Not exactly an origin story in the traditional – or autobiographical – sense, but a healthy start all the same as to how legendary horror writer Edgar Allan Poe fuelled his creativity for all things macabre, Christopher Hatton‘s Raven’s Hollow indulges in the author’s aesthetic for an atmospheric chiller that favours story over scares. In…
One of the more unlikely franchises of a resilient nature, V/H/S/, a retro-appearing horror anthology effort that often compiles a series of genre directors flexing their creative muscle through short horror narratives, is now in its fifth iteration in the form of V/H/S/99. The horror tales that often are confined within the V/H/S/ films are always…
When watching Mean Spirited I couldn’t help but wonder why Jeff Ryan isn’t a household name. As a director he has worked within a duo of spaces that have well been tested – the mockumentary comedy and the found footage subsect of horror – but both this and his previous effort (YouthMin) prove he has…
It’s all too easy to wax lyrical these days about trailers spoiling and “giving too much away” for the keyboard warriors who oft decide they hate a film before they even see it. Whilst the jury is still out on how many will dislike The Invitation, I can attest that, as far as spoilers go,…
Of all the unexpected horror sequels to come to fruition, Orphan: First Kill would be up there as one of the more unlikely titles. Yes, it’s a prequel, first and foremost, but original star Isabelle Fuhrman is back in the unsettling role of Estonian psychopath Esther that birthed her career in 2009’s Orphan. Why this…
The pandemic gave many a creative time to think as so much of the entertainment industry faced an uncertain future. For director Rebekah McKendry through, it played into her favour. Presented with a unique, near-singular-set horror film that mused on philosophy and existentialism, Glorious seemed like an idea born from a world that was unsure…
With a rest-stop bathroom glory hole serving as a type of universal gateway between a confused, confined Ryan Kwanten and an unseen, but very heard, J.K. Simmons, one would be forgiven for thinking Glorious may be, well, just a little filthy. Sure, it’s dirty at times and leans into a gory mentality when it sees…
Though What Josiah Saw may include rather expected tropes of the haunted gothic subsect of the horror genre, Vincent Grashaw‘s self-contained chiller continually subverts our expectations with a brutal eeriness that’s likely to divide its audience between those who are enveloped by its slow burn mentality and those who prefer their horrors far less subtle….
Whilst The Cellar won’t exactly be riding high on viewers’ lists of must-see scary movies, Brendan Muldowney‘s haunted house horror effort at least conjures an atmosphere and an unlikely climax to earn it valid points for trying. Muldowney’s script initially plays into the genre tropes we expect when Keira Woods (Elisha Cuthbert) and her family…
When people look at films that are super beloved and then hear stories about the difficulties or tragedies that happen on set, they then go onto describe that production as “cursed”. After exploring such controversial productions as Twilight Zone: The Movie and Poltergeist during its first season, Cursed Films II explores a further quintet of…
Taking it back to the basics of the horror genre – i.e. sex and blood sprawled out on a big cinema screen – Ti West‘s return to the fray (his last horror effort being the 2013 found footage outing The Sacrament) indulges in the slasher mentality of eras gone by whilst fusing it with a…
Whether we like them (or follow them) or not, influencers – sorry, “content creators” – are a cultural mainstay in our society that often extends beyond the environment of social media. In Australian horror effort Sissy, co-writers/directors Hannah Barlow and Kane Senes seem all too aware of the faux importance influencers place upon themselves, a…
In 1996, when horror was a bad word and the slasher subsect had been relegated to bargain bins and a straight-to-VHS lifespan, genre maestro Wes Craven (A Nightmare on Elm Street, The Hills Have Eyes) and a (then) relatively unknown Kevin Williamson dared to defy the conventions by creating a film that played into the…
Whilst I completely understand wanting to re-visit a fruitful series such as Resident Evil, one that pulled in significant coin despite being critically slaughtered, Resident Evil: Welcome to Raccoon City hardly makes such a trip worthwhile. For starters, Milla Jovovich, patron saint of these entirely disposable films, hasn’t been brought back. Yes, it being a…
Before making waves in the horror genre with such box office successes and critical winners as Daybreakers, Predestination, and Jigsaw, German-born, Australian-raised brothers Michael and Peter Spierig pooled their talent, connections and coins together for Undead. Originally released in 2003, the low-budget Australian zombie thriller was an homage to the B-grade horror entries of the…
