Reviews

Once Taika Waititi reinvented the Marvel wheel with 2017’s wild Thor: Ragnarok, it made sense that the studio big-wigs would bestow further free licensing in the character’s shift towards a more humorous mentality. And whilst that’s all well and good – we certainly don’t want the character regressing in any manner – Thor: Love and…

Korean cinema has always been a hub of unmatched quality.  Whilst those that have enjoyed the fruits of labour over the decades aren’t remotely surprised at such a statement – and have been waiting for the world to catch up through viewings of I Saw the Devil and Oldboy – the recent successes of the…

Scott Derrickson has always found a way to blend his horror sensibilities with a certain sense of emotion.  The Exorcism of Emily Rose incorporated the mentality of a legal drama to explore its themes of demonic possession; Deliver Us From Evil unearthed an other worldly entity amongst the trappings of a police-centred thriller; and Sinister…

Family Dinner (dir. Peter Hengl) Guess Who’s Coming to Dinner? Family Dinner tells the story of a reticent and obese teenager Simi who is spending her Easter Weekend at her auntie’s house. Her aunt Clara is a popular nutritionist and comes across as passive-aggressive toward her. Her partner Stefan comes off as a ladykiller as…

Even though 2010’s Despicable Me was centred around Steve Carell‘s Eastern European reformed super-villain Gru, it was his hoard of indecipherable henchmen – his Minions – that stole the film from under his considerably rendered nose. They were funny without really trying to be, so it made perfect sense that subsequent films (Despicable Me birthed…

If Baz Luhrmann is a director whose gaudy, lavish, larger-than-life style has been an aesthetic you haven’t gelled with thus far, his “biopic” Elvis isn’t about to change your mind. The director of Moulin Rouge suitably shakes, rattles, rolls, razzles and dazzles over a sometimes-exhausting 159 minutes, kinetically pacing the king of rock ‘n’ roll’s…

It was only a matter of time before crypto currency became something of a talking point in films, and in Blowback, an incredibly generic heist actioner, it’s a point of interest for wronged pretty boy Cam Gigandet as he tries to get out alive from a plan that, wait for it, goes fatally wrong for…

Men tells the story of Harper (Jessie Buckley), a distraught woman who is caught in the aftermath of her husband James (Pappa Essiedu), who had tragically committed suicide after a marital dispute. She takes it upon herself to grant herself a holiday by taking refuge in a manor by a countryside village by housesitting it….

Whilst I’m certainly not suggesting that Fire Island won’t earn some crossover appeal with straight audiences – hell, I even saw this movie with a straight guy – queer audiences are sure to wholeheartedly embrace Joel Kim Booster‘s deliciously funny, at times savage comedy in a manner that’s entirely personal and significantly unique compared to…

Indian representation in cinema has certainly hit a certain stride over the last few years in moving beyond the character stereotypes and Bollywood-framed imagery that Hollywood so often adhered to.  Filmmakers such as Gurinder Chadha and Mira Nair have been representing their native communities for over three decades with their various theatrical offerings – the…

There’s an interesting concept and potentially deep conversation regarding mental illness to be had with Roving Woman, but the execution presented sadly undoes any of the film’s potential, leaving Michal Chmielewski‘s drama a more aimless experience. The roving woman of the title is Sara (Lena Gora), who opens the film in a state of panic…

When Lightyear was first announced it understandably caused confusion as to how it aligned itself with the Toy Story films its character originated from.  Was it a spin-off, something that existed separately from the franchise? Or, did it perhaps focus on a real-life astronaut, suggesting that the Toy Story universe was set in a period…

The cultural phenomenon that is RuPaul’s Drag Race has made way for otherwise niche performers to breakthrough in a mainstream fashion.  Whilst it’s still more likely that queer audiences will recognise their presence in a stronger manner, it must be said that the program knows how to unearth the type of talent that deserves to…

A gaudy game of cat-and-mouse and pseudo-philosophical musings on sexual orientation and gender sit at the core of Amanda Kramer‘s Please Baby Please, a wild but, sadly, insufferable drama that’s more sleazy than it is stylish. Set in 1950’s New York, the film reveals its bizarre, sexualised tone in its early minutes when bohemian couple…

The type of filmmaker who’s able to create stories so bombastically silly that they are somewhat brilliant, Quentin Dupieux once again expresses straight-faced frivolity in Incredible But True, a tightly-paced (a lean 74 minutes) twilight-zoned comedy that, somehow, is one of his more level-headed features in spite of its ludicrous plot. Said ludicrous plot revolves…

