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Interview: Christmas Bloody Christmas writer/director Joe Begos on seasonal horror, practical effects and shooting on film.

It’s the most wonderful time of the year, and fiery record store owner Tori Tooms just wants to get drunk and party, until the robotic Santa Claus at a nearby toy store goes haywire and makes her night more than a little complicated. Santa Claus begins a rampant killing spree through the neon drenched snowscape…

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Interview: Deirdre Mullins on female-centric horror film Mandrake and equal representation within the industry

Premiering exclusively on Shudder from November 10th, Mandrake is a Northern Irish folk horror tale that marks the directorial feature debut of Lynne Davison. Premiering earlier this year at FrightFest Glasgow the film follows probation officer Cathy Madden (played by Scottish BAFTA-winner Deirdre Mullins), who is given the task of rehabilitating notorious killer ‘Bloody’ Mary…

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Interview: Queer For Fear producer Bryan Fuller on uncovering the history of queer subtext within the horror genre

From its literary origins with queer authors Mary Shelley, Bram Stoker and Oscar Wilde to the pansy craze of the 1920s that influenced Universal Monsters and Hitchcock; from the “lavender scare” alien invasion films of the mid-20th century to the AIDS obsessed bloodletting of 80s vampire films; through genre-bending horrors from a new generation of queer creators; Queer for Fear re-examines genre stories through a queer lens, seeing them not as violent, murderous…

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Interview: Melanie Zanetti on Raven’s Hollow, exploring psychological horror and the increased prominence of strong female roles

There’s always a certain joy in seeing someone you know personally excel in their chosen field of expertise. And for Peter Gray it was chatting with Queensland actress (and long-historied friend) Melanie Zanetti in conjunction with the release of Raven’s Hollow. After catching up and filling more than a few interview minutes on celebrating each…

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Interview: Raven’s Hollow director Christopher Hatton on navigating gothic horror and upsetting genre purists

As the Edgar Allan Poe-inspired Raven’s Hollow begins to haunt horror streaming service Shudder just in time for the spooky season (you can read our review here), Peter Gray spoke with writer/director Christopher Hatton about navigating gothic horror, what he hopes Poe purists will take away from the film, and their own personal connection to each…

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Film Review: Raven’s Hollow is an atmospheric gothic horror tale that favours story over scares

Not exactly an origin story in the traditional – or autobiographical – sense, but a healthy start all the same as to how legendary horror writer Edgar Allan Poe fuelled his creativity for all things macabre, Christopher Hatton‘s Raven’s Hollow indulges in the author’s aesthetic for an atmospheric chiller that favours story over scares. In…

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V/H/S/99 flexes its creative muscle with a shaky form: TIFF 2022 Review

One of the more unlikely franchises of a resilient nature, V/H/S/, a retro-appearing horror anthology effort that often compiles a series of genre directors flexing their creative muscle through short horror narratives, is now in its fifth iteration in the form of V/H/S/99. The horror tales that often are confined within the V/H/S/ films are always…

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Interview: Director Rebekah McKendry on her philosophical scarer Glorious

The pandemic gave many a creative time to think as so much of the entertainment industry faced an uncertain future. For director Rebekah McKendry through, it played into her favour. Presented with a unique, near-singular-set horror film that mused on philosophy and existentialism, Glorious seemed like an idea born from a world that was unsure…

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Film Review: Glorious is surprisingly contemplative for a lightly demented horror film

With a rest-stop bathroom glory hole serving as a type of universal gateway between a confused, confined Ryan Kwanten and an unseen, but very heard, J.K. Simmons, one would be forgiven for thinking Glorious may be, well, just a little filthy. Sure, it’s dirty at times and leans into a gory mentality when it sees…

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Interview: Robert Patrick on respecting the acting process when making What Josiah Saw

One of the most recognisable presences within film, Robert Patrick has been dominating the screen with his oft-villainous and authoritative roles for nearly four decades now. Best known for his turn as T-2 in the groundbreaking Terminator 2: Judgement Day, as well as such films as Cop Land, Charlies Angels: Full Throttle, Walk the Line,…

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Film Review: What Josiah Saw subverts our horror expectations with a brutal subtlety

Though What Josiah Saw may include rather expected tropes of the haunted gothic subsect of the horror genre, Vincent Grashaw‘s self-contained chiller continually subverts our expectations with a brutal eeriness that’s likely to divide its audience between those who are enveloped by its slow burn mentality and those who prefer their horrors far less subtle….

