David Leitch

Film Review: The Fall Guy; Crowd-pleasing actioner is both a love letter to the stunt profession and another showcase of Ryan Gosling’s charisma

Not that we needed reminding, but Ryan Gosling‘s distinct energy – rightfully rebranded as “Kenergy” in the culture-shifting buzz surrounding last year’s Barbie – is entirely unmatched.  We saw it earlier this year with his boisterous rendition of the Oscar-robbed “I’m Just Ken” at the Academy Awards where, without even taking off his sunglasses, he…

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Film Review: John Wick: Chapter 4 continues to push the boundaries of the action genre’s capabilities with a grand, operatic manus

It’s hard to believe that, at one point, 2014’s John Wick was practically considered dead on arrival.  A combination of unproven directors (eventual franchise mainstay Chad Stahelski and uncredited “co-director” David Leitch), a screenwriter with only a duo of barely-registered titles under him (Derek Kolstad), and a lead actor with a slew of underperforming box…

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4K Ultra HD Review: Bullet Train‘s bombastic energy is enhanced by neon visuals and booming audio

The Hitman Vs. Assassin subsect of the action genre is one that rarely deviates from its rather tried and true formula; aside from a hefty injection of cash and a star-studded cast, something as recent as Netflix’s throwaway actioner The Gray Man is proof that the genre, even in 2022, seems comfortable resting on its…

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Interview: Director David Leitch on fusing the action and broad comedy of Bullet Train; “Bigger doesn’t always mean bad”

Having cut his teeth as a stunt performer for stars such as Jean Claude Van Damme and Brad Pitt over the years, David Leitch knew what it took to perfect the action stakes when he took on the role as genre director. Following a co-directing stint on the first John Wick film, before graduating to…

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Film Review: Bullet Train is brutal, tongue-in-cheek fun guided by a bombastically charming Brad Pitt

The Hitman Vs. Assassin subsect of the action genre is one that rarely deviates from its rather tried and true formula; aside from a hefty injection of cash and a star-studded cast, something as recent as Netflix’s throwaway actioner The Gray Man is proof that the genre, even in 2022, seems comfortable resting on its…

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Interview: Nobody producer Kelly McCormick on being a female voice in a testosterone-filled genre

Following its box office success in the US – the film topped the North American chart as one of the few films to maintain a cinema-only rollout – Nobody is planning its Australian unleashing on April 1st (no joke!).  In relation to the film’s release (you can read our review here), Peter Gray chatted with…

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Film Review: Fast & Furious: Hobbs & Shaw crackles with energy

It’s hard to believe that a franchise that started out as little more than a soft remake of Point Break, pinning Vin Diesel and his disposable crew against low-rent law enforcement with the street racing scene as its background, has transformed itself into a billion dollar commodity where secret agents take on international terrorists.  And…

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Film Review: Deadpool 2 (USA, 2018) Gives Us The Merc With The Mouth And A Warm Fuzzy Heart

Considering the risks 20th Century Fox took in greenlighting Deadpool, the 2016 film was released and became a global success, it seemed the risk now fell on the shoulders of its sequel. Deadpool 2 markets itself as “it feels bigger” and in some ways this is true and in others it’s not. The film leans…

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