Nobody quite does obscure like director Peter Strickland.  Finding that delicious balance between eccentric and perverse, Flux Gourmet – set over a month-long period in an institute for sonic caterers (yes, that’s a thing) – is perhaps his funniest yet, indulging in the mischief that comes with his unique blend of deadpan dialogue and a…

An incredibly topical drama that navigates its story with natural humour and heart, Sophie Galibert delicately treads the waters around the subject of unwanted pregnancy in her feature debut, Cherry. Initially adhering to a more comical temperament, Cherry centres on its titular character (Alex Trewhitt, a star-making turn), a driftless, 25-year-old Los Angelean, whose already…

Whilst there’s no surprise revealed in the fact that Emma Thompson truly deserves to be considered one of the greatest living actresses working today, it’s always appreciated when a performance solidifies such a statement.  And in the deliriously charming and strikingly emotional Good Luck To You, Leo Grande, Thompson turns in career-best work that leans…

Though it’s fair to be intrigued by the title of Alex Lehmann‘s Acidman and assume there’s perhaps something more sinister behind its moniker, the film is a quieter affair, looking at reclusion, mental health, and the power of a familial relationship. Lehmann himself has noted that the idea came from his own personal experience with…

They say crime doesn’t pay, but whoever stated as such may want to have a chat with the titular criminal in John Patton Ford‘s scrappy, oft intense thriller, one that furthers Aubrey Plaza‘s hold on chaos personified characters in the off-kilter subsect of cinema. Plaza’s Emily is a former art student with a $70,000 debt…

Whether we like them (or follow them) or not, influencers – sorry, “content creators” – are a cultural mainstay in our society that often extends beyond the environment of social media.  In Australian horror effort Sissy, co-writers/directors Hannah Barlow and Kane Senes seem all too aware of the faux importance influencers place upon themselves, a…

As much as A Sexplanation is a documentary aimed at bettering the sexual education of (primarily) Americans, at its core is writer/director/star Alex Liu – the most charming of presences – and his own sexual shame. He’s an out gay man with both a supportive friend group and family (the latter of which appear quite…

Whilst some of us attempted newfound interests or ambitious endeavours throughout the early stages of the pandemic – when going outside was thought as something of a novel luxury – British popstar Charli XCX one-upped us all, joining Bo Burnham (Inside) and the creators of Zoom-set slasher Host by utilsing her time and stored creativity…

Though there’s a certain erotic elegance to Mothering Sunday, Eva Husson‘s slow-burning adaptation of Graham Swift‘s 2016 novella is a film that, whilst impeccably acted, moves with a lack of urgency that keeps it from entirely earning the affectation it seeks to conjure. Predominantly set in 1924, the title refers to a Sunday in March…

Pil’s Adventures is an animated film set it he medieval city of Foggyborough. At its heart is a strong, little heroine orphan girl named Pil. She embarks on an adventure with some unlikely friends for a warm underdog makes good, slapstick comedy. Julien Fournet writes and directs this animated film. It is the third feature…

We bow to thee, Tom Cruise: Saviour of cinema! A film you’ll be best served believing its near-impossible hype, Top Gun: Maverick is not only the type of sequel that surpasses its predecessor in every form imaginable, it’s the perfect encompassment of why cinema matters. Over 30 years in the making, Maverick reunites Cruise with…

Whilst it makes sense that fans of the Bob’s Burgers television series will get more out of The Bob’s Burgers Movie, the uninitiated are likely to experience enough genuine joy from this weird, though consistently amusing musical comedy that straddles the line successfully between delightful and lightly demented. As summer break approaches, the titular Bob…

Set in present day Norway, The Innocents follows the story of Ida (Rakel Lenora Flottum), a young 9-year old girl who is angry with the state that she is in. Her family has moved into an apartment complex with new surroundings and she can no longer play with her older sister Anna (Alva Brunsmo Ramstad),…

The notion of Disney and The Lonely Island collaborating is one that I imagine many failed to place on their 2022 movie bingo card.  The comedy team – they of “I’m on a Boat” and “I Just Had Sex” fame – have rightfully added a little of their grown-up twist to the reimagining (of sorts)…

Though its title may suggest it’s a comedy of somewhat raunchy proportions, Renée Webster‘s assured debut feature film How to Please a Woman is a far more accessible, rather delightful dramedy that furthers the female view in a male-dominated industry. Filmed in Western Australia (and looking particularly stunning in the process), Webster’s film centres around…