sequel

Film Review: Ghostbusters: Afterlife heavily winks to fans of the original in its bid to conjure up nostalgia

There’s a lot of DNA shared between Jason Reitman‘s Ghostbusters: Afterlife and the 1984 original that his father, Ivan Reitman, helmed to fruition.  But it’s not just a familial bond that links the respective films, with several portions of the film’s plot and its character line-up clearly based off what came those near-four decades prior. …

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Film Review: The Matrix Resurrections toes the line between familiarity and freshness as it reconsiders reality

Few movies from 1999 can boast as much as The Matrix.  A groundbreaking effort, both in terms of its special effects and its allegoric mentality, The Wachowski‘s post-apocalyptic, philosophical action film pushed the boundaries of modern cinema, exceeding audience expectation in the process. Maintaining a cultural relevance in the decades since essentially allows such a…

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Film Review: Sing 2 is a harmless, uplifting family outing that wins over with its charm and soundtrack

For better or worse, Illumination will always be known as the studio that gave an extended life to Minions.  Originally something of a throwaway gag to provide easy laughs within the Despicable Me films, they took on a force of their own and seemed to pull focus from any other studio property.  One such charmer…

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Film Review: Spider-Man: No Way Home is an emotional and extravagant sequel that pays specific service to its devoted fanbase

Arguably 2021’s most anticipated film – and safely the most anticipated Spider-Man title in the history of the character, thus far – Spider-Man: No Way Home is the epitome of the sweeping superhero epic.  Already a release that comes with an unreasonably high set of expectations (the are they or aren’t they debate surrounding the…

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Film Review: The Boss Baby: Family Business commits to its ludicrous premise and enjoys playing with its narrative insanity

I think it’s a fair assumption to state that not many people expected Tom McGrath‘s 2017 effort The Boss Baby to clear the half a billion dollars it did at the global box office.  It was a bizarre comedy that entirely banked on its central premise – a baby that spoke like an entitled adult…

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Interview: James Marsden on recording The Boss Baby sequel during a pandemic; “I made a makeshift studio with duvets and pillows”

Four years after an infant Alec Baldwin steered Dreamworks’ The Boss Baby to over half a billion dollars at the global box office and an Academy Award nomination for Best Animated feature, the troublesome tyke is back in The Boss Baby: Family Business, and he’s bringing his household along for the ride. Joining Baldwin and…

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Film Review: Venom: Let There Be Carnage is a riotous and entirely overwhelming sequel

Despite the fact that the film was ripped apart by critics and was centred on a character who had previously been brought to “life” in a less-than-well received iteration, 2018’s Venom was a mammoth success.  Pulling in upwards of $856 million worldwide, it was the seventh highest grossing film of that year – beating out…

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Spider-Man: No Way Home trailer teases the multiverse but still omits Tobey Maguire and Andrew Garfield

Once it was revealed that Spider-Man: No Way Home would be exploring the multiverse and introducing a slew of characters that appeared in previous Spider-Man films separate from the current slate, fans were convinced that both Tobey Maguire and Andrew Garfield would be making return appearances as the respective web-slinger from their own films; Maguire…

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Film Review: Home Sweet Home Alone is a new form of punishment for naughty children this Christmas season

There’s a moment during Home Sweet Home Alone where two characters are watching a remake of the fictional “Angels With Filthy Souls” – you know, that quotable film within a film that Macaulay Culkin used in a manner to frighten the pizza delivery boy (“Merry Christmas ya filthy animal) – and comment on why studios…

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Film Review: Halloween Kills delights in gory nonsense, but none of the atmosphere of its predecessors

As the flashing lights of fire brigades speed past a bruised and bloodied Laurie Strode (Jamie Lee Curtis) in the opening moments of Halloween Kills, it becomes all too evident that the haunting figure that is Michael Myers is far from vanquished; her desperate screams of “Let him burn” practically beg the oft-called ‘boogeyman’ to…

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It’s always someone you know in first Scream trailer

“What’s your favourite scary movie?” 25 years ago it was a question posed to Neve Campbell in Wes Craven’s now genre classic Scream, and come January 2022 a new generation of fresh blood will have their knowledge similarly tested in, well, Scream. Less a sequel and more a reinvention, Scream will pay homage to Craven’s…

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Film Review: Don’t Breathe 2 is morally foul and unapologetic in its B-grade gratification

To say there was a certain amount of resistance when it came to the notion of Don’t Breathe 2 would be something of an understatement.  The idea that the original film’s villain – Stephen Lang‘s Norman, aka “The Blind Man”, who emerged from Fede Alvarez‘s tense 2016 thriller Don’t Breathe as a vile shut-in with…

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Film Review: Candyman is an intelligent horror film that’s as politically charged as it is unnerving

When it comes to cinematic boogeymen, the creation of Candyman is undoubtedly a frontrunner.  Since first becoming the stuff of unnerving urban legend in Bernard Rose’s 1992 classic Candyman, the character itself has remained a figure of terror and now, just shy of three decades later, has been summoned once more for a new generation…

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Win a double in-season pass to see horror sequel Don’t Breathe 2

Thanks to Sony Pictures we have five double passes to give away to the upcoming release of Don’t Breathe 2, the chilling sequel to 2016’s Don’t Breathe, in Australian cinemas from August 26th, 2021. The sequel is set in the years following the initial deadly home invasion, where Norman Nordstrom (Stephen Lang) lives in quiet…

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Film Review: The Suicide Squad is violent, unprincipled, and very, very fun!

