Film

Shell disregards subtlety in favour of its trashy 90s cinema personality: TIFF 2024 Review

Screening so soon after The Substance doesn’t bode well for something like Shell, Max Minghella‘s campy, body horror ode to trashy escapist 90s cinema that similarly explores the world of ageing in Hollywood and how far someone will go to maintain perfection.  With both films screening within a week of each other at this year’s…

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Interview: Kate Hudson, Kaia Gerber and director Max Minghella on their campy black comedy Shell

If you could restore youthful beauty and guarantee longevity by committing to a few days of mysterious treatments, would you? Would you trust your life and health to science and technology that might be more hype than healthy?  Enter Shell. Samantha (Elisabeth Moss) is thinking it over. She’s a slightly unkempt, earnest, talented actress who…

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Saturday Night envelops with its charm and riotous humour: TIFF 2024 Review

For almost 50 years, Saturday Night Live has been an institution of (primarily) American culture.  Every weekend it invites audiences to surrender to the thrill of live television, where anything could go wrong at any given moment, amongst a staple of regular segments and musical performances.  Its structure has shifted over time, but the core…

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The Life of Chuck is a beautiful, weird celebration of life and the moments that make so worth living: TIFF 2024 Review

Author Stephen King and filmmaker Mike Flanagan have made careers predominantly out of their affinity for horror.  With The Life of Chuck, they have decidedly pivoted and leaned into another of their shared strengths; broadcasting emotional stories.  The result, however schmaltzy it may threaten to be, is a beautiful, weird celebration of life and all…

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Film Review: Subservience; Humanoid thriller is more artificial than intelligent

Just call her M3GAN Fox. One of the few movies in the last few years of Megan Fox‘s career that actually earned acclaim was the 2021 home invasion thriller Til Death.  It is a lo-fi VOD affair that has probably gone largely unnoticed, but it has a fun elevator pitch premise – that of Fox…

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Interview: Dacre Montgomery, Vicky Krieps and the creatives behind Went Up The Hill on the TIFF Red Carpet

Jack (Dacre Montgomery) travels to a remote region of New Zealand to attend the wake of his estranged mother Elizabeth, a troubled architect who abandoned him as a child. Jack claims he was invited to the funeral by his mother’s widow, Jill (Vicky Krieps), who has no recollection of contacting him. Out of a sense…

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Generations of Men is a powerful short that generates a wealth of conversation: Darwin International Film Festival Review

A film that speaks volumes in its silences just as much as it does its audible dialogue, Generations of Men, a powerful new short inspired by Judith Wright‘s book of the same name, is just as much a testament to the strength and resilience of women during colonial times as it is a reminder of…

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Interview: Runt star Matt Day on his villainous role in the new Australian comedy; “Sometimes I made Baz Luhrmann look understated.”

Runt, based on Craig Silvey’s best-selling novel, is a delightful Australian family film that blends heartfelt moments with humour. The story revolves around eleven-year-old Annie Shearer and her best friend, Runt, an adopted stray dog. The novel was released in 2022 and has achieved significant acclaim, winning several major Australian literary awards. These accolades include…

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Film Review: Runt is a comfortable, cordial comedy for the entire family

Based on the beloved novel by Craig Silvey, Runt is an effortlessly likeable Australian family venture that overcomes any of its cheesiness thanks to an ensemble committed to the cause of providing old-fashioned entertainment There’s some topical themes at bay here under the surface – drought-stricken farmers, real estate corruption – but Silvey’s script never…

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Heretic; Hugh Grant delivers career-best work in this truly riveting genre piece: TIFF 2024 Review

In the last few years Hugh Grant has truly taken pleasure in playing against the grain of expectation he laid upon himself after a career of inhabiting predominantly likeable characters.  Arguably starting with his wonderfully committed camp turn as the villainous Phoenix Buchanan in Paddington 2 in 2017, Grant has been on an incline of…

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Anora; Mikey Madison delivers a performance for the ages in Sean Baker’s passionate and profane piece of art: TIFF 2024 Review

