Film & TV

We all scream for Eli Roth’s Ice Cream Man in chilling teaser trailer

Eli Roth returns to his trademark brand of splatter-soaked horror with the first teaser for Ice Cream Man, and if this early glimpse is anything to go by, summer is about to turn very, very sour. Set in an otherwise picturesque seasonal town where sun-drenched streets and nostalgic laughter mask something far more sinister, the…

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Karl Urban brings “F***in’ diabolical” energy to Luna Park Sydney for season launch of The Boys

The Boys has never been subtle – so it feels only fitting that its final season rollout in Luna Park Sydney went big, loud, and just a little bit unhinged. Prime Video transformed the harbourside amusement park into a chaotic, immersive playground inspired by the show’s twisted universe, drawing more than 500 fans into a…

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Series Review: Margo’s Got Money Troubles; Elle Fanning anchors this modern dramedy done right

The speed at which Margo’s Got Money Troubles has moved from page to screen feels almost miraculous – and even more impressive is how fully formed it arrives. Created by David E. Kelley and based on Rufi Thorpe’s novel, the series lands as one of the most vibrant, funny, and unexpectedly moving shows of the…

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Interview: Nick Offerman and Thaddea Graham on Margo’s Got Money Troubles and exploring the performative nature of existence

From David E. Kelley, the multi-Emmy Award-winning creator behind some of television’s most compelling character dramas, comes Margo’s Got Money Troubles – a sharp, funny and deeply human series anchored by a powerhouse cast including Elle Fanning, Michelle Pfeiffer, Nicole Kidman and Nick Offerman. Based on Rufi Thorpe’s bestselling novel, the show follows Margo, a…

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Interview: Michelle Pfeiffer and Elle Fanning on Margo’s Got Money Troubles, humanizing OnlyFans, and the complications of mother-daughter relationships

Premiering globally on April 15th, Margo’s Got Money Troubles, based on Rufi Thorpe’s bestselling novel, is as provocative as its premise suggests, but far more tender than you might expect. At its centre is Margo, played with striking vulnerability and spark by Elle Fanning, a young mother, aspiring writer, and recent college dropout navigating financial…

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Film Review: Wasteman is a claustrophobic, unapologetically raw prison drama

There’s no easy way to watch Wasteman – and that’s exactly what makes it so compelling. From the moment it locks you inside its grey, suffocating world, director Cal McMau makes it clear this isn’t a prison drama interested in comfort, catharsis, or even conventional morality. Instead, it’s a clenched, nerve-fraying character study that trades…

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Interview: Jay Anthony Franke on Deus Ex, California Dreams, and the art of using only your voice

Best known for his turn as Jake Sommers – the leather-clad lead guitarist who defined a generation of ‘90s teen TV on California Dreams = Jay Anthony Franke has built a career that stretches far beyond the screen. For gamers, his legacy is cemented in a very different space: as the voice of J.C. Denton…

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Interview: Louis Ashbourne Serkis on Out There and finding the vulnerability in violence

The son of acclaimed actor and filmmaker Andy Serkis, Louis Ashbourne Serkis is carving out a compelling path of his own with a performance that is as raw as it is quietly devastating. In Out There, he plays Johnny, the teenage son of a rural farmer (Martin Clunes) who is pulled into a dangerous county…

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Opinion: The most underrated banger of the ’80s lives in Grease 2

There’s a certain kind of cultural blind spot that happens when something is packaged “wrong.” A film flops, critics shrug, and everything attached to it gets quietly filed away as disposable. That’s exactly what happened to Grease 2 – and, by extension, to “Cool Rider,” performed by Michelle Pfeiffer. But strip away the baggage of…

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BOGOSHORTS Returns: Festival and Film Market open for submissions

The BOGOSHORTS – Bogotá Short Film Festival continues to cement its status as one of the world’s leading short film showcases, drawing more than 46,000 attendees to nearly 300 activities and presenting over 430 films across 120 screenings in its previous edition. As an official qualifying event for the Academy Awards®, Spain’s Goya Awards, and…

