“All this shit actually happened.” That opening declaration lands with a sting, immediately setting the tone for Stacey Sargeant’s sharp, funny, and quietly infuriating short film Stand Clear ’ the Closing Doors. It’s a deliberately blunt replacement for the more familiar “based on a true story,” and it perfectly captures the film’s mentality: exhausted, self-aware,…
Grief, closure, and control collide in Holo, a quietly unsettling sci-fi short from Alexander DeSouza that feels unnervingly close to our present reality. Built around a deceptively simple concept – a company offering artificial encounters with the dead through performance and facial technology – the film quickly reveals itself to be something far more intimate,…
A very specific kind of panic defines Last Minute – the kind born from a pre-internet world, where deadlines couldn’t be solved with a quick search and “doing homework” often became a family-wide emergency. Set in 1989, the short leans into that pressure with warmth, humour, and an undercurrent of genuine affection for a time…
What begins as a simple story about a kid leaving his homework until the very last minute becomes something far more poignant in Last Minute. Set in 1989, before smartphones, Google, and instant answers, writer-director Michael Cusumano‘s charming short follows a single mother racing against the clock to help her son complete a major school…
Packing a full emotional spiral, character study, and sharp comedic pivot into under ten minutes is no small feat, yet General Admission pulls it off with an impressive control and confidence. Writer Sarah Adina and director Kaily Morgan Smith craft a deceptively simple setup – a woman attending a support group to reclaim her sense…
In an age where a single unread message can trigger a full-blown existential crisis, Drew van Steenbergen‘s Buckets taps into a painfully familiar modern phenomenon. The sharply observed short follows a man whose life begins to unravel after a late-night dating app match leaves him waiting for a follow-up text, spiralling through anxiety, self-doubt, and…
Set against the intensely competitive backdrop of professional tennis, Fault is less interested in the sport itself than the emotional and psychological battles raging beneath the surface. Written and directed by Misha Calvert, this powerful short film delivers an unflinching exploration of abuse, trauma, and the vastly different ways survivors learn to cope with their…
“Are you here for the boat or the tooth?” And with that sentence, writer/director Olivia Accardo welcomes us into the bizarre reality of Baby Tooth, a wild five minute short film screening as part of this year’s Tribeca Film Festival; it’s set to play before the feature The Trainer, as well as being included in…
Highlighting the drama behind the for-the-camera-smiles of the 1970s variety show, Kate McCarthy‘s The Hicks Happy Hour is a moment-in-time short feature that escalates with a certain tension, before it ultimately pivots for a more cathartic climax that speaks to one woman’s eventual truth. “Stars stay smiling” is the Hicks family motto, something mother Jill…
In the same manner as to how Netflix’s Bridgerton blends its English Regency with a modernised mentality, Jonathan Hammond‘s Fireflies in the Dusk takes that notion and dials it to 11, enhancing its sense of absurdity and random humour to create a truly witty, daft comedy in the process. The short film’s comedic temperament is…
Created by the Sydney’s husband-and-wife director-choreographer duo Stefan Hunt and Vanessa Marian, Yeah The Boys explores Aussie larrikinism and masculinity, while offering an insightful observation of Australian identity and the nation’s relationship with drinking culture, with a unique blend of choreography and screen storytelling, without a word being spoken for the whole film. Winner of Best Australia Short at Flickerfest, and nominated…
2024’s Sony Catchlight Film Festival awards night was a vibrant celebration of filmmaking talent, held at Sydney’s iconic White Bay Power Station. Now in its fourth year, the festival recognises filmmakers from Australia and New Zealand who tell their stories using Sony cameras. The 2024 edition was nothing short of inspiring, with awards given across…
A film that speaks volumes in its silences just as much as it does its audible dialogue, Generations of Men, a powerful new short inspired by Judith Wright‘s book of the same name, is just as much a testament to the strength and resilience of women during colonial times as it is a reminder of…
When Ally (Rachel Paulson) excitedly calls her bestie, Jess (Capri Campeau), in the morning-after scenario of a pinch-me like hook-up, she can’t quite believe herself when she announces that in her bed is a bona fide rockstar. Better than hooking up with the high-school teacher she was obsessed with, and “gayer than Rihanna”, Ally’s bed…