To coincide with the release of his horror film Lair, now available to rent or buy on DVD and digital in time for the spooky season, writer/director Adam Ethan Crow spoke with our own Peter Gray about his love of horror films, attempting something different to please the genre fans, and the rough seas travelled…
In the opening minutes of Adam Ethan Crow‘s Lair, a masterful sense of tension is introduced that near-immediately puts its audience on guard. An eerie musical score, an unseen force, a bloodied body…nightmarish additives that deliberately only tell fragments of a whole story. From here we are introduced to Steven Caramore (Corey Johnson, having an…
A gorgeously rendered, lovingly crafted, maybe slightly messy, giallo tribute drenched in 1960’s London culture, Last Night In Soho is the type of film one wishes to dissect and divulge in intimate detail. But that would entirely undo any service to writer/director Edgar Wright, who has implored audiences the globe over to keep their mouths…
One of many 2020 titles that saw its original release delayed due to the pandemic, and one of the few that held its nerve and opted out of a streaming alternative, Antlers, from director Scott Cooper (Crazy Heart, Black Mass) and producer Guillermo del Toro (Pan’s Labyrinth, The Shape of Water), proves its bold mentality…
After pushing 2018’s sequel-cum-reboot Halloween to record breaking statistics, it only made sense that writer/director David Gordon Green was handed a sequel to continue revelling in Michael Myers’ carnage. Not only granted a sequel – Halloween Kills – but a trilogy (Halloween Ends, set for a 2022 release) to boot, Green expanded on the violent…
“What’s your favourite scary movie?” 25 years ago it was a question posed to Neve Campbell in Wes Craven’s now genre classic Scream, and come January 2022 a new generation of fresh blood will have their knowledge similarly tested in, well, Scream. Less a sequel and more a reinvention, Scream will pay homage to Craven’s…
William Friedkin’s classic The Exorcist is so ingrained in the demonic possession sub-genre of the horror field that every feature that has come since can’t help but feel like a recycled take on a head-spinning narrative we’ve come to know so well. So, with that, there’s all more the reason to celebrate something like The…
Similar to how Jordan Peele, Robert Eggers, Jennifer Kent, and Ari Aster all secured their place in the annals of genre cinema with their debut offerings, Julia Docournau‘s bold cannibalistic horror effort Raw cemented the French filmmaker as a name to pay consistent attention to. And just as those aforementioned auteurs all swung big with…
There’s a lot of tried and true genre staples adhered to in Simon Barrett‘s Séance. Having cut his teeth over the years with writing credits for such horror efforts as V/H/S, You’re Next, and Blair Witch, Barrett’s flair for skewering expectation has often been his wheelhouse. Marking his directorial debut, Séance, whose title alone announces…
To say there was a certain amount of resistance when it came to the notion of Don’t Breathe 2 would be something of an understatement. The idea that the original film’s villain – Stephen Lang‘s Norman, aka “The Blind Man”, who emerged from Fede Alvarez‘s tense 2016 thriller Don’t Breathe as a vile shut-in with…
From August 26th, director Nia DaCosta and producer Jordan Peele dare a new generation of viewers to say one particular name; Candyman. Ahead of the film’s release, our own Peter Gray was invited to join a roundtable panel with writer/director DaCosta and star Colman Domingo to discuss the important social commentary on racial trauma present…
The idea of marrying grief and the horror genre together isn’t exactly a bold, new concept, but thanks to a thought-provoking script (courtesy of Ben Collins and Luke Piotrowski), deceptively inventive set design, and a wholly committed central turn from Rebecca Hall, The Night House explores a tested theme in a fresh manner. Hall stars…
One of the few horror efforts from 2020 that dared an American theatrical release last year – only one minor delay period and no being sold to a streaming service – Come Play, though perhaps stuck with the stigma of being a “direct to digital release” here in Australia, is a worthy scarer that utilises…
Thanks to Sony Pictures we have five double passes to give away to the upcoming release of Don’t Breathe 2, the chilling sequel to 2016’s Don’t Breathe, in Australian cinemas from August 26th, 2021. The sequel is set in the years following the initial deadly home invasion, where Norman Nordstrom (Stephen Lang) lives in quiet…
A group of men looking to escape their everyday lives, a couple of inept gangsters, and a one-eyed killer who thirsts for his kills cross paths in Ernar Nurgaliev‘s wild horror comedy Sweetie, You Won’t Believe It. Slapstick comedy and irreverent bloodshed work hand-in-hand throughout the film’s crisp 85 minute running time, centring initially on…
