Review

Film Review: Come Play is an effective scarer for those seeking easy thrills

One of the few horror efforts from 2020 that dared an American theatrical release last year – only one minor delay period and no being sold to a streaming service – Come Play, though perhaps stuck with the stigma of being a “direct to digital release” here in Australia, is a worthy scarer that utilises…

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Film Review: The Ice Road is a by-the-numbers actioner buoyed by a surprising emotional current

Seemingly defined at this point in his career by the grizzly, no-nonsense avenger-types he encapsulates – first realised in the 2008 actioner Taken – The Ice Road eases up on Liam Neeson‘s menacing persona and gives his somewhat-everyman a blue collar temperament. He’s still out there risking his life, mind you, but it’s comparatively slightly…

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Fantasia Film Festival Review: Sweetie, You Won’t Believe It fuses slapstick comedy and irreverent bloodshed

A group of men looking to escape their everyday lives, a couple of inept gangsters, and a one-eyed killer who thirsts for his kills cross paths in Ernar Nurgaliev‘s wild horror comedy Sweetie, You Won’t Believe It. Slapstick comedy and irreverent bloodshed work hand-in-hand throughout the film’s crisp 85 minute running time, centring initially on…

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Melbourne International Film Festival Review: Coming Home in the Dark creates a horrific situation out of the simplest ingredients

It doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark.  A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s…

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TV Review: Amazon Prime Video’s Making The Cut Season 2 is an agreeable show for fashion-thinking audiences

Earning a more fruitful reaction and reputation over the similarly themed Netflix offering Next In Fashion (which only lasted one season), Amazon’s Making The Cut took the winning Project Runway duo of Heidi Klum and Tim Gunn and altered their mentor mentality to look for a fashion brand rather than just a designer. There’s no…

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Film Review: The Sparks Brothers is one of the greatest musical documentaries you’ll ever see

There’s often a sense of nostalgia, awe, love, respect and intrigue that goes into watching a music documentary.  It’s learning about an artist we idolise, how they affected us upon that first listen, and a further understanding of their music.  When it comes to The Sparks Brothers, those are indeed all sentiments adhered to, but,…

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Film Review: Nine Days is storytelling in its purest form

With an incredibly vague premise that could read as pretentiously high-concept, Nine Days is the type of life-altering experience that, as cliched as it is to state, needs to be seen to be believed. A powerful piece of storytelling that announces writer/director Edson Oda as a major talent to keep tabs on, Nine Days centres…

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Film Review: Space Jam: A New Legacy makes a few neat shots in its attempt to continually slam dunk

Whilst subtitling the film “A New Legacy” seems a bit too confident for the team behind this Space Jam sequel, it’s arguably not straying too far from the truth in relation to its selected talent.  Whilst the original film received a mixed reception upon its release in 1996, it made considerable bank and has, in…

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Film Review: Escape Room: Tournament of Champions is a fans-only sequel that indulges in its elaborate production value

Taking an activity that’s (arguably) something of a fad and morphing it for a theatrical narrative was a risk that evidently paid off for director Adam Robitel and screenwriters Bragi Schut and Maria Melnik with 2019’s Escape Room.  A psychological horror film that aimed for suspense over gore, its $150 million worldwide haul practically guaranteed…

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First Impressions: Kevin Can F**k Himself is one of the season’s most original offerings

When Kevin Can F**k Himself begins you’d be forgiven for worrying that Annie Murphy, so great as the vapid Alexis Rose in Schitt’s Creek, has drastically reduced herself to playing the stereotypical put-upon wife in the all-too familiar sitcom set-up of schlubby husband acts like a man-child and gets away with it because he’s endearing,…

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Film Review: Love Spreads is a contained drama uplifted by winning performances

As most musicians can attest, the hopeful critical and commercial success of your debut album ultimately means very little if your sophomore record under-delivers.  Such is the dilemma for Glass Heart, the fictional girl group at the centre of Jamie Adams‘ familiar-feeling Love Spreads. Seeming personal vendettas, the strain of writer’s block, and the clashing…

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Tribeca Film Festival Review: Ultrasound is a deliberately off-kilter horror/sci-fi hybrid

To claim nothing is as it seems in Rob Schroder‘s Ultrasound would be a vast understatement.  Requiring significant patience and understanding of its components, this horror/science-fiction hybrid begins on one disturbing note before unravelling into something far more psychologically mysterious. It all opens rather straightforward, however off-kilter, with Glen (Vincent Kartheiser) driving home one night…

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Tribeca Film Festival Review: Agnes is far too uneven to earn complete forgiveness

Starting on a blackly comic note and ending on a vastly different one of dramatic grit, Mickey Reece‘s Agnes is a truly confounding piece.  Inserting a narrative and tonal shift half-way through its proceedings, Reece has created a unique film without question, but it’s one that is likely to irk viewers who could respond so…

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Tribeca Film Festival Review: See For Me treads familiar ground with a welcome creativity

The elevator pitch narrative of “blind subject is targeted by home invaders” is one that’s been explored before in the cinematic realm.  The 2016 double offering of Don’t Breathe and Netflix’s Hush both utilised this logline to impressive effect, and though See For Me is treading familiar ground, it too is at least doing so…

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German Film Festival Review: The Audition presents a wavering narrative grounded by revelatory performances

If there’s one thing that’s concrete in the rather contradictory personality of The Audition‘s focal character – Nina Hoss‘s Anna – it’s that music is her only unwavering interest. Scenes of her championing a young musical student – a mentality that soon graduates to near chastising – showcase her evident passion for the art of…

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Returnal Review: Live, Die, Repeat.

