Film

Tribeca Film Festival Review: A Better You is a charming, self-reflective look on the social-media age

April 8, 2020

*Due to the current global crisis the planned 2020 Tribeca Film Festival has been postponed. The AU Review has been in contact with the respective representatives for available films in order to give them the coverage they intended. A commentary on the so-called perfection of social media, Eamonn Murphy‘s quirky short A Better You is […]

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Tribeca Film Festival Review: Query addresses the social norms of sexuality in a disarmingly comfortable manner

April 5, 2020

*Due to the current global crisis the planned 2020 Tribeca Film Festival has been postponed. The AU Review has been in contact with the respective representatives for available films in order to give them the coverage they intended. Much like the recent slate of short films that were intended for this year’s SXSW Film Festival, […]

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Film Review: Almost Love (aka Sell By) overcomes genre unoriginality with a strong ensemble and an honest voice

April 3, 2020

Best not to be fooled by Almost Love‘s incredibly generic title (its alternative UK/international moniker Sell By isn’t much better either) as Mike Doyle‘s interconnected relationship drama plays stronger than it deserves to, thanks in large part to an ensemble cast that are allowed to play to and with their own respective strengths. Set in […]

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12 things we learned from the Star Wars Episode IX feature length documentary, The Skywalker Legacy

April 1, 2020

With each Star Wars film in the latest trilogy, fans have been treated to a feature length documentary about the making of the film, alongside its home release. They have surprisingly honest and detailed, in particular The Director and The Jedi, which took time to address some of the backlash Episode VIII received. The latest […]

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Come To Daddy

Film Review: Come To Daddy is a pitch black comedic thriller bathed in gory oddity

March 30, 2020

If we have learnt anything throughout cinema’s depictions of estranged families, it’s that the more alienated you are from one another, the more unpredictable your journey will be. This proves especially true in Come To Daddy, a pitch black comedic thriller that director Ant Timpson bathes in gory oddity. There’s an unease immediately present from […]

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Interview: The Skywalker Legacy Director talks about capturing the magic of Star Wars Episode IX

March 26, 2020

Last week I caught up with Director Debs Paterson, who was tasked the monumental duty of documenting everything that happened during the 7 months of filming Star Wars Episode IX: The Rise of Skywalker. The result is the two hour documentary The Skywalker Legacy, that accompanies the home release of the film (on digital now […]

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Film Review: Swallow is a slow-burning thriller that transcends its potentially nauseating premise

March 22, 2020

On paper, the premise for Swallow sounds almost too-grotesque to be relayed without resorting to some type of gimmick.  In reality, Carlo Mirabella-Davis‘s slow-burning thriller transcends its potentially nauseating core to deliver a deep, at times dark tale that wholly understands and respects its unique subject matter. The film surrounds the delicate Hunter (Haley Bennett), […]

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SXSW Film Review: Make Up is a self-discovery tale dressed up like a psychological thriller

March 20, 2020

*The AU Review will continue with its planned SXSW 2020 coverage.  We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Perhaps diving a little too heavily into the metaphorical stance on storytelling, Claire Oakley‘s Make Up is a self-discovery tale dressed up like […]

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Onward

Film Review: Onward can’t quite meet the dazzling pedigree of its Pixar contemporaries

March 20, 2020

By virtue of unfortunate comparison to Pixar’s impeccable back catalogue of masterpieces, every new film from the studio faces a dauntingly high bar to clear. Last year, Toy Story 4 somehow managed to defy all expectations and walk off with the Academy Award for Best Animated Feature in the process. Sadly, Pixar’s first of two […]

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Film Review: The Current War lacks the true spark to create any real power

March 19, 2020

One of the biggest film casualties of the Harvey Weinstein sexual assault scandal has been Alfonso Gomez-Rejon‘s The Current War; a lavish period biopic which was surely due to be Weinstein’s great big Oscar hope of the 2017 season. After premiering at the 2017 Toronto International Film Festival to a tepid response, Gomez-Rejon was furiously […]

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SXSW Midnight Shorts: Five short films that make us want more

March 18, 2020

*The AU Review will continue with its planned SXSW 2020 coverage.  We have been in contact with the respective representatives for available films in order to give them the coverage they intended. The Midnight Shorts Competition has long been an audience favourite at SXSW.  A bite-sized marathon of twisted ideas that usually fuses gore, overt […]

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SXSW Film Review: The Surrogate is a realistic drama unafraid to be uncomfortable

March 18, 2020

*The AU Review will continue with its planned SXSW 2020 coverage.  We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Detailing a tragic situation with a sobering, uncomfortable realism that has the potential to test even the most patient of viewers, The Surrogate […]

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SXSW Short Film Review: Single is a biting commentary on living with a physical disability

March 18, 2020

*The AU Review will continue with its planned SXSW 2020 coverage.  We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Proof that more than enough can be conveyed in a fraction of the time of a standard feature, Ashley Eakins‘ short-feature Single is […]

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SXSW Film Review: Shooting Heroin is a noble idea marred by melodramatics

March 17, 2020

*The AU Review will continue with its planned SXSW 2020 coverage.  We have been in contact with the respective representatives for available films in order to give them the coverage they intended. A noble idea marred by melodramatics that often take away the importance of the film’s message, Shooting Heroin can’t help but feel like […]

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SXSW Film Review: Audiences with a penchant for the abstract are likely to enjoy The Carnivores

March 15, 2020

*The AU Review will continue with its planned SXSW 2020 coverage.  We have been in contact with the respective representatives for available films in order to give them the coverage they intended. You can love your dog, and then you can love your dog.  And whilst Caleb Michael Johnson‘s bizarre effort The Carnivores wouldn’t be […]

