tribeca film festival

Micronations is funny, unexpectedly emotional, and consistently fascinating: Tribeca Film Festival Review

One of the great joys of documentary filmmaking is its ability to introduce audiences to worlds they never knew existed. Joe Kowalski‘s Micronations does exactly that, plunging viewers into a community of self-declared kings, queens, emperors, and presidents who have carved out their own sovereign states in backyards, villages, deserts, and forgotten corners of the…

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That Friend proves that even the most exhausting can make for great company: Tribeca Film Festival Review

The title That Friend immediately suggests a familiar archetype. We all know someone who can turn a quiet evening into an all-night adventure, someone whose enthusiasm is both infectious and exhausting in equal measure. What makes Alex Wall and Will Sterling‘s comedy work so well is that it never settles for the easy joke of…

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Interview: Nina Dobrev, writer Sarah Adina and director Kaily Morgan Smith on transforming trauma into comedy for General Admission

Heartbreak is universal. So too is the tendency to tell ourselves we’re ready to move on when we’re anything but. In General Admission, writer Sarah Adina channels one of the most vulnerable chapters of her own life into a sharply observed comedy about a woman who attends a support group hoping to heal, only to…

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threeASFOUR: FULL CIRCLE shines a spotlight on a fashion collective that has spent more than two decades refusing to play by the rules: Tribeca Film Festival Review

In an industry built on trends, commerce, and relentless reinvention, threeASFOUR: FULL CIRCLE shines a spotlight on a fashion collective that has spent more than two decades refusing to play by those rules. Directed by Sean Ono Lennon and Brian C. Gonzalez, the documentary follows avant-garde New York design trio Gabi Asfour, Angela Donhauser, and…

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Stand Clear ‘ the Closing Doors; incisive, disarmingly funny short is loaded with social commentary: Tribeca Film Festival Review

“All this shit actually happened.” That opening declaration lands with a sting, immediately setting the tone for Stacey Sargeant’s sharp, funny, and quietly infuriating short film Stand Clear ’ the Closing Doors. It’s a deliberately blunt replacement for the more familiar “based on a true story,” and it perfectly captures the film’s mentality: exhausted, self-aware,…

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Holo; sci-fi short is terrifying and romantic in equal measure: Tribeca Film Festival Review

Grief, closure, and control collide in Holo, a quietly unsettling sci-fi short from Alexander DeSouza that feels unnervingly close to our present reality. Built around a deceptively simple concept – a company offering artificial encounters with the dead through performance and facial technology – the film quickly reveals itself to be something far more intimate,…

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Deepfake; validation is currency in mildly biting reflection of the digital age: Tribeca Film Festival Review

There’s an undeniably sharp hook at the centre of Deepfake – a near-future (or arguably present-day) world where friendship, identity and self-worth can be outsourced with the tap of an app. It’s a premise that feels both heightened and uncomfortably familiar, tapping into a culture where validation is currency and the lives we curate online…

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Last Minute is a charming and sharply observed short about the pre-internet world: Tribeca Film Festival Review

A very specific kind of panic defines Last Minute – the kind born from a pre-internet world, where deadlines couldn’t be solved with a quick search and “doing homework” often became a family-wide emergency. Set in 1989, the short leans into that pressure with warmth, humour, and an undercurrent of genuine affection for a time…

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Interview: Director Michael Cusumano and star Charity Schubert on the connections we’ve traded for convenience with their short film Last Minute

What begins as a simple story about a kid leaving his homework until the very last minute becomes something far more poignant in Last Minute. Set in 1989, before smartphones, Google, and instant answers, writer-director Michael Cusumano‘s charming short follows a single mother racing against the clock to help her son complete a major school…

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ChikaBOOM!; heart, humour and striking visuals combine in inventive animated short: Tribeca Film Festival Review

In a city already bursting with energy, colour and larger-than-life personalities, it takes a particularly special creature to stand out. Enter Kaboom, a fluffy pink force of magical chaos who descends upon New York City in ChikaBoom!, a delightfully inventive animated short that combines heart, humour and a striking visual style. At its centre is…

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General Admission; revealing, funny, incisive short showcases a compelling character study: Tribeca Film Festival Review