Returnal is, in many ways, the crowning achievement of Housemarque’s journey as a developer. With recent entries standing out as shining examples, from the likes of Matterfall to Nex Machina, and the impeccable Resogun, it’s incredibly satisfying to see a challenging reflex-based rogue-like experience get the royal treatment. Fast-paced action meets a rogue-like structure in…

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Film Review: Land is a handsomely tailored and suitably hopeful tale of survival

With Nomadland having just earned Academy Award accolades as the Best Picture of 2020, a film like Land being released is curious timing.  It’ll inevitably be compared to Chloe Zhao’s inward masterpiece and, in its own way, it’s something of a more digestible, audience friendly take on the narrative of finding yourself in the wilderness. The…

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Film Review: Voyagers sacrifices its macabre energy for a melodramatic personality

Marketed as “Lord of the Flies in space”, Voyagers – whilst occasionally leaning in to that description – is a confused genre effort that feels like a more reflective, psychological film has been edited down to a tween crowd who may appreciate its melodramatic personality. Written and directed by Neil Burger, his first original script…

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Tony Hawk’s Pro Skater 1+2 Review: The King has Returned

Oh how we’ve missed you, Tony Hawk’s Pro Skater. If you were a gamer in the mid to late 90’s, then you would have most definitely played a Tony Hawk’s Pro Skater, I’m sure of it. But before we get stuck into this review, let’s start off with a fun fact; the original Tony Hawk’s…

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Project Cars 3 Review: Shifting Gears

My first few days with Project Cars 3 proved to be an incredibly polarising experience. I consider myself a true fan of racing sims, and while Project Cars 2 stands out as one of my favourites, Project Cars 3 does not; but not in the way you would think. It’s safe to say that Project…

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The Division 2: Warlords of New York: Back to Where it All Began

The Division 2 launched to critical acclaim, and for good reason. Everything had been altered, lifted and improved, and as a result, held me in its grasp for longer than I’d like to admit. But a few months later, I had left The Division 2 behind. Small incremental updates failed to shake up the formula…

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MLB The Show 20 Review: Bases Loaded

MLB The Show has stood for many years as Sony’s simulated answer to America’s pass time. It is with MLB The Show 20 that developer SIE San Diego Studio has lived up to this statement once again, producing one of the most accurate, thorough and varied iterations of the franchise to date. While baseball isn’t necessarily…

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My Week With Call of Duty: Warzone

If 2019’s Call of Duty: Modern Warfare brought things back to basics with boots on the ground combat, Call of Duty: Warzone brings things back into the mainstream, following the trend of recent battle royale experiences. Merging the fast and fluid gunplay of Modern Warfare with the more tactical drawn out nature of a battle…

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One-Punch Man

One-Punch Man: A Hero Nobody Knows Review: A Fair Fight

I remember the first time I saw the trailer for One-Punch Man: A Hero Nobody Knows. How is this ever going to work as a video game? I thought. Surely a game that features a hero able to defeat any enemy with a single punch would make for a pretty boring game. For the most…

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Hunt: Showdown

Hunt: Showdown Review: Monstrous Fun

My first experience with Hunt: Showdown sent shivers up my spine. Navigating a Louisiana bayou in search of a giant spider, the trail led me to an abandoned factory. Upon entering, it was clear; I had found my target. Cobwebs covered the walls and walkways, crunching underfoot as I scoured every inch of the place….

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Journey to the Savage Planet Review: Space oddity

In Journey to the Savage Planet, you are an explorer employed by Kindred Aerospace, the galaxy’s the 4th best interstellar exploration company. Your task is to explore the unknown planet ARY-26 in the hope that it can sustain human life. Theoretically, the job is a milk run. In practice, not that simple. A Sudden Stop…

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Need For Speed: Heat Review: The Heat is on

The Need for Speed franchise is much as a staple of the racing genre as any other. From the high octane thrills of Hot Pursuit, to the halcyon days of Underground, and the epic, white-knuckle police chases of the highly regarded Most Wanted. A few rocky and undercooked entries have plagued the series in recent…

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Star Wars Jedi: Fallen Order Review: The Force is Strong with This One

Like the galaxy, the library of Star Wars video games is incredibly vast. As a huge Star Wars fan, every new experience becomes an automatic purchase, the hope that each new title will be better than the last. A true digital representation of the Star Wars universe in the palm of my hands. While some…

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Call of Duty: Modern Warfare Review: Welcome Back, Old Friend

12 years after its original release, Call of Duty 4: Modern Warfare is still considered by many to be the best entry in the series. Developer Infinity Ward has grappled with its legacy ever since, trying to recapture the aspects of the game that made it a hit. In 2019, the roundabout of Call of Duty developers has…

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Ghostbusters: The Video Game Remastered Review: Bustin’ Makes Me Feel Okay

Ghostbusters: The Video Game launched in 2009 to great commercial and critical success, a rarity for a licensed game. It boasted an in-canon story following the events of Ghostbusters 2 and the entire original cast — Dan Aykroyd, Bill Murray, Ernie Hudson and the late, great Harold Ramis — reprised their iconic roles. In today’s…

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