taylor russell

Film Review: Bones and All is horrifically, tenderly unique as it blends carnage and courtship

It goes without saying that there’s a certain irony in Luca Guadagnino helming a cannibalistic tale in the wake of one of his his Call Me By Your Name stars being ousted for their abusive, sexual fantasies involving such anthropophagous tendencies; Armie Hammer, for those who perhaps haven’t heard, having been banished from the industry…

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Interview: Luca Guadagnino on new romantic horror film Bones and All; “We wanted to underline the idea of the love story.”

Bones and All is a story of first love between Maren (Taylor Russell), a young woman learning how to survive on the margins of society, and Lee (Timothée Chalamet), an intense and disenfranchised drifter… as they meet and join together for a thousand-mile odyssey which takes them through the back roads, hidden passages and trap…

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Win a double in-season pass to see Bones and All starring Timothée Chalamet

Thanks to Warner Bros. Australia and Metro Goldwyn Mayer Pictures we have 5 double in-season passes (Admit 2) to see the cannibalistic romance Bones and All, the latest film from acclaimed director Luca Guadagnino (Call Me By Your Name), in Australian cinemas from November 24th, 2022. Bones and All is a story of first love between Maren…

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Film Review: Escape Room: Tournament of Champions is a fans-only sequel that indulges in its elaborate production value

Taking an activity that’s (arguably) something of a fad and morphing it for a theatrical narrative was a risk that evidently paid off for director Adam Robitel and screenwriters Bragi Schut and Maria Melnik with 2019’s Escape Room.  A psychological horror film that aimed for suspense over gore, its $150 million worldwide haul practically guaranteed…

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Film Review: Waves is both a stirring and sobering experience

Despite this year’s Oscars honouring one of 2019’s more diverse offerings (Bong Joon-ho’s Korean black comedy/thriller Parasite), the whitewashing of the event was overwhelming.  In a cinematic year where actors of colour delivered universally-praised performances (see Lupita Nyong’o in Us, Awkwafina in The Farewell, and Jennifer Lopez in Hustlers, for a start), it was disappointing that…

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