Author: Peter Gray

Seasoned film critic and editor, music reviewer, occasional lifestyle collaborator. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Voter for the 84th Annual Golden Globes. Contact: [email protected]

Film Review: Moonage Daydream is a headfirst dive into the unmatched, other-worldly psyche of the one and only, David Bowie

A feast for the eyes and the ears, Brett Morgen‘s Moonage Daydream is a headfirst dive into the unmatched, other-worldly psyche of the one and only, David Bowie.  In some aspects Morgen – who is no stranger to the musician-centred medium, having helmed the Nirvana doco Kurt Cobain: Montage of Heck – has adopted an…

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Interview: Director Brett Morgen on his David Bowie documentary Moonage Daydream; “Chaos and fragmentation were his through line”

Moonage Daydream is not a documentary.  It is a genre-defying cinematic experience based on one of the most iconic and global rock stars of all time: David Bowie. Directed by Oscar-nominated filmmaker Brett Morgen, director of Cobain: Montage of Heck, and featuring never-before-seen concert footage, Moonage Daydream is an immersive cinematic experience; an audio-visual space…

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Sisu is a shamelessly playful and violently unpredictable exercise in modern exploitation cinema: TIFF 2022 Review

There’s both a sense of adhering to the temperaments of action films gone by and embracing the current and future state of the genre present in Jalmari Helander‘s Sisu. Matching its dark sense of humour (and I mean dark) with a violently bloody mentality (and I mean bloody!), Sisu manages to present the simplest of…

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On The Come Up harnesses a strong, fierce voice that cuts through narrative familiarities: TIFF 2022 Review

Author Angie Thomas has become something of a contemporary prose lyricist for the new wave of young coloured youths through her breakout novels The Hate U Give and On The Come Up.  Breathing a certain life into their own coming of age stories, her words prove a promising soundboard for actress Sanaa Lathan‘s foray into…

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Interview: Neighbours star Matt Wilson on backing WWF Australia’s National Threatened Species Day

On September 7th each year, people stop and reflect on the fact that on this very date in 1936, Australia’s Tasmanian tiger slipped over the extinction line.  Sixty years later, in 1996, WWF Australia (World Wildlife Fund) founded in partnership with the Australian Government’s Natural Heritage Trust the National Threatened Species Day to commemorate the…

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Interview: Director Daniel Roher on controversial political documentary Navalny; “It’s really important that the world remembers that not all Russians are evil”

In August 2020, Alexei Navalny, the leader of the Russian opposition was poisoned with a lethal nerve agent in an assassination attempt.  In the months following, the shocking revelations about the attempt on his life came to light during his road to recovery, a process that was captured by award-winning director Daniel Roher in his…

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Mean Spirited is an enthusiastic horror-comedy that delights in the purposefully awkward: FrightFest Film Review

When watching Mean Spirited I couldn’t help but wonder why Jeff Ryan isn’t a household name.  As a director he has worked within a duo of spaces that have well been tested – the mockumentary comedy and the found footage subsect of horror – but both this and his previous effort (YouthMin) prove he has…

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Interview: Jena Malone on the real-life awareness behind adult adoption in new film Adopting Audrey

Fired from her seventh job in two years and estranged from her family, Audrey (Jena Malone) is restless and dwells in a distinctly modern solitude, relying on YouTube for companionship. After falling down a video rabbit hole, she discovers the world of adult adoption and decides to try it herself in hopes of finding a…

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Interview: Australian director Samuel Gay on his decade-long passion project A Guide to Dating at the End of the World

Brisbane, 3.15am, Sunday March 28th, 2010; A single woman survives the apocalypse only to be reacquainted with her blind date from hell.   Based on true events. Kind of. A Guide To Dating At The End Of The World tells the story of a single woman who survives the apocalypse only to be reacquainted with her…

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Film Review: The Invitation; serviceable enough to accept or best to return to sender?