Whether it’s something we admit to or discuss or not, the idea of how one might kill themselves and the practical considerations that follow is something I’m sure we’ve contemplated. However morbid it may be to even suggest, pondering what you might jot down in a suicide note or even how many people would come…
An emotional expedition outlaying the effects of dementia on both the mind its crippling and the hearts of those baring witness, Parida Tantiwasadakran‘s Young People, Old People & Nothing In Between is an affecting short that makes for a large impact. At the centre of the film is young Juice (Deedee Piamwiriyaku), 7-years-old and full…
Whenever a horror film does well at the box office, the internet as a collective (or, more specifically, Twitter, sorry, X) likes to announce that “horror is back!” But the truth is, it never really went anywhere. Sure, like most genres it has its ups and downs in terms of general interest and monetary returns,…
Gorgeous but unsatisfying, Pedro Almodóvar‘s campy telenovela Strange Way of Life is a sexy short feature that proves the ultimate tease as it doesn’t entirely deliver on the sex appeal of its leads and then climaxes before we’ve even moved on from foreplay. Said leads are Ethan Hawke and Pedro Pascal, playing two perfectly-tailored cowboys…
Kiddo, a short film written and directed by Brett Chapman, is an oddity, to say the least. And that’s meant in the most complimentary of fashions, as the supremely bizarre, always unsettling outing announces itself as an original, individually interpreted horror film that’s likely to sit differently (and divisively) with its audience. In fact, it’s…
Throughout Victim‘s 14 minute running time, the tension laid forth by writer/director Robin Summons is near-unbearable as it traces a radicalised teenager and his increasingly concerned mother. Offspring favourite Kat Stewart brings a sweet yet stern nature to the role of Chrissy, a single mother whose seeming one wish is to have a collected dinner…
To call Homesick bizarre would be a colossal understatement. And that’s meant in the most complimentary of fashions. Born – and that’s quite the fitting term when the film’s narrative is uncovered – from director Will Seefried‘s fascination with society’s urgency in recreating their childhood, Homesick takes a unique look at how one could submit…
Premiering at this year’s SXSW Film Festival, Radical Honesty is a new short feature from director/photographer Bianca Poletti. In the lead-up to the film’s premiere, our own Peter Gray spoke with her about the inspiration behind its unconventional take on relationships, her own personal attachment to the idea of non-monogamy, and which filmmakers she personally…
In these pandemic-driven times, the idea of inhabiting another planet sounds more and more appealing. And with space travel now becoming somewhat generally accessible – sure, you have to be filthy rich, but it’s still a step up from it being exclusive to astronauts only – it stands to reason that such a concept could…
Statistics regarding the prevalence of mental illness in men today have become a more commonly known factor as the walls of machoism continue to break down. No longer a subject that goes undiscussed, the depression aspect of a man’s mental psyche is at the centre of Saul Abraham‘s striking short film, Enjoy. Following its screening…
A sensitive subject that manages to transcend its 18 minute containment, Saul Abraham‘s Enjoy is a delicate look at depression, specifically in men, and how difficult it is to remove your own psyche from spiralling downwards. 1 in 8 men in Australia experience some form of depression or anxiety, 3 times more common than it…
Written and directed by Sophie Mair and Dan Gitsham, The Thing That Ate The Birds is an atmospheric short that teases a darker universe we can only hope could be expanded on. Abel (Eoin Slattery) and Grace (Rebecca Palmer) are on the verge of separation, but the tragic circumstances surrounding their farmland have pushed their…
Immediately telling from its title, Jan Van Dyck’s The Nipple Whisperer is a bizarre offering, but it’s one that maintains a genuine sense of heart amongst its odd temperament. If you weren’t already privy to the title you’d think Van Dyck’s film was taking on a much more serious subject, with the film’s titular character…
Bill, recently released by Sketchbook Pictures‘ Dan Gitsham and Sophie Mair, might only clock in around the three minute mark, but it certainly makes an impact. Featuring Roxanna Vilk as a woman trying desperately to contact her dead husband, the horror short is eerie, suspenseful, and lingers long after the final scare. Inspired by the ghost…
*Due to the current global crisis the planned 2020 Tribeca Film Festival has been postponed. The AU Review has been in contact with the respective representatives for available films in order to give them the coverage they intended. Much like the recent slate of short films that were intended for this year’s SXSW Film Festival,…
*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Proof that more than enough can be conveyed in a fraction of the time of a standard feature, Ashley Eakins‘ short-feature Single is…
