erik thomson

Film Review: Blueback is beautifully captured and charmingly peaceful

Given just how successful his last film The Dry was, it’s understandable for their to be a certain expectation and closely examined look at what director Robert Connolly has on his table for his immediate follow-up.  Not that you should expect a crime thriller 2.0 given he’s adapting Tim Winton‘s family-friendly short Blueback, but don’t…

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Film Review: How to Please a Woman aims for surprising realness over obvious raunch

Though its title may suggest it’s a comedy of somewhat raunchy proportions, Renée Webster‘s assured debut feature film How to Please a Woman is a far more accessible, rather delightful dramedy that furthers the female view in a male-dominated industry. Filmed in Western Australia (and looking particularly stunning in the process), Webster’s film centres around…

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Interview: Erik Thomson on enjoying the tone set by the female cast and crew of How to Please a Woman

A staple of the Australian cinema and televisual landscape for 30 years, Erik Thomson is an AFI and Silver Logie award winning actor known for his work in All Saints, Packed to the Rafters, and 800 Words. On May 19th, he will be seen romancing Sally Phillips in the comedy How to Please a Woman,…

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Interview: Director Renée Webster on How to Please a Woman and finding the comedy in truth and pain

Having played to sold out festival sessions across Australia, the female-focused dramedy How to Please a Woman is looking to continue its crowd-pleasing success when it opens nationally in Australian cinemas on May 19th. Ahead of its release, Peter Gray spoke with the film’s writer and director, Renée Webster, about its rapturous reception so far,…

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Film Review: Coming Home in the Dark is a menacing feature brimmed with horrific potential

It doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark.  A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s…

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Melbourne International Film Festival Review: Coming Home in the Dark creates a horrific situation out of the simplest ingredients

It doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark.  A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s…

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Sundance Film Festival Review: Coming Home in the Dark is a menacing feature that doesn’t take full advantage of its eerie potential

It doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark.  A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s…

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