It’s all too easy to wax lyrical these days about trailers spoiling and “giving too much away” for the keyboard warriors who oft decide they hate a film before they even see it.  Whilst the jury is still out on how many will dislike The Invitation, I can attest that, as far as spoilers go,…

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Interview: Orphan: First Kill director William Brent Bell on “brutal” horror fans, specific casting and executing the perfect plot twist

When you talk of iconic horror characters, we usually think of Halloween‘s Michael Myers, Friday the 13th‘s Jason Vorhees or Freddy Krueger from A Nightmare on Elm Street.  But what about a demented little orphan who goes by the name of Esther? In 2009’s Orphan, Isabelle Fuhrman and director Jaume Collet-Sera created a new age…

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Film Review: Orphan: First Kill adopts a blackly comic, campy personality that succeeds in shocking its audience

Of all the unexpected horror sequels to come to fruition, Orphan: First Kill would be up there as one of the more unlikely titles.  Yes, it’s a prequel, first and foremost, but original star Isabelle Fuhrman is back in the unsettling role of Estonian psychopath Esther that birthed her career in 2009’s Orphan.  Why this…

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Interview: Idris Elba and the cast and crew of Beast on calibrating fear and shooting in South Africa

As their nail-biting thriller Beast gears up to roar into Australian cinemas this week (you can read our review here), Idris Elba, co-stars Sharlto Copley, Leah Jeffries and Iyana Halley, director Baltasur Kormákur, and producer Will Packer spoke with our own Peter Gray about creating a familial bond on set, working on location in South…

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Film Review: Beast is a B-grade popcorn thriller with a surprising injection of emotion and immersion

Given that we’ve had a share of snakes and sharks and bears (Oh My!) over the years as the creatures that have opted to stalk various familiar-faced talent, it’s only fair that the majestic king of the jungle get their due too. If the circle of life taught us anything, it’s that what goes around…

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Interview: Director Rebekah McKendry on her philosophical scarer Glorious

The pandemic gave many a creative time to think as so much of the entertainment industry faced an uncertain future. For director Rebekah McKendry through, it played into her favour. Presented with a unique, near-singular-set horror film that mused on philosophy and existentialism, Glorious seemed like an idea born from a world that was unsure…

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Film Review: Glorious is surprisingly contemplative for a lightly demented horror film

With a rest-stop bathroom glory hole serving as a type of universal gateway between a confused, confined Ryan Kwanten and an unseen, but very heard, J.K. Simmons, one would be forgiven for thinking Glorious may be, well, just a little filthy. Sure, it’s dirty at times and leans into a gory mentality when it sees…

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Interview: Tyler Atkins on writing and directing Bosch & Rockit; “I wanted it to be a raw piece of Australian cinema.”

When you meet Tyler Atkins you’re immediately aware you’re in the presence of someone calm, intelligent, and confident in their own surroundings.  But, as Peter Gray learned, it took some time to get to that place for the Australian filmmaker, especially within the crafting of his feature debut, Bosch & Rockit. After first meeting earlier…

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Film Review: Bosch & Rockit is a spirited and emotional film that succeeds off its own scrappiness

A meditative presence, a sometimes-actor, and now writer/director, Tyler Atkins seems to revel in the difficulty of categorisation.  And it’s that loose scrappiness that shapes his feature-length debut, Bosch & Rockit, a spirited and emotional film that’s equally as uneasy to singularly designate. Based on Atkins’ own childhood, the film flirts with multiple genre temperaments…

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Please Baby Please muses on gender and orientation in a manner that’s more sleazy than it is stylish: Melbourne International Film Festival Review

A gaudy game of cat-and-mouse and pseudo-philosophical musings on sexual orientation and gender sit at the core of Amanda Kramer‘s Please Baby Please, a wild but, sadly, insufferable drama that’s more sleazy than it is stylish. Set in 1950’s New York, the film reveals its bizarre, sexualised tone in its early minutes when bohemian couple…

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Director Sophie Hyde on Good Luck To You, Leo Grande; “I think we’ve seen really limited stuff on sex work.”