Packing a full emotional spiral, character study, and sharp comedic pivot into under ten minutes is no small feat, yet General Admission pulls it off with an impressive control and confidence. Writer Sarah Adina and director Kaily Morgan Smith craft a deceptively simple setup – a woman attending a support group to reclaim her sense…

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Cotton Fever is a difficult film to sit with, but one that undeniably comes from a place of lived truth and compassion: Tribeca Film Festival Review

Addiction dramas are rarely designed to be “enjoyable,” and Cotton Fever understands that from its opening moments. Daniel Blake Schwartz’s debut feature is an emotionally heavy, deeply intimate portrait of people trapped in cycles of dependency, survival, and recovery, refusing to romanticise the realities of addiction or soften the damage it leaves behind. The result is…

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Interview: Drew van Steenbergen on turning his dating-app addiction and personal flaws into comedic art with Buckets

In an age where a single unread message can trigger a full-blown existential crisis, Drew van Steenbergen‘s Buckets taps into a painfully familiar modern phenomenon. The sharply observed short follows a man whose life begins to unravel after a late-night dating app match leaves him waiting for a follow-up text, spiralling through anxiety, self-doubt, and…

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Buckets captures a very specific form of modern anxiety with remarkable honesty, humour, and self-awareness: Tribeca Film Festival Review

In the age of dating apps, where a single delayed reply can send even the most rational person into a tailspin, Buckets captures a very specific form of modern anxiety with remarkable honesty, humour, and self-awareness. Writer-director-editor Drew van Steenbergen turns the camera on himself as a man who spirals over the course of 48…

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Interview: Ellie Sachs on crafting the relatable comedy Lucy Schulman and navigating the fine line between romance and self-erasure

With her feature debut Lucy Schulman, writer, director and star Ellie Sachs has crafted a charming, painfully relatable comedy about the dangers of building your identity around other people. Following a devastating breakup, Lucy returns home to live with her eccentric father and begins the messy process of figuring out who she is when she’s…

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Lucy Schulman is a modest, sentimental indie that sneaks up on you emotionally: Tribeca Film Festival Review

In one of the earliest moments of Lucy Schulman, Lucy (Ellie Sachs) reflects on her childhood obsession with mallards. While other kids loved trains or Barbies, she was fixated on the idea that these birds seemed to mate for life – and that when one died, the other often wasn’t far behind. To Lucy, that…

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Sara Bareilles: Good Grief is less a documentary about recording an album than it is a portrait of what it means to keep creating – and keep loving – after loss: Tribeca Film Festival Review

Seven years after releasing the Grammy-winning Amidst the Chaos, Sara Bareilles returns to the studio not simply to make another record, but to process a life irrevocably altered by grief, transition, and time. In director Josh Alexander’s deeply moving documentary Sara Bareilles: Good Grief, the creation of an album becomes something far more intimate: a…

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Fault is a fierce and cathartic examination of trauma and survival: Tribeca Film Festival Review

Set against the intensely competitive backdrop of professional tennis, Fault is less interested in the sport itself than the emotional and psychological battles raging beneath the surface. Written and directed by Misha Calvert, this powerful short film delivers an unflinching exploration of abuse, trauma, and the vastly different ways survivors learn to cope with their…

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Kids Like Me is a documentary about support systems and creativity, all wrapped inside the framework of a charming homemade whodunit: Tribeca Film Festival Review

A summer night around a dinner table becomes the launchpad for a murder mystery in Kids Like Me, as 12-year-old Oliver enthusiastically assigns character roles to friends and family with the confidence of a seasoned director. “You’re the jealous mistress, you’re the corrupt cop…” he declares, transforming an ordinary gathering into a sprawling whodunit powered…

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The Travel Companion revels in the uncomfortable nature of friendships and their obligations: Tribeca Film Festival Review

Delighting in the type of self-centred behaviour that more of us are guilty of than not, the character at the core of The Travel Companion, Alex Mallis and Travis Wood’s debut feature, sprouts lyrical to anyone who’ll listen (or tolerate) about his forthcoming directorial feature – an experimental, hybrid docu-fiction-travelogue about the cultural bridges and…

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A Tree Fell in the Woods navigates relationship tension with self-reflecting musings: Tribeca Film Festival Review

The age-old question around if a tree falling in the forest makes a sound is asked in quite a compelling, pressure-cooker type of way in A Tree Fell in the Woods, Nora Kirkpatrick‘s debut dramedy about the implosion of relationships between two couples across a New Year’s Eve getaway in the snowy forests of Utah….