It’s too easy to claim that writer/director Sean Baker makes inaccessible films due to the fact that so many of his narratives centre around the society underrepresented, chief among them being sex workers.  As we saw in such previous works as Tangerine and Red Rocket, Baker seeks to remove such a stigma around pornography performers, prostitutes…

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Nightbitch is a meditation on motherhood, isolation and female rage, driven at the helm by a fearless Amy Adams: TIFF 2024 Review

Despite the fact that the recently released trailer made Nightbitch look more like a quirky comedy – think a female-drive, R-rated take on Tim Allen’s The Shaggy Dog – I can attest that Marielle Heller‘s take on Rachel Yoder‘s seemingly unadaptable 2021 novel of the same name is far from the laughable ridiculousness some may…

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Win tickets to see James McAvoy in the new thriller Speak No Evil

To celebrate the release of Speak No Evil, in Australian theatres from September 12th, 2024, starring James McAvoy, thanks to Universal Pictures Australia we have 5 digital double passes (Admit 2) to giveaway. When an American family is invited to spend the weekend at the idyllic country estate of a charming British family they befriended…

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We Live in Time; Andrew Garfield and Florence Pugh charm in simple, emotional affair: TIFF 2024 Review

Given that the trailer for We Live in Time very much informs audiences that it will be a tale of potential emotional manipulation, with the Nick Payne-penned script basing itself around a family dealing with late-stage cancer, it proves worth the screentime as Brooklyn director John Crowley breathes a certain life into proceedings, aware that…

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Daniela Forever adds layer upon layer to where it comes undone: TIFF 2024 Review

Given the imaginative manner he has expressed in his previous work, it makes sense that Nacho Vigalondo (Colossal) would create something like Daniela Forever, a romantic science-fiction tale that adds layer upon layer of artistry to itself that it practically (and unfortunately) comes undone. A little Eternal Sunshine of the Spotless Mind, a little Inception,…

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The Last Showgirl; Pamela Anderson is an actress reborn in Gia Coppola’s quiet snapshot of a movie: TIFF 2024 Review

At the centre of Gia Coppola‘s The Last Showgirl is Shelley (Pamela Anderson), a 57-year old (though she’ll initially tell you otherwise) Vegas all-girl revue performer whose 30+ years in the Razzle Dazzle show are coming to an abrupt end.  But just as Shelley’s tenure is closing, and the uncertainty of life sets in, Anderson’s…

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Unstoppable is a rousing true story that speaks to the power of resilience: TIFF 2024 Review

Not to be confused with Denzel Washington’s 2010 runaway train thriller – or the lesser known 2004 outing from Wesley Snipes – Unstoppable, which marks the directorial debut of editor William Goldenberg, whose credits include such titles as Coyote Ugly, Miami Vice and Air, is a by-the-numbers sports drama that lives by its inspirational hook. …

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Presence; Steven Soderbergh’s haunting POV drama favours style over substance: TIFF 2024 Review

Much like how his 2018 psychological thriller Unsane was elevated by it being shot entirely on an iPhone 7 Plus, Steven Soderbergh is implementing another technological gimmick of sorts in Presence, a ghost story that’s filmed entirely from the point of view of the haunting figure lurking within the walls of a sprawling suburban residence….

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The Substance; Coralie Fargeat’s meditation on the standards of today’s beauty indulges in bloody, black humour and body horror: TIFF 2024 Review

The idea of wanting to be younger and create a more perfect aesthetic version of one’s self is a thought many (if not all) of us have conjured at one point or another.  And so often do the two go hand-in-hand, despite the fact that being younger and looking better aren’t always reliant on the…

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Film Review: Bonnard, Pierre And Marthe is as much a love story as it is a character study

Behind every great man is a great woman. Especially if that man is as shrouded in mystery and as reclusive as post-impressionist French painter and printmaker Pierre Bonnard. Bonnard, Pierre & Marthe is as much a character study as it is a love story about the decade-spanning romance between famed painter Pierre Bonnard (Vincent Macaigne)…

