A gorgeously rendered, lovingly crafted, maybe slightly messy, giallo tribute drenched in 1960’s London culture, Last Night In Soho is the type of film one wishes to dissect and divulge in intimate detail. But that would entirely undo any service to writer/director Edgar Wright, who has implored audiences the globe over to keep their mouths […]
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A gorgeously rendered, lovingly crafted, maybe slightly messy, giallo tribute drenched in 1960’s London culture, Last Night In Soho is the type of film one wishes to dissect and divulge in intimate detail. But that would entirely undo any service to writer/director Edgar Wright, who has implored audiences the globe over to keep their mouths […]
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The New Mutants was going to be Fox’s attempt at re-invigorating the X-Men franchise, or at least, it probably was before it got bogged in production issues and a merger with Disney. The film, now released some two years later, gets dropped into cinemas whilst a pandemic is happening, which is probably a metaphor for […]
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Similar to how Greta Gerwig‘s Little Women proved that we did indeed need another adaptation of Louisa May Alcott‘s classic novel, Autumn de Wilde‘s Emma. (yes the period in the title is deliberate) is further proof that a fresh coat of paint can reinvigorate even the most familiar of structures. Arriving some 25-years after both […]
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A well-intentioned, though not entirely successful debut venture from Luke Scott (son of Alien director Ridley Scott, for those of you playing along at home) Morgan is more a shallow version of Ex-Machina than the slick sci-fi character study it so clearly desires to be. The titular Morgan (Anya Taylor-Joy, maintaining her genre score-card with this, The […]
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There is plenty of real world evidence to suggest that, to a degree, our thoughts and feelings can in some way re-wire our brain. Neuroplasticity is a relatively young field, but an infinitely fascinating one nonetheless; discoveries are being made everyday, many on how our brain evolves for better or for worse and how we […]
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