If X was Ti West‘s homage to classic 70’s horror effort The Texas Chainsaw Massacre, then Pearl could almost be aligned with The Wizard of Oz, just with, you know, a lot more blood and dry-humping scarecrows. The fact that X was an initial singular success story was enough of a win for independent horror […]
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The wealthy whites and their easy skewering is a narrative mentality that we have been witness to in a variety of practices as of late. But unlike The White Lotus and The Menu, two of the most recent examples of such a temperament, Brandon Cronenberg‘s Infinity Pool pushes further past being just a little wicked […]
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If X was Ti West‘s homage to classic 70’s horror effort The Texas Chainsaw Massacre, then Pearl could almost be aligned with The Wizard of Oz, just with, you know, a lot more blood and dry-humping scarecrows. The fact that X was an initial singular success story was enough of a win for independent horror […]
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Taking it back to the basics of the horror genre – i.e. sex and blood sprawled out on a big cinema screen – Ti West‘s return to the fray (his last horror effort being the 2013 found footage outing The Sacrament) indulges in the slasher mentality of eras gone by whilst fusing it with a […]
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Similar to how Greta Gerwig‘s Little Women proved that we did indeed need another adaptation of Louisa May Alcott‘s classic novel, Autumn de Wilde‘s Emma. (yes the period in the title is deliberate) is further proof that a fresh coat of paint can reinvigorate even the most familiar of structures. Arriving some 25-years after both […]
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