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Interview: Steven Cree on the insular process of filming twisted horror film The Twin

Primarily known for his television work on such series as Outlander and A Discovery of Witches, Scottish actor Steven Cree is trading in the fantastical for the fearful, headlining the twisted horror film The Twin alongside Discovery… co-star Teresa Palmer. Cree stars as a husband who relocates with his wife to the other side of…

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Interview: Elisha Cuthbert on filming The Cellar, approaching the horror genre, and her love of Australia

Now streaming on Shudder, The Cellar (you can read our review here) is a haunted house-themed horror film starring Elisha Cuthbert as a mother whose daughter mysteriously vanishes in the cellar of her family’s new house in the country.  She soon discovers there is an ancient and powerful entity controlling the home that she will have…

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Film Review: The Cellar is a haunted house effort that aims for tension over bloodshed

Whilst The Cellar won’t exactly be riding high on viewers’ lists of must-see scary movies, Brendan Muldowney‘s haunted house horror effort at least conjures an atmosphere and an unlikely climax to earn it valid points for trying. Muldowney’s script initially plays into the genre tropes we expect when Keira Woods (Elisha Cuthbert) and her family…

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Interview: Director Jay Cheel on Cursed Films II; “There’s weird energy around this production”

When people look at films that are super beloved and then hear stories about the difficulties or tragedies that happen on set, they then go onto describe that production as “cursed”.  After exploring such controversial productions as Twilight Zone: The Movie and Poltergeist during its first season, Cursed Films II explores a further quintet of…

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Interview: Night’s End director Jennifer Reeder on loving horror, making an isolated film, and casting Michael Shannon

The streaming service Shudder has cornered the market on the horror genre since its 2015 inception.  Known for housing horror classics, as well as distributing its own original films, Shudder has allowed genre enthusiasts and filmmakers to explore their macabre mentality.  One such director doing so is Jennifer Reeder, whose latest effort, the supernatural scarer…

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Speak No Evil taps into the awkwardness of human interaction and squeezes out all the horror to excruciating effect: Sundance Film Festival Review

Speak No Evil tells the story of a Danish family who are having a vacation in Tuscany, Italy. They meet a friendly and jovial family who are from the Netherlands. They both share common interests, they both have children the same age but most importantly, it is the polite camaraderie that they share that makes…

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Film Review: The Last Thing Mary Saw is a horror-leaning drama that opts for tension over indulgent gore

Religious principles and the notion of intolerance run thematically rampant in The Last Thing Mary Saw, a horror-leaning drama film that announces first time filmmaker Edoardo Vitaletti as an intriguing mind to keep our radar on. Opting for tension and unease rather than overt gore, Mary… is an 1843 set period chiller that opens on…

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Film Review: Séance is a mostly facile supernatural thriller that indulges in its wild climax

There’s a lot of tried and true genre staples adhered to in Simon Barrett‘s Séance.  Having cut his teeth over the years with writing credits for such horror efforts as V/H/S, You’re Next, and Blair Witch, Barrett’s flair for skewering expectation has often been his wheelhouse.  Marking his directorial debut, Séance, whose title alone announces…

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Film Review: Kandisha is an enjoyable horror effort featuring a supernatural female force that kills men gruesomely

Kandisha tells the story of three young teenage women Amelie, Bintou and Morjana (Mathilde Lamusse, Suzy Bemba and Samarcande Saadi); three childhood friends who are enjoying their summer break in the dilapidated streets of Paris. Chilling out with their peers, branding walls with splatterings [sic] of graffiti; it is all about living in the moment…

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First Impressions: Shudder’s Cursed Films should satisfy those that appreciate horror as both a genre and a temperament

As horrific as some things are on screen, behind the cameras can be even worse.  Supernatural forces at bay have proven to be more than just fictional fodder if the lore of horror set stories are anything to go by, and Shudder’s own Cursed Films docu-series sets out to prove whether it’s fact or fiction…

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