Whilst Resurrection never deviates from its grim examination of motherhood, Andrew Semans‘ gripping, ultimately bonkers thriller refuses to stay on the course you expect it to. Portraying very much the type of Rebecca Hall-encapsulated character that Rebecca Hall effortlessly portrays, the actress here, strong-willed and properly presented, is Margaret, a pharmaceutical company representative who offsets […]
Read MoreThey say crime doesn’t pay, but whoever stated as such may want to have a chat with the titular criminal in John Patton Ford‘s scrappy, oft intense thriller, one that furthers Aubrey Plaza‘s hold on chaos personified characters in the off-kilter subsect of cinema. Plaza’s Emily is a former art student with a $70,000 debt […]
Read MoreThere’s something of a full circle moment experienced with Am I OK?, Tig Notaro and Stephanie Allynne‘s co-directorial feature debut. The real-life couple, who met on the set of a Sundance selection title (2013’s In A World…), return to the festival as married women detailing their own journey of self-discovery and acceptance with a film […]
Read MoreWith its mix of deadpan satire and high concept sci-fi – comparisons to Yorgos Lanthimos’ 2015 dystopian black comedy The Lobster feel imminent – Dual may be an off-putting experiment to many who can’t readily accept Riley Stearns‘ mentality. It certainly helps that the film is headlined by the wonderful Karen Gillan though, delivering two […]
Read MoreComparisons to Rob Reiner’s 1986 coming-of-age drama Stand By Me will be inevitable when discussing James Ponsoldt‘s Summering; the Sundance fixture returning to the festival following his last effort, the critically mauled 2017 Tom Hanks vehicle The Circle, the first of his filmography to not screen at the festival. The dark elements, thematic inclinations, and […]
Read MoreWhilst there’s no surprise revealed in the fact that Emma Thompson truly deserves to be considered one of the greatest living actresses working today, it’s always appreciated when a performance solidifies such a statement. And in the deliriously charming and strikingly emotional Good Luck To You, Leo Grande, Thompson turns in career-best work that leans […]
Read MoreA thriller that both leans into the formulaic mentality of the genre whilst simultaneously hoping to combat it, Watcher, from director Chloe Okuno (V/H/S/ 94), is a dread-filled effort that plays on the terrors of voyeurism. Gorgeously shot, though consistently lingering with uncertainty, Watcher lays focus on Julia (Maika Monroe, always a welcome presence in […]
Read MoreThere are flashes of an interesting film present within Jesse Eisenberg‘s directorial debut When You Finish Saving the World, it’s just a shame that the satirical flourishes and occasional nuances teased throughout aren’t devoted enough to to be deemed an overall success. The film’s closing 20 minutes leans into the emotional gut-punch Eisenberg clearly hopes […]
Read MoreIt doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark. A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s […]
Read MoreWhen New Zealand-made horror film Coming Home in the Dark premiered at Sundance earlier this year, its use of sound was perhaps its most deceptive feature. Forgoing the usual jump scare queues and obvious musical encouragement to goad audiences into a reaction, the film opted for a more subtle approach, utilising naturalistic sounds to give […]
Read MoreSet in the present-day Oahu, Hawaii, the film follows the story of Masao (Steve Iwamoto), an aging patriarch who is spending his serene days in his home, with his vast family who intermittently keep him company. His health is deteriorating and his relationship with his family becomes more and more estranged. When he contemplates his […]
Read MoreSet in present day America, the film follows the story of Casey, a lonely teenager who participates in an online game known as the World’s Fair Challenge; a game that promises to be the scariest game in existence. After starting the game, Casey records videos of herself and posts them online in order to document […]
Read MoreWhen one hears of a collaboration between acclaimed Japanese maverick filmmaker Sion Sono between American’s acting dynamo Nicolas Cage; one cannot help but be intrigued. Even people who dislike their work would love to see the final result of their work just to see what it would be like because the very idea of such […]
Read MoreAfter proving a formidable plot point in last year’s The Trial of the Chicago 7 – however secondary it may have been – the killing of Black Panther chairman Fred Hampton in 1969, at the age of only 21 years, is given the right, timely treatment in Shaka King‘s equally impactful (perhaps even more so) […]
Read MoreAfter introducing itself as a film that promises there’ll be no sugarcoating its subject matter – the first thing we hear are the audible moans and verbal berating from a pornographic film, and the first thing we see is the extremely graphic imagery of a young girl’s privates in the shower – Ninja Thyberg‘s confronting […]
Read MoreWith Nomadland currently doing the rounds and collecting its share of awards in the lead-up to a presumed heft of Oscar nominations, a film like Land being release is curious timing. It’ll inevitably be compared to Chloe Zhao’s inward masterpiece and, in its own way, it’s something of a more digestible, audience friendly take on […]
Read MoreThe notion of a biological clock and its exclusivity to women is a road travelled many a time over the course of cinematic history. Such an idea pertaining to men however is another story entirely, and one that has seldom been explored. Enter, Together Together. Written and directed by Nicole Beckwith (returning to Sundance 6 […]
Read MoreIt doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark. A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s […]
Read MoreAn agonising drama if ever there was one, Mass details the type of conversation that instantly makes you feel sickeningly uncomfortable. And then to watch it unfold in a suffocating location for 110 minutes is a test of endurance that audiences may be unprepared for. The tragedy at the centre of the conversation is one […]
Read MoreIn How It Ends, the joint-directorial effort from Daryl Wein (Lola Versus) and Zoe Lister-Jones (The Craft: Legacy), the question is proposed of what would you do if you knew the world was coming to an end?. It’s a question that has familiarity to it, but Wein and Lister-Jones have the smarts and wit to […]
Read MoreThere’s a series of odd interludes dispersed throughout Pascual Sisto‘s unnerving thriller John and the Hole that suggest the story at hand has been passed down over time as something of a fable, one that impressionable young children may construe as a challenge on how they view their own relationship with their supposed elders. It’s […]
Read MoreMonster Pictures wants to invite Aussies to the weird and wacky, The Greasy Down Under Tour, showcasing the Sundance film The Greasy Strangler. Directed by Jim Hoskings, The Greasy Strangler, tells the tale of Big Ronnie (Michael St Michaels) who runs a disco walking tour in LA with his son, Big Brayden (Sky Elobar). The arrival […]
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