At just 21 years of age, New Zealand-born actress Thomasin McKenzie has amassed quite the career since her 2012 debut. In the last few years alone she has worked with the likes of Taika Waititi (on the acclaimed Jojo Rabbit), M. Night Shyamalan (on his recent hit Old) and Jane Campion (The Power of the…
Read MoreA gorgeously rendered, lovingly crafted, maybe slightly messy, giallo tribute drenched in 1960’s London culture, Last Night In Soho is the type of film one wishes to dissect and divulge in intimate detail. But that would entirely undo any service to writer/director Edgar Wright, who has implored audiences the globe over to keep their mouths…
Read MoreA gorgeously rendered, lovingly crafted, maybe slightly messy, giallo tribute drenched in 1960’s London culture, Last Night In Soho is the type of film one wishes to dissect and divulge in intimate detail. But that would entirely undo any service to writer/director Edgar Wright, who has implored audiences the globe over to keep their mouths…
Read MoreAfter months of theatres sitting dark in NSW, Victoria, and the ACT, cinemas are now open again in every corner of Australia. As expected, the lockdowns brought those painful release date delays most thought we’d left behind in 2020. That means November is stacked with several big releases to encourage Aussie audiences back to the…
Read MoreThis year’s Toronto International Film Festival is welcoming back a sense of normalcy after the year that wasn’t. Ticket buyers – both those attending TIFF in person and those staying at home with TIFF’s virtual platform – are spoilt for choice, with over 100 films on the line-up, ranging from blockbuster special events, gala screening…
Read MoreDubbed as “your favourite band’s favourite band”, Sparks are the Californian-bred, European-stylised glam rock duo you don’t know you love yet. As their documentary, The Sparks Brothers (read our review here), continues to screen across select Australian cinemas, Peter Gray caught up with famed director Edgar Wright to discuss the making of the film, why…
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