In case the filmic version of Fifty Shades of Grey was ultimately a little too safe in its actuality compared to the near-porn mentality of E.L. James’s novel, J-P Valkeapää‘s striking Dogs Don’t Wear Pants stands as something of a reparative. And as much as the bold, dark comedy intends to shock its audience, this remains […]
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Given the state of the world right now, a little comedy would be the perfect antidote to distract us. And, on paper, a satire-cum-love-letter surrounding the Eurovision Song Contest starring Will Ferrell and Rachel McAdams as a duo of Icelandic popstar-wannabes desperate to win said contest sounds like a potential winner. The reality, unfortunately, is […]
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After an enormously successful launch in the United States and Canada, Acorn TV has arrived in Australia and New Zealand. A predominantly British-centric service that showcases the best drama the UK has to offer, one of the instantly accessible series on the “Netflix for Anglophiles” is Dead Still. Set in 1880’s Ireland, the comedically macabre […]
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At just over 80 minutes, Darkness Falls (which is also known as Anderson Falls in other regions) understands the importance of not overstaying its welcome. It’s a lean, tight running time for a serial killer thriller, one that opens with a particularly harsh sequence where the predators murder their prey by forcing them to digest […]
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In a climate where addressing one’s own identity has never felt more important, independent Australian rapper and producer Dos Dos has released his first major single of 2020, “No Time”. An unfettered reflection of an artist’s struggle with identity and depression, “No Time” – over a subtle base and hip-hop-inclined beat – comments on the […]
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And so my dear Bébés, it’s time to say goodbye. After 6 seasons, 80 episodes, countless nonsensical European-inflected ramblings, and, surprisingly, only two “Ew, David”‘s, Schitts’s Creek has come to and end. In the series’ swan song, the Roses (co-creators Eugene Levy and Dan Levy, Catherine O’Hara, and Annie Murphy) are achieving success in their careers and […]
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End of Sentence treads a familiar path. And, initially, Elfar Adalstein‘s father-son-centric drama is a particularly downtrodden affair that audiences may not believe they’ll warm to. The film’s lead characters don’t come off as the most inviting either – Logan Lerman‘s fresh-out-of-prison Sean and his doormat dad, Frank, played by John Hawkes – and their […]
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Not unlike fellow Netflix offering Murder Mystery, The Lovebirds adopts the tried and true premise of regular-folk-get-mixed-up-in-a-major-crime and hopes it has enough of a strong centre to overcome any unoriginality. And whilst the screenplay from Aaron Abrams (a sometimes-actor whose credits include Resident Evil: Apocalypse and The Open House) and Brendan Gall (TV’s Blindspot) doesn’t […]
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Perhaps as it should, Little Fires Everywhere does indeed start with a fire. “There are little fires everywhere”, a fire marshal relays to a distraught Reese Witherspoon and a concerned Joshua Jackson, as they stare at their sprawling suburban home engulfed in flames. The marshal’s statement indicates this was intentionally lit, setting up an immediate […]
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The latest film from acclaimed Australian director Gregor Jordan (Two Hands, Ned Kelly), Dirt Music is a gritty, sexy drama with a haunting love story at its heart set against the powerful backdrop of Western Australia’s evocative landscape. Based on the novel by Tim Winton, the cinematic adaptation will be coming to Australian cinemas […]
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Though disgraced movie producer Harvey Weinstein does not physically appear in The Assistant, nor does his likeness or even his name, this quietly disturbing drama from Australian filmmaker Kitty Green very much has him in mind. There’s a humiliation and systemic mentality that rings true throughout the film’s brisk 85 minute running time as it […]
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In the face of the global disruption to the entertainment market, the film industry is finding new and innovative ways to keep cinema enthusiasts connected, and today the Melbourne International Film Festival (MIFF) announced MIFF 68½ – a reimagined celebration of film online. Following the festival’s cancellation, MIFF Artistic Director Al Cossar and his team […]
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*This review will contain spoilers pertaining to Dead To Me’s first season* It goes without saying that if you haven’t finished season one of Netflix’s deliciously comedic Dead To Me (or watched it all, shame on you if so), this second season is not for you to play catch up. And after the unexpected note […]
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Given the fact that Hostage has something of a reputation for being one of Australia’s biggest Ozploitation films, you’d be forgiven for assuming it would live up to its supposed status. And whilst the opening credits suggest the film to come will be one heavy on uncomfortable violence – there are sudden, furious flashes of […]