An award-winning director, producer, writer, and founding member of the film collective Closer Productions, Australian filmmaker Sophie Hyde is a force to be reckoned with.  She’s also incredibly delightful, as our own Peter Gray discovered when chatting with her for the forthcoming release of her latest feature, Good Luck To You, Leo Grande. An intimate…

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Film Review: Good Luck To You, Leo Grande is an intelligent and refreshing comedy about the joys of shameless sexual awakenings

Whilst there’s no surprise revealed in the fact that Emma Thompson truly deserves to be considered one of the greatest living actresses working today, it’s always appreciated when a performance solidifies such a statement.  And in the deliriously charming and strikingly emotional Good Luck To You, Leo Grande, Thompson turns in career-best work that leans…

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Flux Gourmet is a kinky delight with one helluva cautionary message to boot: Melbourne International Film Festival Review

Nobody quite does obscure like director Peter Strickland.  Finding that delicious balance between eccentric and perverse, Flux Gourmet – set over a month-long period in an institute for sonic caterers (yes, that’s a thing) – is perhaps his funniest yet, indulging in the mischief that comes with his unique blend of deadpan dialogue and a…

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Win a double in-season pass to see Bosch & Rockit starring Luke Hemsworth

Thanks to Madman Films we have 10 double in-season passes (Admit 2) to see the new Australian comedy/drama Bosch & Rockit, starring Luke Hemsworth, Isabel Lucas and Rasmus King. In the late summer along the Australian coast, young father Bosch hits the road in a hurry to avoid a run in with the law. In…

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Victim is an effectively suggestive thriller detailing domestic disturbance: Melbourne International Film Festival Review

Throughout Victim‘s 14 minute running time, the tension laid forth by writer/director Robin Summons is near-unbearable as it traces a radicalised teenager and his increasingly concerned mother. Offspring favourite Kat Stewart brings a sweet yet stern nature to the role of Chrissy, a single mother whose seeming one wish is to have a collected dinner…

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Interview: Kat Graham on her intense role in ensemble thriller Collide; “It is therapeutic to see a character fight back”

Chronicling three couples over the course of one fateful night in an LA restaurant, Collide is a gripping new thriller from writer/director Mukunda Michael Dewil. Ahead of the film’s On Demand release in the United States, Peter Gray spoke with one of the film’s stars, actress and singer Kat Graham, about her intense turn as…

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Film Review: Jordan Peele expertly weaves a blockbuster mentality with a grounded terror in Nope

It’s understandable to be going into a film like Nope and be expecting horror greatness, given that it’s stemming from the mind of Jordan Peele, who, with both Get Out and Us, redefined the genre with his “woke” sensibilities and penchant for symbolism and commentary. Ominous alien invasion is seemingly what’s promised here.  The trailers…

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Interview: Brandon Perea on Jordan Peele altering the script of Nope for him; “I’m glad I was able to inspire enough”

Not every actor can claim that a script was re-written to tailor to their talents.  Especially not one from an Academy Award winning scribe like Jordan Peele.  And not for an actor that is yet to be a household name. But this was the case for rising talent Brandon Perea (Netflix’s The OA), whose breakthrough…

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Interview: Director Jordan Peele and the cast of Nope – Daniel Kaluuya, Keke Palmer and Steven Yeun

Following the commercial and critical success of both Get Out and Us, audiences have now come to expect genre greatness from comedian-turned-horror-auteur Jordan Peele. Adopting his own fresh spin on the classic UFO subgenre of science-fiction-leaning horror, Peele’s latest opus Nope is looking to soar into Australian cinemas this week, but, to be expected, all…

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Emily the Criminal is someone we shouldn’t root for, but thanks to Aubrey Plaza we do: Melbourne International Film Festival Review

They say crime doesn’t pay, but whoever stated as such may want to have a chat with the titular criminal in John Patton Ford‘s scrappy, oft intense thriller, one that furthers Aubrey Plaza‘s hold on chaos personified characters in the off-kilter subsect of cinema. Plaza’s Emily is a former art student with a $70,000 debt…

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Watcher is a dread-filled effort that plays on the terrors of voyeurism: Melbourne International Film Festival Review

A thriller that both leans into the formulaic mentality of the genre whilst simultaneously hoping to combat it, Watcher, from director Chloe Okuno (V/H/S/ 94), is a dread-filled effort that plays on the terrors of voyeurism. Gorgeously shot, though consistently lingering with uncertainty, Watcher lays focus on Julia (Maika Monroe, always a welcome presence in…

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