End of Sentence treads a familiar path. And, initially, Elfar Adalstein‘s father-son-centric drama is a particularly downtrodden affair that audiences may not believe they’ll warm to. The film’s lead characters don’t come off as the most inviting either – Logan Lerman‘s fresh-out-of-prison Sean and his doormat dad, Frank, played by John Hawkes – and their […]
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Not unlike fellow Netflix offering Murder Mystery, The Lovebirds adopts the tried and true premise of regular-folk-get-mixed-up-in-a-major-crime and hopes it has enough of a strong centre to overcome any unoriginality. And whilst the screenplay from Aaron Abrams (a sometimes-actor whose credits include Resident Evil: Apocalypse and The Open House) and Brendan Gall (TV’s Blindspot) doesn’t […]
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Perhaps as it should, Little Fires Everywhere does indeed start with a fire. “There are little fires everywhere”, a fire marshal relays to a distraught Reese Witherspoon and a concerned Joshua Jackson, as they stare at their sprawling suburban home engulfed in flames. The marshal’s statement indicates this was intentionally lit, setting up an immediate […]
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The latest film from acclaimed Australian director Gregor Jordan (Two Hands, Ned Kelly), Dirt Music is a gritty, sexy drama with a haunting love story at its heart set against the powerful backdrop of Western Australia’s evocative landscape. Based on the novel by Tim Winton, the cinematic adaptation will be coming to Australian cinemas […]
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Though disgraced movie producer Harvey Weinstein does not physically appear in The Assistant, nor does his likeness or even his name, this quietly disturbing drama from Australian filmmaker Kitty Green very much has him in mind. There’s a humiliation and systemic mentality that rings true throughout the film’s brisk 85 minute running time as it […]
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In the face of the global disruption to the entertainment market, the film industry is finding new and innovative ways to keep cinema enthusiasts connected, and today the Melbourne International Film Festival (MIFF) announced MIFF 68½ – a reimagined celebration of film online. Following the festival’s cancellation, MIFF Artistic Director Al Cossar and his team […]
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*This review will contain spoilers pertaining to Dead To Me’s first season* It goes without saying that if you haven’t finished season one of Netflix’s deliciously comedic Dead To Me (or watched it all, shame on you if so), this second season is not for you to play catch up. And after the unexpected note […]
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Given the fact that Hostage has something of a reputation for being one of Australia’s biggest Ozploitation films, you’d be forgiven for assuming it would live up to its supposed status. And whilst the opening credits suggest the film to come will be one heavy on uncomfortable violence – there are sudden, furious flashes of […]
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As easy as it is to compare Upload to a program such as The Good Place – given that both series’ deal with the afterlife – Greg Daniels‘ romantic-comedy-cum-mystery is more a commentary on capitalism, a topic it tackles as successfully as it does ineffectually. Set in the not-too distant future (2033, to be exact), […]
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The opening scrawl of The Flood states that at least 18,000 people who have been displaced by persecution, conflict and violence in their own habitats around the world have died in the last 5 years alone in their bid to reach Europe. It’s a shocking statistic regarding those trying to enter another country, but in […]
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Given 1917‘s rather simplistic plot – a pair of infantrymen having to cross the treacherous No Man’s Land in order to prevent a doomed attack during the height of World War 1 – it makes sense that director Sam Mendes (Skyfall) would opt for a more complex manner to detail the story. Single camera shots […]
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I’ll admit that faith-based material isn’t always the most attractive prospect for me. Sure, you have your Last Temptation of Christ‘s and your Passion of the Christ‘s, but His story is one that doesn’t particularly entice me; most likely born from my personal relation to religion as a whole. That being said I certainly won’t […]
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Though the blueprint behind Come As You Are is quite insultingly familiar – three sexually-charged men on a road trip that’s as heavy on situational humour as it is on their own self-discovery – director Richard Wong proves that appearances are indeed deceiving. The core structures of the road-trip-comedy are in place, but Come As […]