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Interview: Director John Asher, and stars Emmanuelle Chriqui and Hayes MacArthur on their emotional collaboration A Love Like This

There’s something inherently voyeuristic about A Love Like This – a film that invites us to peer through the cracks of a relationship that perhaps isn’t meant to be seen. Set over one sun-drenched but emotionally volatile weekend in Malibu, the film follows Paul and Leah as they attempt to exist, however fleetingly, as a…

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Film Review: A Love Like This; a romance that understands love not as a solution, but as a complication

There’s a quiet confidence to A Love Like This that sneaks up on you. What begins as a sun-drenched romantic escape gradually reveals itself to be something far more introspective – an intimate, emotionally levelled portrait of two people trying to hold onto something that perhaps was never built to last. Directed by John Asher,…

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Film Review: You, Me & Tuscany; pleasant, polite, and entirely forgettable

There’s a very specific kind of cinematic daydream that films like Under the Tuscan Sun perfected – sun-drenched escapism where heartbreak is healed by good wine, better views, and the promise of reinvention. You, Me & Tuscany clearly wants to bottle that same vintage. The problem is, somewhere along the way, it forgets that charm…

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Interview: Lincoln Lewis on carving out a career as a chameleon on screen; “That idea of being present is something I’ve really leaned into.”

For more than a decade, Lincoln Lewis has been a familiar presence on Australian screens, but his journey from eager newcomer to seasoned performer has been anything but static. Starting out at just thirteen with early roles in The Sleepover Club, Mortified and H2O: Just Add Water, Lewis quickly built a foundation that would lead…

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The wrong place at the right time: The cast and creatives of You, Me & Tuscany breakdown their sweeping new romance

Sometimes the wrong place is exactly where you’re meant to be. That idea sits at the heart of You, Me & Tuscany, a sun-drenched romantic comedy that leans into chaos, coincidence, and the courage it takes to follow your instincts – even when they lead you somewhere wildly unexpected. Produced by hitmaker Will Packer, whose…

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Interview: Rebel Wilson on her directorial debut The Deb and the challenges of making a movie musical

There’s something deeply fitting about Rebel Wilson making her directorial debut with a musical. Joyous, scrappy, and unmistakably Australian, The Deb feels like a love letter to the kind of films that shaped her – the bold, eccentric classics like Muriel’s Wedding, Strictly Ballroom, and The Adventures of Priscilla, Queen of the Desert that didn’t…

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Film Review: The Deb; Rebel Wilson’s directorial debut is a confident, uplifting movie musical

Towards the end of the new Australian musical The Deb there’s an uplifting song-and-dance sequence to a ditty titled “Pretty Strong”, and that’s an acceptable enough term to describe Rebel Wilson‘s directorial debut.  The comedienne makes for a serviceable presence behind the camera as she injects an infectiousness and often-home-grown-specific humour into the proceedings of…

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Interview: Jennie Kwan on the nostalgia of California Dreams and the vulnerability of voice acting

For anyone who grew up on a steady diet of Saturday morning television, Jennie Kwan is a face – and voice – you’ve likely carried with you far longer than you realise. From her breakout as Samantha Woo on California Dreams to voicing fan-favourite warrior Suki in Avatar: The Last Airbender, Kwan’s career has quietly…

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Series Review: The Boys Season 5 is fearless, excessive, and just self-aware enough to know exactly how far it can push things before it cuts to black.

