Author: Peter Gray

Seasoned film critic and editor. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Contact: [email protected]

MQFF Film Review: Cicada tackles uncomfortable subjects in an organic, understated manner

Given how authentic this “based on real events” tale proves to be, it’s safe to assume that writer/director/actor Matthew Fifer is baring a healthy portion of his soul and experiences in Cicada.  Likely to ring true with queer audiences – especially gay men – the film tackles uncomfortable subjects and presents promiscuous sex in an…

Read more

MQFF Film Review: My Fiona is an emotionally excruciating navigation of mourning and self-discovery

The framing of My Fiona‘s opening scene is laced with a certain tension that very much clues the audience in on the fact that the film’s protagonist, Jeanette Maus‘s Jane, is about to have her life horrifically shattered.  It’s an emotional, painful way for us to bond with a character, but it immediately establishes a…

Read more

Film Review: Come True is ambiguous, menacing material undone by an unearned climax

The type of indie horror flick that has a lot of promising-enough elements for it to earn audience investment, Come True may ultimately culminate in disappointment – in fact, it’s downright frustrating – but an atmospheric dread and hauntingly effective score keep Anthony Scott Burns‘s intense feature on a more upward trajectory overall. At the…

Read more

Film Review: Judas and the Black Messiah delivers with heart and valorous conviction

After proving a formidable plot point in last year’s The Trial of the Chicago 7 – however secondary it may have been – the killing of Black Panther chairman Fred Hampton in 1969, at the age of only 21 years, is given the right, timely treatment in Shaka King‘s equally impactful (perhaps even more so)…

Read more

Australian director Shannon Murphy amongst BAFTA’s Best Director nominees for Babyteeth

Taking last year’s criticism on board for its predominant exclusion of people of colour and women in the majority of its categories, the British Academy of Film and  Television Arts (BAFTA) has overhauled its 2021 voting process with a far more inclusive mindset. Continuing to throw the eventual Oscar nominations into chaos, this year’s BAFTA…

Read more

Film Review: French Exit is quirky, controlled chaos primarily designed as a showcase for the glorious Michelle Pfeiffer

Towards the beginning of French Exit, Azazel Jacobs‘s at once tragic and surreal comedy, Michelle Pfeiffer‘s initially icy New York socialite Frances Price seemingly mocks the romantic uncertainty of her adult son, Malcolm (Lucas Hedges).  “Menstruating?”, she asks when he refuses to divulge any type of answer to his sullenness, confirming screenwriter Patrick deWitt‘s penchant…

Read more

Blu-Ray Review: Possessor blends the psychological and visceral effects of proposed technological voyeurism

Opening with one of the most violently stunning set pieces witnessed in cinema in recent memory, Possessor suggests something of a techno-thriller is to follow in the 100-or-so minutes.  But, almost to be expected given it has the Cronenberg name attached to it, the rug is more than swept out from underneath us as the…

Read more

Film Review: Nomadland is an emotionally-charged masterpiece

The opening of Chloe Zhao’s Nomadland opens with a sobering statistic.  In Nevada, a small town – Empire – has essentially become a ghost town due to the local Gypsum plant closing down amid the recession.  The Empire residents, most of whom lived in company-owned homes, had to vacate in masses, deactivating the town’s zip…

Read more

Interview: Melanie Bracewell on Season 3 of Wellington Paranormal and how no idea is ever too crazy to pitch

As season 3 of Wellington Paranormal arrives on screens (February 24th at 8:30pm on SBS VICELAND), we chatted with writer and producer (and all around funny girl) Melanie Bracewell to discuss the process of pitching outlines for such a show and how no idea is ever too crazy. The episodes I caught were hilarious, I…

Read more

Sydney Film Festival moves to August for 2021 season only

After a successful Summer Season at the State Theatre and a sold-out Wong Kar Wai retrospective, Sydney Film Festival is excited to announce the 68th edition will take place 18-29 August 2021. The shift will allow the Festival to continue to include films from major international festivals (in addition to Australia’s best new feature films…

Read more

Eric Bana and The Dry director Robert Connolly to reunite for Tim Winton’s Blueblack

With The Dry fast approaching the $20 million mark at the Australian box office – now one of the most successful Australian films of all time – the appetite for local material is at an all-time high. Looking to emulate that success, The Dry director Robert Connolly is reuniting with leading man Eric Bana for…

Read more

Interview: Ahmet Zappa on new documentary Zappa and how it’s honouring the legacy of his father, Frank Zappa.