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*Due to the current global crisis the planned 2020 Tribeca Film Festival has been postponed. The AU Review has been in contact with the respective representatives for available films in order to give them the coverage they intended. A commentary on the so-called perfection of social media, Eamonn Murphy‘s quirky short A Better You is […]
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*Due to the current global crisis the planned 2020 Tribeca Film Festival has been postponed. The AU Review has been in contact with the respective representatives for available films in order to give them the coverage they intended. Much like the recent slate of short films that were intended for this year’s SXSW Film Festival, […]
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Best not to be fooled by Almost Love‘s incredibly generic title (its alternative UK/international moniker Sell By isn’t much better either) as Mike Doyle‘s interconnected relationship drama plays stronger than it deserves to, thanks in large part to an ensemble cast that are allowed to play to and with their own respective strengths. Set in […]
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If we have learnt anything throughout cinema’s depictions of estranged families, it’s that the more alienated you are from one another, the more unpredictable your journey will be. This proves especially true in Come To Daddy, a pitch black comedic thriller that director Ant Timpson bathes in gory oddity. There’s an unease immediately present from […]
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As horrific as some things are on screen, behind the cameras can be even worse. Supernatural forces at bay have proven to be more than just fictional fodder if the lore of horror set stories are anything to go by, and Shudder’s own Cursed Films docu-series sets out to prove whether it’s fact or fiction […]
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On paper, the premise for Swallow sounds almost too-grotesque to be relayed without resorting to some type of gimmick. In reality, Carlo Mirabella-Davis‘s slow-burning thriller transcends its potentially nauseating core to deliver a deep, at times dark tale that wholly understands and respects its unique subject matter. The film surrounds the delicate Hunter (Haley Bennett), […]
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Perhaps diving a little too heavily into the metaphorical stance on storytelling, Claire Oakley‘s Make Up is a self-discovery tale dressed up like […]
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. The Midnight Shorts Competition has long been an audience favourite at SXSW. A bite-sized marathon of twisted ideas that usually fuses gore, overt […]
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Detailing a tragic situation with a sobering, uncomfortable realism that has the potential to test even the most patient of viewers, The Surrogate […]
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Proof that more than enough can be conveyed in a fraction of the time of a standard feature, Ashley Eakins‘ short-feature Single is […]
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. The description outlined for the comedy series Everyone Together sounds rather typical. Dysfunctional families from two very different cultural backgrounds subsequently bond and […]
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. A noble idea marred by melodramatics that often take away the importance of the film’s message, Shooting Heroin can’t help but feel like […]
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. You can love your dog, and then you can love your dog. And whilst Caleb Michael Johnson‘s bizarre effort The Carnivores wouldn’t be […]
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This year’s South By Southwest is fast approaching (March 13th 2020, y’all!), and with that haste comes a schedule of cinematic treats for the masses to feast on. Of course with 250 projects to fill the time, getting to each and every screening will be an impossible task, so we’ve compiled our look at 5 […]
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Having never read any of Kerry Greenwood‘s historical Miss Fisher mystery novels, nor seen the television program that was birthed from them, I can only judge Miss Fisher and the Crypt of Tears as someone entering blindly. And whilst I’m unfamiliar with the show, I’m aware of its structure, and I would assume that a […]
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As The Invisible Man prepares to be seen (or not seen) in theatres this week, The AU Review’s Peter Gray was fortunate enough to chat with the film’s writer and director, Australian talent Leigh Whannell, on his relationship with the horror genre and how a major studio like Universal Pictures left him to his own […]
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Had the Tom Cruise-led revamp of The Mummy not crashed and burned at the box office upon its release in 2017 then we’d be seeing, or more correctly not seeing, a very different Invisible Man. In an optimistic strategy from Universal Pictures – in their bid to compete with fellow juggernauts Marvel and DC – […]
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