range and a sharp focus on songwriting. The album’s greatest strength is how naturally it balances humour with anxiety, and romance with realism. These songs live in the…

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Album Review: New Found Glory- Listen Up! (2026 LP)

New Found Glory have undeniably still got it. Their twelfth record, Listen Up! arrives as the band approaches their thirtieth anniversary, and it feels like them at their very best. Shaped by experiences such as guitarist Chad Gilbert’s ongoing battle with an aggressive cancer as well as their dynamic as a band all these years…

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Album Review: Story Of The Year- A.R.S.ON (2026 LP)

Missouri outfit Story Of The Year have never been easy to pin down. Floating somewhere between post-hardcore, pop-punk and emo, they’ve spent over two decades bending genres. Through hiatuses and line-up changes, they’ve weathered plenty- but their seventh studio album A.R.S.O.N genuinely feels like they’ve settled into themselves. Short for All Rage Still Only Numb,…

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Freya Skye dazzles with her debut EP stardust

At sixteen, most of us are just trying to survive school, friendships and our own feelings – not dropping a debut EP. For Freya Skye, though, this kind of early brilliance seems almost inevitable. The 16-year-old singer, songwriter and Zombies 4 star has officially stepped into her pop era with stardust– a five-track debut dripping…

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Album Review: Meg Mac stands firmly in her power on It’s My Party

This Friday, February 20th, ARIA #1 artist Meg Mac returns with her fourth studio album, It’s My Party. It’s a record that builds on Mac’s firmly established brand of pop-soul-indie fusion, while loosening up and finding new ground. Self-assured and sonically explorative, it’s a mature offering that buries some big questions in pop-song velvet. Written…

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Album Review: Mumford & Sons show their heavyweight status with their new album Prizefighter

I’ve been onboard with Mumford & Sons since Sigh No More in 2009, with some of their tunes featuring large in milestones in my own life, and there’s always been a sense of comfort for me in their unique sound. I freely admit to loving their rollicking tunes like “Little Lion Man” and “I Will…

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Album Review: Alexander Wolfe’s Everythinglessness is a purposeful musical journey told from beginning to end

Way back in 2010, a short lived BBC TV series called Whites featured a song called “Song For The Dead” over its opening and closing credits. The song was by Alexander Wolfe from his debut album Morning Brings A Flood, and I was immediately enthralled. 16 years later I continue to follow his musical endeavours…

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Album Review: Madison Beer’s Locket is a quietly devastating pop album – and one of her best

Madison Beer has spent much of her career being underestimated, written off as an influencer-adjacent pop star, praised faintly for singles but rarely credited for her artistry as a whole. Locket, her third album, should finally put that misconception to rest. It’s a deeply introspective, emotionally cohesive body of work that rewards close listening, offering…

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Album Review: LOS LEO – LL-1000 (2025 LP)

Adelaide musician and producer LOS LEO has released his latest record, LL-1000, an ambitious project that far transcends the music itself. Setting himself the seemingly impossible challenge of writing, recording, and producing an album within one calendar year, he has just scraped in, and the result is a stunning 14-track record that showcases this insane…

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5 Seconds of Summer’s EVERYONE’S A STAR! proves they’re not only the greatest boyband, but one of the greatest Australian bands

If you’ve clicked on this article, I’m going to assume that you are one of two types of people: you either think I’m rage-baiting you or you’re in complete agreement. If you’re the former, hear me out. If you’re the latter- hey, we were probably friends on Twitter back in 2011. I was first introduced…

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Album Review: Deadbeat may be Tame Impala’s most vulnerable album yet

It’s been five years between albums for Tame Impala. In the intervening years between 2020’s The Slow Rush and Deadbeat the multi-instrumentalist behind the project, Kevin Parker, has also become a husband and a father, making the choice of name for the album an interesting one indeed. Following on from the huge success of earlier…

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The Maple State

After 17 years, The Maple State return with new album Don’t Take Forever

The Maple State are back! Seventeen years after their original disbanding, the Manchester emo-punk outfit has released their new album Don’t Take Forever. A staple of the early 2000s punk scene, The Maple State steadily developed a loyal following over the years – one that includes Blink-182’s Mark Hoppus and The 1975’s frontman, Matty Healy….

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Taylor Acorn’s Poster Child is an angsty, heartfelt and irresistibly fun journey

Pop-punk favourite Taylor Acorn has finally dropped her debut LP, Poster Child – her first release since signing to Fearless Records last month. Across 12 tracks and a short but sweet 37-minute runtime, Acorn delivers an album that is sharp, emotional, anthemic, and so damn fun. Opening track “People Pleaser” immediately sets the tone with…

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Album Review: Jehnny Beth’s new solo album You Heartbreaker, You is a ride worth joining

Fans of UK post-punk/alt-rock band, Savages, will know Jehnny Beth from her time as their dynamic front woman. Others may know the French singer/songwriter from her numerous collaborations with some of music’s biggest names, including Trentemøller, Gorillaz, and Julian Casablancas, to name but a few. Released at the end of August, Beth’s second solo album…

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All Time Low

Review: All Time Low’s tenth studio album, Everyone’s Talking is a refreshing reset

All Time Low return with their tenth studio album, Everyone’s Talking, out today. The title alone feels loaded in all the right ways, coming after a few turbulent years that saw the band face some scrutiny- this record marks a reset and reclamation in their journey. The colourful album cover features the band in bright…

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Album Review: The Last Dinner Party – From the Pyre (2025 LP)

Little more than 18 months after their breakout debut album, The Last Dinner Party return with another instant classic, the soaring rock-opera From the Pyre. After initially coming out of nowhere with the singles from Prelude to Ecstasy (including “Sinner”, “Nothing Matters” and “My Lady of Mercy”), the majority British act wowed crowds and critics…

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Album Review: Khalid lives his best popstar life on slinky After The Sun Goes Down

A little over a year since the release of his Sincere LP, R&B singer Khalid has decidedly changed his tune from those airy, harmonic rhythms to a more pop-forward, liberating sound with After The Sun Goes Down, a confident, at times sexually charged collection of beats that leans into an almost Y2K sense of sound….

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