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Baby Tooth is a comedic short feature that indulges in its unanswered absurdities: Tribeca Film Festival Review

“Are you here for the boat or the tooth?” And with that sentence, writer/director Olivia Accardo welcomes us into the bizarre reality of Baby Tooth, a wild five minute short film screening as part of this year’s Tribeca Film Festival; it’s set to play before the feature The Trainer, as well as being included in…

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Everything’s Going to Be Great celebrates the arts and those that have always felt different doing so: Tribeca Film Festival Review

Whilst Everything’s Going to Be Great starts out a bit more eccentric and comedically minded than how it ends, the performances at the core of Jon S. Baird‘s dramedy, and the sense that it celebrates art and those that have always felt a little different in doing so, keeps it continually moving at an enjoyable…

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The Rose: Come Back to Me is a refreshing look at the Korean art rock collective: Tribeca Film Festival Review

One of the great things about documentaries such as The Rose: Come Back to Me is that it both provides further insight into a rock outfit for the legions of fans, as well as introducing uninitiated viewers into a world that proves endlessly fascinating.  I am personally of the latter, as going into this film,…

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I Was Born This Way celebrates a trail-blazing gay icon with the love and respect he expressed to others: Tribeca Film Festival Review

If hearing the title I Was Born This Way immediately brings to mind the Lady Gaga song “Born This Way”, the coincidence is intentional.  Gaga, one of the few interviewees featured in Daniel Junge and Sam Pollard‘s beautiful, insightful documentary, talks about how Carl Bean‘s legacy influenced her songwriting, as he did for the likes…

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Interview: Will Bates on sonically interpreting the emotional undercurrent of Rosemead at this year’s Tribeca Film Festival

Set in the heart of the San Gabriel Valley and based on a harrowing true story, Rosemead is a gripping, emotionally charged portrait of a mother’s love pushed to its limits. Lucy Liu delivers a transformative performance as a terminally ill Chinese immigrant who uncovers her teenage son’s disturbing fixation with mass shootings. As her health deteriorates, she takes…

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Horsegirls is a sweet natured drama that speaks to the importance of independence and inclusivity: Tribeca Film Festival Review

A film that embraces a more eclectic hobby over ridiculing its eccentricities, Horsegirls is a sweet natured drama that speaks to the importance of independence and inclusivity. Written and directed by Lauren Meyering, Horsegirls embraces the defiance of its lead character, Margarita (so beautifully embodied by Lillian Carrier), and how her perceived fragility gives way…

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Poreless; biting beauty industry short film serves universal comedy and positive self-messaging: Tribeca Film Festival Review

There’s a lived-in mentality to Poreless that is sure to resonate with certain audiences – it’s lead is a gay Muslim – but the comedic nature of its script, written by director Harris Doran and Fawzia Mirza, is particularly universal, looking at the vapid disconnection of the beauty world, the tightrope many walk when it…

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Interview: Akbar Hamid on the importance of his short film Poreless; “At the end of the day it’s about self worth and knowing that it’s all within.”

A fabulous, queer Muslim beauty entrepreneur must figure out how to compete in a Shark Tank-like product pitch contest after suffering an untimely allergic reaction. Such is the logline for Poreless, a biting, commentative short currently screening at this year’s Tribeca Film Festival.  Headlined and produced by Akbar Hamid, the performer is making a plenty…

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The Hicks Happy Hour is a short drama about the pressures of a public persona: Tribeca Film Festival Review

Highlighting the drama behind the for-the-camera-smiles of the 1970s variety show, Kate McCarthy‘s The Hicks Happy Hour is a moment-in-time short feature that escalates with a certain tension, before it ultimately pivots for a more cathartic climax that speaks to one woman’s eventual truth. “Stars stay smiling” is the Hicks family motto, something mother Jill…

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