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Adelaide Film Festival announce four movies ahead of full program

Four movies and other events have been teased out ahead of the full Adelaide Film Festival announcement coming on September 17th. Cannes Film Festival 2024 Palme d’Or Award winner, Anora, reimagines Pretty Woman as a tragicomedy and cements director Sean Baker as someone to watch. It screens at the AFF on Thursday October 24th. Screening…

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SXSW Sydney announces exciting screen program for 2024 addition

SXSW Sydney (October 14th – 20th, 2024) is back for its second year, and its bringing a bold and inspiring mix of local and international features, showcasing the best across drama, horror, comedy and documentaries for its Screen Program. The lineup includes the Australian premiere of Lucy Lawless‘s directorial debut, Never Look Away, a documentary about…

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Win a family pass (Admit 4) to the new Australian comedy Runt

Thanks to StudioCanal Australia and Think Tank Communications, we have 5 family passes (Admit 4) to giveaway to see the new Australian comedy Runt, starring Celeste Barber, Jai Courtney, Matt Day and Jack Thompson, in Australian theatres from September 19th, 2024 (with Queensland starting from September 12th). Based on Craig Silvey’s best-selling novel, this delightful…

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Film Review: Stream is disgustingly endearing in spite of missed narrative potential

At over 2 hours long, with performances that are predominantly uninspired, and a script that doesn’t delve beyond setting up a narrative solely to off its variety of stock-standard characters, Michael Leavy‘s slasher Stream leaves a lot to be desired.  In the same breath, it’s so gloriously gory and committed to not taking itself seriously…

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Film Review: Thelma is a hilarious, and unlikely, love letter to the action genre

Though it leans into the action/thriller genre with a supreme wink, Thelma, Josh Margolin‘s frequently hilarious, always poignant ode to his own grandmother (and, clearly, a love of the action genre), is never spoofing the films it so evidently is earning its laughs from; and it’s that sweetness and keen sense of reinvention that helps…

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Interview: Josh Margolin on honouring his grandmother in action love letter Thelma and the stunt work of June Squibb

Thelma Post is a 93-year-old grandmother who loses $10,000 to a con artist on the phone. With help from a friend and his motorized scooter, she soon embarks on a treacherous journey across Los Angeles to reclaim what was taken from her. Not the most likely action narrative, but it’s the perfect genre entry for…

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Film Review: Hinckley: I Shot the President is a topical documentary that’s at once informative and entertaining

On July 13th, 2024, Thomas Matthew Crooks, a 20-year-old loner from Pennsylvania, attempted to assassinate former U.S. President – and current Presidential nominee – Donald Trump.  Failing in his intended mission by only wounding Trump, though he did fatally strike one rally attendee before being killed by the Secret Service Counter Sniper Team, the still-unexplained…

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Interview: Kneecap director Rich Peppiatt on collaborating with the Irish band to tell their story and the importance of preserving indigenous languages

There are 80,000 native Irish speakers in Ireland. 6,000 live in Northern Ireland. Three of them became a rap group called Kneecap. From up-and-coming British director Rich Peppiatt, Kneecap is the real-life story of how this anarchic Belfast trio became the unlikely figureheads of a civil rights movement to save their mother tongue. The film won the Audience…

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Film Review: Kneecap is riotous and confronting as it bridges the gap between politics and crowd-pleasing

A far deeper, more important film than many may be expecting from what is being sold on the surface, Rich Peppiatt‘s Kneecap speaks to the importance of language preservation within the fictionalised biopic framing of its titular rap group. There’s an undeniable energy to Peppiatt’s direction as he throws an array of substances at the…

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Film Review: The Blind Sea is an inspiring documentary that celebrates the tenacity of the human spirit

The ocean is already a wild, unbridled space for those of us that can see its dangerous beauty.  Such intensity would only be exacerbated when removing the sense of sight, but for Australian surfing athlete Matt Formston it’s his reality, and one that he’s more than willing to exist within. Formston’s impressive athleticism and against-the-odds…

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