Arguably one of the best marketing campaigns ever afforded for a blockbuster title, 2016’s Suicide Squad was ultimately a victim of its own hype.  After the DC brand suffered disappointment with the reaction to Batman v Superman, David Ayer’s impressively stacked line-up of second-tier characters and their super villainous mentalities seemed poised to right the…

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First Impressions: Turner & Hooch is a safe affair unable to form its own identity

Knowing that one simply can’t just replace Tom Hanks – in whatever capacity – Disney+’s Turner & Hooch reboot tries the next best thing by honouring his character’s legacy, even if it is essentially a veiled attempt at replacement. For the uninitiated, Turner & Hooch was a sizeable success for Hanks in his more comedy-driven…

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Film Review: Space Jam: A New Legacy makes a few neat shots in its attempt to continually slam dunk

Whilst subtitling the film “A New Legacy” seems a bit too confident for the team behind this Space Jam sequel, it’s arguably not straying too far from the truth in relation to its selected talent.  Whilst the original film received a mixed reception upon its release in 1996, it made considerable bank and has, in…

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Interview: Don Cheadle on playing a villain in Space Jam: A New Legacy and sharing the court with LeBron James

No stranger to the world of CGI wizardry and starring alongside names of sizeable weight, Don Cheadle is utilising both his talent and knowledge for his latest big screen venture – Space Jam: A New Legacy – opposite Los Angeles Lakers MVP, LeBron James.  Talking with our own Peter Gray ahead of the anticipated sequel’s…

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Film Review: Escape Room: Tournament of Champions is a fans-only sequel that indulges in its elaborate production value

Taking an activity that’s (arguably) something of a fad and morphing it for a theatrical narrative was a risk that evidently paid off for director Adam Robitel and screenwriters Bragi Schut and Maria Melnik with 2019’s Escape Room.  A psychological horror film that aimed for suspense over gore, its $150 million worldwide haul practically guaranteed…

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Interview: Actor Thomas Cocquerel on the thrills and intricacies of Escape Room: Tournament of Champions

After Escape Room became one of 2019’s biggest surprise box office successes, netting over $150 million worldwide on a $9 million budget, it was no surprise when it was announced that a second trip behind the locked doors would be heading our way; Escape Room: Tournament of Champions. Reuniting original director Adam Robitel and surviving…

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Film Review: Fast & Furious 9 knows that too much is never enough

As melodramatic and as nonsensical as one would expect from a series that defies the laws of physics as freely as it does whilst waxing lyrical on the importance of family, Fast & Furious 9 (or F9 as it’s being marketed) is the type of ludicrous, high-octane fluff designed for the biggest of screens. Another…

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Film Review: Spirit Untamed rides with a harmlessness that’s sweet and safe

Despite one of the more impressive voice casts assembled in recent years – Julianne Moore, Jake Gyllenhaal, Walton Goggins, and Isabela Merced, to name a few – Spirit Untamed is suitably middle-of-the-road fare.  It’s sweet and harmless, but it’s aimed so specifically at the young female demographic that its universal appeal feels ultimately limited. Playing…

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Film Review: The Conjuring: The Devil Made Me Do It relies on cheap scares instead of shadowy suspense

Having essentially built itself around the “based on a true story” hook, the Conjuring universe of films have been served well by a selling point that’s either something you buy into or simply accept as neat marketing. Whilst there’s no denying that Ed and Lorraine Warren did exist and built a name for themselves as…

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Film Review: A Quiet Place Part II expands on the original with expert tension and furthered emotion

Expanding the ravaged world he teased us with in the 2018 original, unlikely horror aficionado John Krasinski returns for another play in the unbearably tense playground that is A Quiet Place Part II. Whilst the overall surprise element of the first film is perhaps not quite as prominent here, Krasinski still expertly manoeuvres around apocalyptic…

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Film Review: Spiral: From the Book of Saw is politically minded and incredibly grisly

Defying the critical odds in 2004 and spanning an unlikely 8-film-strong series in the process, the original Saw became much more of a phenomenon than expected, and, arguably, than originally intended.  Often synonymous with the horror sub-genre of “torture porn”, James Wan‘s grimy, low budget affair delighted in its gory aesthetics, but tried its best…

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New Fast & Furious 9 trailer takes Fast Saga to new heights – literally!

Celebrating its 20th anniversary in 2021, the Fast & Furious series has defied all expectation and grown to exponential heights as Vin Diesel and his motley crew have graduated from street racing to international espionage. The latest trailer for Fast & Furious 9 only adds to the franchise’s penchant for athletic lunacy as Diesel’s Dominic…

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Film Review: Godzilla vs. Kong is a titan match not worth the spectator fee

You would think by now that the proprietors of the particular cinematic universe that encompasses films surrounding a giant ape and a radioactive lizard would gather that we really don’t care about the human characters involved.  Sure, it’s great for there to be suitably formed players, and in the case of these films they’re often…

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Film Review: Peter Rabbit 2 should delight its target audience

One of the first 2020 titles to delay its release substantially from its original bowing date (in this case, March 2020) due to the Coronavirus, Peter Rabbit 2 has finally hopped to a release window that makes sense.  In a country where cinemas have been open and thriving (and how!) for the better part of…

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Film Review: The Croods: A New Age is a cheerful slice of family entertainment

Given that it’s been 7 years since the first Croods movie was released, the original target audience are all likely scattered across primary and high school now.  But displaying the sense that it honestly doesn’t care about this statistic, The Croods: A New Age delights all the same, and very much presents itself as its…

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Interview: The Croods: A New Age director Joel Crawford on finally getting a sequel off the ground and the coup of the original cast returning

To coincide with the US release of the hotly anticipated sequel The Croods: A New Age (set for a North American date of November 25th), our own Peter Gray caught up with the film’s director, Joel Crawford, to discuss the coup of reuniting the original cast and furthering the emotional aspect of the original story….

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