“You guys are so talented. So unbelievable. This will break you. This will fully destroy you.” Not exactly the type of words you expect to hear from the head of a theater camp said to a collection of young, eager pupils, but such is the way of creative existence at AdirondACTS Theater Camp where camp…
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The Melbour1ne International Film Festival is in full swing, and with multiple sessions across different cinemas in the city, it can be tough to fit all the movies we want to see in and remember to eat. While I spent last weekend running around the city, surviving on quick dashes to various fast food establishments,…
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Whilst it’s easy to pick how Scrapper – Charlotte Regan‘s impossibly charming comedy/drama – will end when all is said and done, the central performances from newcomer Lola Campbell and Harris Dickinson as a feisty, self-reliant 12-year-old and her man-child father, respectively, are what keeps the quirky narrative continually engaging. It’s one of those “message”…
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An eco-terrorism thriller where the bombers are the good guys, Daniel Goldhaber‘s How To Blow Up A Pipeline is structured as if it’s playing to a heist movie temperament, but it’s layered with a topical, current commentary that lends the film a young freshness; very much a movie of the “now”. Relying on ideas realised…
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Despite the simple premise of Celine Song‘s Past Lives and its romantic comedy connotations, the film is anything but. Burning slow and composing its emotions until it knows when to release them in a flood of responsive passion, Song’s impeccable debut is a drama of humanism and quiet complexity. Set over the span of 24…
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“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…
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A gaudy game of cat-and-mouse and pseudo-philosophical musings on sexual orientation and gender sit at the core of Amanda Kramer‘s Please Baby Please, a wild but, sadly, insufferable drama that’s more sleazy than it is stylish. Set in 1950’s New York, the film reveals its bizarre, sexualised tone in its early minutes when bohemian couple…
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Nobody quite does obscure like director Peter Strickland. Finding that delicious balance between eccentric and perverse, Flux Gourmet – set over a month-long period in an institute for sonic caterers (yes, that’s a thing) – is perhaps his funniest yet, indulging in the mischief that comes with his unique blend of deadpan dialogue and a…
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Throughout Victim‘s 14 minute running time, the tension laid forth by writer/director Robin Summons is near-unbearable as it traces a radicalised teenager and his increasingly concerned mother. Offspring favourite Kat Stewart brings a sweet yet stern nature to the role of Chrissy, a single mother whose seeming one wish is to have a collected dinner…
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They say crime doesn’t pay, but whoever stated as such may want to have a chat with the titular criminal in John Patton Ford‘s scrappy, oft intense thriller, one that furthers Aubrey Plaza‘s hold on chaos personified characters in the off-kilter subsect of cinema. Plaza’s Emily is a former art student with a $70,000 debt…
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A thriller that both leans into the formulaic mentality of the genre whilst simultaneously hoping to combat it, Watcher, from director Chloe Okuno (V/H/S/ 94), is a dread-filled effort that plays on the terrors of voyeurism. Gorgeously shot, though consistently lingering with uncertainty, Watcher lays focus on Julia (Maika Monroe, always a welcome presence in…
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The type of filmmaker who’s able to create stories so bombastically silly that they are somewhat brilliant, Quentin Dupieux once again expresses straight-faced frivolity in Incredible But True, a tightly-paced (a lean 74 minutes) twilight-zoned comedy that, somehow, is one of his more level-headed features in spite of its ludicrous plot. Said ludicrous plot revolves…
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With its mix of deadpan satire and high concept sci-fi – comparisons to Yorgos Lanthimos’ 2015 dystopian black comedy The Lobster feel imminent – Dual may be an off-putting experiment to many who can’t readily accept Riley Stearns‘ mentality. It certainly helps that the film is headlined by the wonderful Karen Gillan though, delivering two…
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An agonising drama if ever there was one, Mass details the type of conversation that instantly makes you feel sickeningly uncomfortable. And then to watch it unfold in a suffocating location for 110 minutes is a test of endurance that audiences may be unprepared for. The tragedy at the centre of the conversation is one…
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Created in partnership with Campari as part of its dedication in supporting local artists, Red Passion is a short film exploring the intersections of dance and film. A trio of dancers expressing their evolution through solo, duet and ensemble pieces, the creative project from emerging Australian director Lara Köse and choreographer Zoee Marsh is now streaming…
