tribeca film festival

Four Samosas is an enjoyably bonkers take on the heist movie genre: Tribeca Film Festival Review

June 16, 2022

Indian representation in cinema has certainly hit a certain stride over the last few years in moving beyond the character stereotypes and Bollywood-framed imagery that Hollywood so often adhered to.  Filmmakers such as Gurinder Chadha and Mira Nair have been representing their native communities for over three decades with their various theatrical offerings – the […]

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Roving Woman is an aimless experience that fails to justify its journey: Tribeca Film Festival Review

June 16, 2022

There’s an interesting concept and potentially deep conversation regarding mental illness to be had with Roving Woman, but the execution presented sadly undoes any of the film’s potential, leaving Michal Chmielewski‘s drama a more aimless experience. The roving woman of the title is Sara (Lena Gora), who opens the film in a state of panic […]

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God Save the Queens; what it lacks in biting humour, it makes up for in beating heart: Tribeca Film Festival Review

June 15, 2022

The cultural phenomenon that is RuPaul’s Drag Race has made way for otherwise niche performers to breakthrough in a mainstream fashion.  Whilst it’s still more likely that queer audiences will recognise their presence in a stronger manner, it must be said that the program knows how to unearth the type of talent that deserves to […]

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Cherry navigates its delicate subject matter with humour and heart: Tribeca Film Festival Review

June 12, 2022

An incredibly topical drama that navigates its story with natural humour and heart, Sophie Galibert delicately treads the waters around the subject of unwanted pregnancy in her feature debut, Cherry. Initially adhering to a more comical temperament, Cherry centres on its titular character (Alex Trewhitt, a star-making turn), a driftless, 25-year-old Los Angelean, whose already […]

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Acidman is an emotional journey through one woman’s estranged connection to her father: Tribeca Film Festival Review

June 11, 2022

Though it’s fair to be intrigued by the title of Alex Lehmann‘s Acidman and assume there’s perhaps something more sinister behind its moniker, the film is a quieter affair, looking at reclusion, mental health, and the power of a familial relationship. Lehmann himself has noted that the idea came from his own personal experience with […]

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Interview: Director Saul Abraham on directing short film Enjoy and exploring men’s mental health

July 14, 2021

Statistics regarding the prevalence of mental illness in men today have become a more commonly known factor as the walls of machoism continue to break down.  No longer a subject that goes undiscussed, the depression aspect of a man’s mental psyche is at the centre of Saul Abraham‘s striking short film, Enjoy. Following its screening […]

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Tribeca Film Festival Shorts Review: Enjoy is a delicate look at depression in men

June 18, 2021

A sensitive subject that manages to transcend its 18 minute containment, Saul Abraham‘s Enjoy is a delicate look at depression, specifically in men, and how difficult it is to remove your own psyche from spiralling downwards. 1 in 8 men in Australia experience some form of depression or anxiety, 3 times more common than it […]

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Tribeca Film Festival Review: Ultrasound is a deliberately off-kilter horror/sci-fi hybrid

June 16, 2021

To claim nothing is as it seems in Rob Schroder‘s Ultrasound would be a vast understatement.  Requiring significant patience and understanding of its components, this horror/science-fiction hybrid begins on one disturbing note before unravelling into something far more psychologically mysterious. It all opens rather straightforward, however off-kilter, with Glen (Vincent Kartheiser) driving home one night […]

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Tribeca Film Festival Review: No Future‘s simplistic script is overcome thanks to committed, nuanced performances

June 15, 2021

With a title like No Future and a narrative detailing the recovery of addicts and the potential grief and fear of relapsing that comes with that territory, Andrew Irvine and Mark Smoot‘s drama isn’t exactly reaching for subtlety. It’s a simplistic script that takes few risks in straying from the expected, but superb, committed performances […]

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Tribeca Film Festival Review: Catch The Fair One is a vigilante tale of stark realism

June 15, 2021

Invoking notes of revenge thrillers like Death Wish and Taken, but adhering to a female edge that lends the film a more calculating temperament, Catch The Fair One is a gritty thriller that survives more on its emotional mindset rather than gratuitous violence. Headlined and anchored by real-life boxer Kali Reis (who also serves as […]

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Tribeca Film Festival Review: God’s Waiting Room is alluring as it is ugly

June 15, 2021

There’s some magnetic performances and a dirty immersion to God’s Waiting Room that, at times, are strong enough for the film to overcome its narrative cliches and ultimate contrivance that put much of its good work at risk. As easy as it is to roll your eyes at the outline of the film being that […]

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Tribeca Film Festival Review: Agnes is far too uneven to earn complete forgiveness

June 14, 2021

Starting on a blackly comic note and ending on a vastly different one of dramatic grit, Mickey Reece‘s Agnes is a truly confounding piece.  Inserting a narrative and tonal shift half-way through its proceedings, Reece has created a unique film without question, but it’s one that is likely to irk viewers who could respond so […]

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Tribeca Now Showcase Review: In The Cards (Episode 1) makes a fine first impression in spite of its morally questionable characters

June 14, 2021

There’s something delightful in a comedy series basing itself around a person who’s, for lack of a better word, awful.  Maybe awful is too strong a word.  Let’s go with morally questionable.  Either way, In The Cards, from writer/director Colin Kane Healey, centres itself around a morally questionable type who most would agree deserves that […]

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Tribeca Now Showcase Review: If I’m Alive Next Week… is a humorous (and short) snapshot into the lives of a perfectly dysfunctional family

June 14, 2021

The foul-mouthed, no-nonsense senior citizen can easily give itself way to presenting a caricature more than a character of organic standing.  Thankfully, in If I’m Alive Next Week… screenwriting duo Jennifer Morris and Robbie Sublett (who also serve as the series’ directors and creators) manage to create an 80-something who tells like it is without […]

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Tribeca Film Festival Review: Shapeless‘ important message is undone by its minimalistic approach

June 13, 2021

Given that Shapeless is an incredibly personal film to lead actress and writer Kelly Murtagh, detailing a disorder that cripples many, it’s a somewhat painful experience to be framing a review in a negative light. There’s a dark, unforgiving movie in here somewhere, one that expresses no fear in manifesting her struggle with bulimia in […]

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Tribeca Film Festival Review: See For Me treads familiar ground with a welcome creativity

June 11, 2021

The elevator pitch narrative of “blind subject is targeted by home invaders” is one that’s been explored before in the cinematic realm.  The 2016 double offering of Don’t Breathe and Netflix’s Hush both utilised this logline to impressive effect, and though See For Me is treading familiar ground, it too is at least doing so […]

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Tribeca Film Festival Review: A Better You is a charming, self-reflective look on the social-media age

April 8, 2020

*Due to the current global crisis the planned 2020 Tribeca Film Festival has been postponed. The AU Review has been in contact with the respective representatives for available films in order to give them the coverage they intended. A commentary on the so-called perfection of social media, Eamonn Murphy‘s quirky short A Better You is […]

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Tribeca Film Festival Review: Query addresses the social norms of sexuality in a disarmingly comfortable manner

April 5, 2020

*Due to the current global crisis the planned 2020 Tribeca Film Festival has been postponed. The AU Review has been in contact with the respective representatives for available films in order to give them the coverage they intended. Much like the recent slate of short films that were intended for this year’s SXSW Film Festival, […]

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