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The Way Back

Film Review: The Way Back is a great showcase for Ben Affleck

March 5, 2020

The sports drama formula in cinema has been the most overused and non-innovative formula in cinema lately. Ever since the early 2000s, Walt Disney Pictures have made a long string of films with a fixed formula: inspirational movies about triumphing over adversity that are mostly based on true stories. Despite the critical reception of the […]

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5 movies not to miss at SXSW Film Festival 2020

March 4, 2020

This year’s South By Southwest is fast approaching (March 13th 2020, y’all!), and with that haste comes a schedule of cinematic treats for the masses to feast on.  Of course with 250 projects to fill the time, getting to each and every screening will be an impossible task, so we’ve compiled our look at 5 […]

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Films 2020

March 2020 Australian cinema releases: Five films you need to see

March 2, 2020

2020 is primed to be a big year for cinema, both in the realm of big-budget blockbusters and under-radar indies. Each month we’re going to be taking a look at five upcoming films that you need to see in cinemas, encouraging Aussies to get out and experience these stories on the big screen. Whether you’re […]

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Film Review: The lavish costuming of Miss Fisher and the Crypt of Tears can’t compensate for its distinct lack of energy

February 27, 2020

Having never read any of Kerry Greenwood‘s historical Miss Fisher mystery novels, nor seen the television program that was birthed from them, I can only judge Miss Fisher and the Crypt of Tears as someone entering blindly.  And whilst I’m unfamiliar with the show, I’m aware of its structure, and I would assume that a […]

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Interview: Writer/director Leigh Whannell on his relationship with the horror genre and his unique take on The Invisible Man

February 26, 2020

As The Invisible Man prepares to be seen (or not seen) in theatres this week, The AU Review’s Peter Gray was fortunate enough to chat with the film’s writer and director, Australian talent Leigh Whannell, on his relationship with the horror genre and how a major studio like Universal Pictures left him to his own […]

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Film Review: The Invisible Man is a slick, psychological thriller that demands to be seen

February 26, 2020

Had the Tom Cruise-led revamp of The Mummy not crashed and burned at the box office upon its release in 2017 then we’d be seeing, or more correctly not seeing, a very different Invisible Man.  In an optimistic strategy from Universal Pictures – in their bid to compete with fellow juggernauts Marvel and DC – […]

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Film Review: The Call of the Wild is a call not worth answering

February 20, 2020

The 1903 book The Call of the Wild is considered classic literature for young children. So much so, that it has been adapted on-screen multiple times as a silent film, an anime film and through multiple attempts in Hollywood; including a 1996 version starring Rutger Hauer that is considered by some to be the most […]

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W Brisbane WET Deck

W Brisbane will host a floating cinema in their pool throughout March

February 17, 2020

Lifestyle hotel and local haunt W Brisbane is set to flip the idea of an open-air cinema throughout March when it launches its own take on the popular night out. As part of a new “Float in Cinema” series, the property will be using their famous WET Deck as they transform the space into a […]

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Film Review: Richard Jewell is a mostly successful return to form for Eastwood as Hauser shines

February 13, 2020

There are few better ways of getting audiences into the cinema than to provide an underdog story. Even superhero films such as Avengers: Endgame (2019) are in their very nature an underdog story; triumphing over adversity and injustice. But the icing on the cake for such stories is that if the film is based on […]

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Film Review: Emma. is further proof that a fresh coat of paint can reinvigorate even the most familiar of structures

February 13, 2020

Similar to how Greta Gerwig‘s Little Women proved that we did indeed need another adaptation of Louisa May Alcott‘s classic novel, Autumn de Wilde‘s Emma. (yes the period in the title is deliberate) is further proof that a fresh coat of paint can reinvigorate even the most familiar of structures. Arriving some 25-years after both […]

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SXSW 2020 adds Janelle Monae, Julianne Moore, and Kim Kardashian West to its final round of keynote and featured speakers

February 12, 2020

South by Southwest (Austin, Texas, March 13th-22nd 2020) has announced the last round of Keynotes and Featured Speakers to be added to the 34th edition of its annual Conference, which celebrates the convergence of technology, film, and music industries. Oscar, Grammy, and Golden Globe-winning composers Trent Reznor and Atticus Ross have been added to the […]

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The Academy Awards 2020: #OscarsNotSoWhiteAfterAll

February 11, 2020

When the 92nd annual Academy Award nominations were announced, it was difficult to not note the elephant in the room.  Within moments, #OscarsSoWhite was trending and more memes than you could possibly create were birthed making a mockery of the Academy’s decision to snub people of colour and women in a majority of categories; despite […]

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Film Review: A Guide to Second Date Sex proves that dating can be a joke

February 10, 2020

Often when dating and relationships are portrayed on screen they appear to be so perfect. But we all know that the reality of modern romance is quite different. A Guide to Second Date Sex is refreshing because it showcases human foibles and offers a more realistic and funny view of dating. This dramedy will appeal […]

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Birds of Prey, Margot Robbie and our ongoing need to push the feminine to the fore

February 10, 2020

When Suicide Squad (2016) hit our screens it was mostly panned by critics and audiences didn’t favour it much either. But one universally acknowledged good thing in that movie was Margot Robbie’s portrayal of Harley Quinn. After that film’s release Robbie had been adamant she was keen to continue discovering more about this character. Lo […]

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Film Review: Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) continues DC’s self-assured story telling temperament

February 6, 2020

Where does one start with Birds of Prey? With so much vibrancy packed into its 109 minute running time it’s probably best to follow the advice of the film’s queen bee, Harley Quinn (Margot Robbie), and start at the beginning. And though a product like Suicide Squad (2016) shouldn’t be considered the strongest launching pad […]

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