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In light of the current COVID situation in Melbourne, and with the safety of audiences and staff at the forefront of their thinking, the board and management of Melbourne International Film Festival (MIFF) have taken the very difficult decision to cancel the in-cinema component of this year’s festival, planned to be delivered from Thursday 12th…
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With a title like Freshman Year, known originally as Shithouse, you’d be forgiven for thinking Cooper Raiff‘s debut is more akin with the juvenile comedies so many cinematic colleges have been the setting for. Nothing could be further from the reality though, with Raiff injecting a sweetness and raw emotion into his script as it…
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It doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark. A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s…
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Celebrating its 69th edition, Melbourne International Film Festival (MIFF) has revealed its 2021 program, with an astonishing lineup of 283 international and Australian films and transformative screen experiences. Presenting 199 feature films, 84 shorts and 10XR experiences, the program includes 40 world premieres — the most in the festival’s history — and 154 Australian premieres,…
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Building on the success of last year’s 2020 online-only festival – which had the largest audience reach in their history – The Melbourne International Film Festival (MIFF) will afford its largest platform to date, with the 2021 festival presented as a hybrid with both digital and physical access. Returning August 5th-22nd, MIFF 2021’s packed program…
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There are some films you just can’t quite pick. As much as Lawrence Michael Levine‘s Black Bear stays relatively true to its basic plot logline – “A filmmaker at a creative impasse seeks solace from her tumultuous past at a rural retreat, only to find that the woods summon her inner demons in intense and…
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In a bid to maintain the state of cinema and reimagine the festival mind-frame, the Melbourne International Film Festival has launch MIFF 68½, an online curated program that’ll allow home-bound Melburnians the chance to experience the festival’s intended 2020 line-up. Running from the 6th-23rd August 2020, MIFF 68½ will showcase 113 films across its schedule –…
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In the face of the global disruption to the entertainment market, the film industry is finding new and innovative ways to keep cinema enthusiasts connected, and today the Melbourne International Film Festival (MIFF) announced MIFF 68½ – a reimagined celebration of film online. Following the festival’s cancellation, MIFF Artistic Director Al Cossar and his team…
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Now in its 68th year, the Melbourne International Film Festival has announced an astonishing line-up for its 2019 season, boasting 259 feature films, 123 shorts and 16 virtual reality experiences, MIFF 2019 will include 31 world premieres and 160 Australian premieres all taking place over just 18 days. It’s artistic director’s Al Cossar‘s first year…
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Mandy is a crazy two-hour LSD trip led by a totally unhinged Nicolas Cage performance. The film follows Red (Cage) and Mandy (Andrea Riseborough) who live a peaceful life in the Pacific Northwest, that is until a religious cult barge in and rob Red of the love of his life, sending the man on a…
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You Were Never Really Here is a gripping psychological thriller, and a dark and disturbing character study with Joaquin Phoenix putting in a thrilling lead performance. The film follows Joe (Phoenix), a veteran living with PTSD, who spends his time finding and rescuing missing girls. On this job, however, he stumbles into a larger conspiracy…
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Tomorrow, the Melbourne International Film Festival kicks off, running through to August 19th. As every year, there are hundreds of screenings – but here are just 8 we think are unmissable this year: Mandy When Red Miller (Cage) met Mandy (Andrea Riseborough) he instantly fell in love. Unfortunately, so did Jeremiah (Linus Roache). And when…
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American actor Alia Shawkat, best known for her role in cult TV comedy series Arrested Development is set to attend this years’ Melbourne International Film Festival, for the screening of biopic Blaze directed by Ethan Hawke (Training Day), in which she stars. The accomplished actor will also participate in a special In Conversation event at the Comedy Theatre on August 18th,…
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With the huge success of last year’s all night Sci-Fi Marathon, the Melbourne International Film Festival (MIFF) are set to bring the ultimate marathon to this years outing at The Astor Theatre; 12 hours of uninterrupted Nicolas Cage (Con-Air, Face-Off) awesomeness on 10th August. Perhaps he most meme-able actor of his generation, actor Ethan Hawke (Training Day) has…
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It’s not often that an art-house thriller comes together so perfectly to create an unsettling horror capable of antagonising your thoughts even after you’ve walked out the cinema doors. But that is exactly what The Killing of a Sacred Deer does, the fifth feature film of Greek auteur Yorgos Lanthimos. As a darkly comic rendition…
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