From the opening shot of Barnaby Clay‘s The Seeding there’s a sense that nothing will be as it initially appears. There’s an immediate knowing that hell will break loose over the 94 minutes that are to come when we see the imagery of a baby chewing on human flesh in quite the most casual of…
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Though What Josiah Saw may include rather expected tropes of the haunted gothic subsect of the horror genre, Vincent Grashaw‘s self-contained chiller continually subverts our expectations with a brutal eeriness that’s likely to divide its audience between those who are enveloped by its slow burn mentality and those who prefer their horrors far less subtle….
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