As Alex Winter’s acclaimed documentary Zappa arrives in cinemas (read our review here) to both introduce and re-establish Frank Zappa as one of the music industry’s late, great geniuses, the musician’s son – and Zappa producer – Ahmet Zappa is talking about the labour of love that is the film.  Peter Gray spoke with Ahmet…

Read more

Aussie thriller The Drover’s Wife joins SXSW Film Festival as full lineup revealed

The 2021 SXSW Film Festival has revealed its full line up for its 28th edition for SXSW Online, running March 16th-20th, 2021.  The previously announced Demi Lovato: Dancing with the Devil, a hard-hitting documentary covering the personal and professional life of the pop star, including her fatal near-overdose, will serve as the festival’s opener, whilst…

Read more

Film Review: I Care A Lot is further proof of Rosamund Pike’s devilish star quality

Given just how maliciously magnetic she was in Gone Girl, it makes sense that devoted fans would be awaiting another Rosamund Pike performance that allows the actress to delight in all the dark ambition so evident in her Oscar-nominated turn. That’s certainly not to say she hasn’t been delivering the goods in the years since,…

Read more

Film Review: Another Round overcomes its farcical premise with an organic honesty

You’d be forgiven for reading the plot outline for Another Round and assuming wacky comedic hijinks would ensue.  Based around a surprisingly real theory put forward by Norwegian psychiatrist Finn Skårderud, who suggested that humans could operate at their best with a consistent blood alcohol level of .05%, Thomas Vinterberg‘s dramedy is occasionally humorous as…

Read more

Film Review: Long Story Short expresses the importance of time and relationships without resorting to emotional manipulation

The tried and true formula of the “time loop” sub-genre in film has been adopted many a time; the Happy Death Day films, Edge of Tomorrow, the recent Palm Springs, and the seminal Groundhog Day being arguably the prototype for such offerings.  For Long Story Short, the sophomore effort from Australian writer/director/actor Josh Lawson (The…

Read more

Film Review: Bliss is heavy on ideas but light on execution

A science fiction film dealing with the powers of telekinesis and virtual reality, and starring Owen Wilson and Salma Hayek for good measure, Bliss is heavy on ideas but light on execution as Mike Cahill‘s ambitious outing takes only mere minutes to fall apart at its artificial seams. Wilson headlines as Greg, a supposed biggish…

Read more

Film Review: Greenland is a surprisingly emotional and human tale for a disaster themed action film

When it was known that Gerard Butler would be reuniting with his Angel Has Fallen director Ric Roman Waugh for a disaster movie, I think we all had an idea of what type of movie it could be.  Guaranteed, Greenland would not have been the outcome in anyone’s frontal cortex.  Shifting focus away from the…

Read more

Interview: Long Story Short actor/director Josh Lawson on the challenges of filmmaking and returning home to Australia

Academy Award nominated writer/actor/director Josh Lawson is back behind the camera to follow up his 2014 debut The Little Death with the time-warped romantic comedy Long Story Short.  Ahead of the film’s local release (it’s set for Australian theatres on February 11th), Peter Gray caught up with the star to discuss the film’s origins, the…

Read more

Sundance Film Festival Review: Judas and the Black Messiah is an impactful drama that’s all too aware of its topical relevance

After proving a formidable plot point in last year’s The Trial of the Chicago 7 – however secondary it may have been – the killing of Black Panther chairman Fred Hampton in 1969, at the age of only 21 years, is given the right, timely treatment in Shaka King‘s equally impactful (perhaps even more so)…