There’s something almost fitting about how The Boys bows out: loud, messy, confrontational, and completely sure of itself. Season 5 doesn’t attempt a reinvention. Instead, it doubles down on everything that made the series essential viewing in the first place, delivering a finale that feels both earned and unflinchingly true to its identity. Developed by…

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Series Review: The Testaments is a worthy return to Gilead

Few fictional worlds have embedded themselves into the cultural consciousness quite like The Handmaid’s Tale. In the decades since Margaret Atwood first published her landmark novel, Gilead has become shorthand for a very real kind of fear – one that has only felt more immediate with time. So when she released The Testaments more than…

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Interview: The Testaments creator Bruce Miller on rewriting the rules of The Handmaid’s Tale

Few television worlds have felt as fully realized – or as suffocating – as Gilead, the theocratic regime at the heart of The Handmaid’s Tale. But with The Testaments, showrunner Bruce Miller isn’t simply returning to that world – he’s reframing it entirely. Based on Margaret Atwood’s sequel novel, the series shifts perspective to a…

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Win a double in-season pass to see Rebel Wilson’s The Deb

Thanks to Rialto Distribution, we have 5n double digital in-season passes (Admit 2) to see Rebel Wilson‘s directorial debut in theatres, the charming musical comedy The Deb, screening from April 9th, 2026. An original musical comedy about two teenage cousins who dig deep to find self-acceptance and a date to the Debutante Ball in a…

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Film Review: Undertone is a demonic hellscape for the senses – and a bloody brilliant one at that

You know how when you go and see a scary movie, you’ll either be one of those people who covers their ears or their eyes when they can sense something bad is about to happen? Well, when it comes to Undertone, I really couldn’t advise which is the best move. Because although this film is…

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Film Review: The Drama is provocative, confronting, and thrillingly alive

There’s a moment early in The Drama where everything still feels deceptively perfect. The lighting is soft, the chemistry is effortless, and Zendaya and Robert Pattinson move through their relationship with the kind of easy, enviable rhythm that makes strangers roll their eyes and secretly take notes. It’s a rom-com fantasy – polished, aspirational, and…

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Film Review: The Super Mario Galaxy Movie is a bigger, busier, and less focused sequel

There’s a moment early in The Super Mario Galaxy Movie where a glowing Luma drifts into frame, wide-eyed and urgent, setting off a galaxy-spanning rescue mission. It’s the kind of whimsical, high-concept storytelling the Mario universe thrives on – colorful, strange, and full of possibility. Unfortunately, that promise quickly gets swallowed by a film that…

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Interview: Hasan Hadi on navigating the blurred lines between past and present with The President’s Cake

Winner of the Camera d’Or at the Cannes Film Festival 2025 and the Directors’ Fortnight Audience Award, The President’s Cake arrives with a wave of international acclaim – and it’s not hard to see why. Set in 1991 Iraq, during the final years of Saddam Hussein’s rule, the film follows nine-year-old Lamia, tasked with baking…

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Amy Adams gets what she deserves in thrilling teaser trailer for Apple TV’s Cape Fear

This summer, fear doesn’t knock – it breaks in. Inspired by the chilling legacy of Cape Fear, a new nightmare begins when Cape Fear premieres June 5th on Apple TV. From executive producers Martin Scorsese and Steven Spielberg comes a relentless psychological thriller where the past refuses to stay buried. Amy Adams and Patrick Wilson…

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The landscape of horror is redefined in ominous teaser for A24’s Backrooms

With his original upload, Kane Parsons redefined the landscape of horror for a new generation. Now, making his feature debut, Backrooms will expand the terror for the big screen, with Academy Award nominees Chiwitel Ejiofor and Renate Reinsve leading the charge as a therapist ventures into an otherworldly dimension in the basement of a furniture…

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Interview: Indya Moore on finding the emotional truth within Father Mother Sister Brother

There’s something quietly disarming about Father Mother Sister Brother – a film that unfolds not with grand declarations, but in glances, silences, and the emotional spaces left unspoken. Structured as a triptych spanning the Northeast US, Dublin, and Paris, it explores the fragile, often complicated bonds between adult children and their parents, as well as…

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Film Review: Father Mother Sister Brother is unassuming, wryly funny, and unexpectedly moving

There’s something quietly radical about a filmmaker as singular as Jim Jarmusch making a film that feels this small. Father Mother Sister Brother doesn’t announce itself with narrative urgency or emotional fireworks – instead, it invites you to lean in, to notice, to sit with the awkward silences and half-truths that define family. And in…

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