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As easy as it is to compare Upload to a program such as The Good Place – given that both series’ deal with the afterlife – Greg Daniels‘ romantic-comedy-cum-mystery is more a commentary on capitalism, a topic it tackles as successfully as it does ineffectually. Set in the not-too distant future (2033, to be exact), […]
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The opening scrawl of The Flood states that at least 18,000 people who have been displaced by persecution, conflict and violence in their own habitats around the world have died in the last 5 years alone in their bid to reach Europe. It’s a shocking statistic regarding those trying to enter another country, but in […]
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Given 1917‘s rather simplistic plot – a pair of infantrymen having to cross the treacherous No Man’s Land in order to prevent a doomed attack during the height of World War 1 – it makes sense that director Sam Mendes (Skyfall) would opt for a more complex manner to detail the story. Single camera shots […]
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I’ll admit that faith-based material isn’t always the most attractive prospect for me. Sure, you have your Last Temptation of Christ‘s and your Passion of the Christ‘s, but His story is one that doesn’t particularly entice me; most likely born from my personal relation to religion as a whole. That being said I certainly won’t […]
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Though the blueprint behind Come As You Are is quite insultingly familiar – three sexually-charged men on a road trip that’s as heavy on situational humour as it is on their own self-discovery – director Richard Wong proves that appearances are indeed deceiving. The core structures of the road-trip-comedy are in place, but Come As […]
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*Due to the current global crisis the planned 2020 Tribeca Film Festival has been postponed. The AU Review has been in contact with the respective representatives for available films in order to give them the coverage they intended. A commentary on the so-called perfection of social media, Eamonn Murphy‘s quirky short A Better You is […]
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*Due to the current global crisis the planned 2020 Tribeca Film Festival has been postponed. The AU Review has been in contact with the respective representatives for available films in order to give them the coverage they intended. Much like the recent slate of short films that were intended for this year’s SXSW Film Festival, […]
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Best not to be fooled by Almost Love‘s incredibly generic title (its alternative UK/international moniker Sell By isn’t much better either) as Mike Doyle‘s interconnected relationship drama plays stronger than it deserves to, thanks in large part to an ensemble cast that are allowed to play to and with their own respective strengths. Set in […]
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If we have learnt anything throughout cinema’s depictions of estranged families, it’s that the more alienated you are from one another, the more unpredictable your journey will be. This proves especially true in Come To Daddy, a pitch black comedic thriller that director Ant Timpson bathes in gory oddity. There’s an unease immediately present from […]
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As horrific as some things are on screen, behind the cameras can be even worse. Supernatural forces at bay have proven to be more than just fictional fodder if the lore of horror set stories are anything to go by, and Shudder’s own Cursed Films docu-series sets out to prove whether it’s fact or fiction […]
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On paper, the premise for Swallow sounds almost too-grotesque to be relayed without resorting to some type of gimmick. In reality, Carlo Mirabella-Davis‘s slow-burning thriller transcends its potentially nauseating core to deliver a deep, at times dark tale that wholly understands and respects its unique subject matter. The film surrounds the delicate Hunter (Haley Bennett), […]
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Perhaps diving a little too heavily into the metaphorical stance on storytelling, Claire Oakley‘s Make Up is a self-discovery tale dressed up like […]
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. The Midnight Shorts Competition has long been an audience favourite at SXSW. A bite-sized marathon of twisted ideas that usually fuses gore, overt […]
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Detailing a tragic situation with a sobering, uncomfortable realism that has the potential to test even the most patient of viewers, The Surrogate […]
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Proof that more than enough can be conveyed in a fraction of the time of a standard feature, Ashley Eakins‘ short-feature Single is […]
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. The description outlined for the comedy series Everyone Together sounds rather typical. Dysfunctional families from two very different cultural backgrounds subsequently bond and […]
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