Read more

Sundance Film Festival Review: Pleasure is a deliberately uncomfortable navigation of the boundaries of the sex industry

After introducing itself as a film that promises there’ll be no sugarcoating its subject matter – the first thing we hear are the audible moans and verbal berating from a pornographic film, and the first thing we see is the extremely graphic imagery of a young girl’s privates in the shower – Ninja Thyberg‘s confronting…

Read more

Sundance Film Festival Review: Robin Wright’s Land speaks to the love of the land and one’s own self

With Nomadland currently doing the rounds and collecting its share of awards in the lead-up to a presumed heft of Oscar nominations, a film like Land being release is curious timing.  It’ll inevitably be compared to Chloe Zhao’s inward masterpiece and, in its own way, it’s something of a more digestible, audience friendly take on…

Read more

Sundance Film Festival Review: Together Together amusingly explores the notion of a man’s desire to listen to his biological clock

The notion of a biological clock and its exclusivity to women is a road travelled many a time over the course of cinematic history.  Such an idea pertaining to men however is another story entirely, and one that has seldom been explored.  Enter, Together Together. Written and directed by Nicole Beckwith (returning to Sundance 6…

Read more

Sundance Film Festival Review: Coming Home in the Dark is a menacing feature that doesn’t take full advantage of its eerie potential

It doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark.  A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s…

Read more

Sundance Film Festival Review: Mass is powerful, unflinching storytelling that demands to be seen

An agonising drama if ever there was one, Mass details the type of conversation that instantly makes you feel sickeningly uncomfortable.  And then to watch it unfold in a suffocating location for 110 minutes is a test of endurance that audiences may be unprepared for. The tragedy at the centre of the conversation is one…

Read more

Sundance Film Festival Review: How It Ends is a scrappy comedy that utilises its charm to overcome any shortcomings

In How It Ends, the joint-directorial effort from Daryl Wein (Lola Versus) and Zoe Lister-Jones (The Craft: Legacy), the question is proposed of what would you do if you knew the world was coming to an end?.  It’s a question that has familiarity to it, but Wein and Lister-Jones have the smarts and wit to…

Read more

Sundance Film Festival Review: John and the Hole is an ambiguous thriller that refuses to spoon-feed its audience

There’s a series of odd interludes dispersed throughout Pascual Sisto‘s unnerving thriller John and the Hole that suggest the story at hand has been passed down over time as something of a fable, one that impressionable young children may construe as a challenge on how they view their own relationship with their supposed elders.  It’s…

Read more

Film Review: Malcolm & Marie succeeds entirely off the committed performances of John David Washington and Zendaya

Although Malcolm & Marie was one of the first films to be announced as a “made during COVID-19” production, it thankfully has nothing to do with the global catastrophe.  Instead, writer/director Sam Levinson (creator of HBO’s Euphoria) has opted for an in-house tragedy revolving around the titular couple (John David Washington‘s Malcolm and Zendaya‘s Marie)…

Read more

Film Review: Brothers By Blood is an all-too ordinary mob story that seems unfortunately content with coaxing by on familiarity

Despite a talented cast that consists of such reliable names as Matthias Schoenaerts, Joel Kinnaman, Ryan Phillippe, and Maika Monroe, Brothers By Blood (originally known as The Sounds of Philadelphia) is an all-too ordinary mob story that seems unfortunately content with coaxing by on familiarity. Masculinity, faith, loyalty, redemption, brotherhood, a criminal underworld…it’s stock standard…

Read more

TV Review: The Sister elevates a standard premise with a supernatural element

A nonlinear storyline, a dash of supernatural suggestion, and committed performances across the board, The Sister switches enough of the standard murder-mystery thriller concept for it to earn viewer interest over the course of its four sharp episodes. Within minutes of Neil Cross‘s screenplay unfolding on the screen – the writer adapting from his own…

Read more