Author: Peter Gray

Seasoned film critic and editor. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Contact: [email protected]

Interview: David Yates on directing Fantastic Beasts: The Secrets of Dumbledore; “These stories mean something to a lot of people”

To say director David Yates is synonymous with the Wizarding World would be putting it mildly.  Having directed half of the Harry Potter film series – Order of the Phoenix, The Half-Blood Prince, and Deathly Hallows Parts 1 and 2 – and both Fantastic Beasts and Where to Find Them and Fantastic Beasts: The Crimes…

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Film Review: The Lost City is a playful romp elevated by the charm of Sandra Bullock and Channing Tatum

Reminiscent of the studio mentality of days (years, even) gone by of when the star-driven comedy was enough of a draw to reel audiences in, Adam and Aaron Nee‘s throwback romp The Lost City serves as a healthy reminder that not all playful, high-concept comedies have to exist solely for the streaming services. Resuscitating the…

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Interview: Director Michael Bay on injecting a level of humanism into the action of Ambulance

Since breaking out with 1995’s Bad Boys, director Michael Bay has been synonymous with the action genre.  Defying the critics year after year, Bay’s films have collectively grossed over $7.8 billion, making him one of the most successful directors in cinematic history. After taking a break from the big screen – he helmed 2019’s Netflix…

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Interview: Jake Gyllenhaal and Yahya Abdul-Mateen II on forming a brotherly bond on Ambulance, the safety of filming, and “directing” action sequences

Speeding into cinemas this week (you can read our review here), Ambulance is the latest action extravaganza from Michael Bay.  Starring Jake Gyllenhaal and Yahya Abdul-Mateen II as two brothers who hijack an ambulance following a bank heist gone wrong, Universal Studios put our own Peter Gray in touch with the acting duo to discuss…

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Film Review: Ambulance is pure unadulterated Michael Bayhem!

Say what you will about Michael Bay, but the man knows how to craft an action sequence.  Sure, throughout his career, said action sequences have been featured in the type of blockbusters that so often favour spectacle over substance, but he’s great at what he does and, really, no one is watching a Transformers movie…

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Interview: Night’s End director Jennifer Reeder on loving horror, making an isolated film, and casting Michael Shannon

The streaming service Shudder has cornered the market on the horror genre since its 2015 inception.  Known for housing horror classics, as well as distributing its own original films, Shudder has allowed genre enthusiasts and filmmakers to explore their macabre mentality.  One such director doing so is Jennifer Reeder, whose latest effort, the supernatural scarer…

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Film Review: Morbius; as you’d expect for a film about a living vampire, it sucks!

Whilst certain studio efforts saw their initial releases delayed due to the COVID-19 pandemic, few films were as hard done by as Sony’s latest Marvel entrant, Morbius.  With no less than 7 release dates to its name – it was first intended to be released in July 2020 – the living vampire can at least…

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Interview: The Bad Guys author Aaron Blabey on making a kids film inspired by Tarantino; “That balance is something I’ve dedicated my life to finding”

With The Bad Guys officially out in Australian cinemas now (read our review here), Peter Gray spoke with Australia author Aaron Blabey (again), whose series of books the film is adapted from.  Talking at the Australian junket, Peter and Aaron, after the pleasantries of finally meeting in person, discussed where the idea originated from, the…

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Win a family in-season pass to Sonic the Hedgehog 2

Thanks to Paramount Pictures we have 5 family passes (Admit 4) to give away for the upcoming release of Sonic the Hedgehog 2, set for release exclusively in cinemas from March 31st, 2022. The world’s favourite blue hedgehog is back for a next-level adventure in SONIC THE HEDGEHOG 2. After settling in Green Hills, Sonic is eager to prove…

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First Impressions: Moon Knight is a stranger effort from the Marvel brand bolstered by Oscar Isaac’s dual performance

So often favouring spectacle over character development, the comic book action movie has gradually skewered its initial action-centric mentality towards a dramatic outreach (however melodramatic) that speaks to the quality talent the films so often manage to lure.  And for Marvel, not only are their films consistently cast, but their Disney+ series’ have more than…

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Interview: Zazie Beetz and Lilly Singh on voicing The Bad Guys; “Animation makes everything you do 100 times better”

As The Bad Guys releases in Australian cinemas (you can read our review here), Peter Gray spoke with actresses Zazie Beetz and Lilly Singh about their voice work in the animated heist caper, how they reacted to first reading the “Tarantino for kids” script, and the “thrilling” experience of recording their roles in the same…

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Film Review: The Bad Guys is a humorous crime caper fit for adults and children alike

Selling itself as “Tarantino for kids” may give parents valid reason to pause on The Bad Guys, but it’s an ultimately safe and reliable child-friendly affair that more circles the neighbourhood of the adult-aimed heist film rather than being an all out animated edition of Pulp Fiction; though its opening sequence certainly brings that effort…

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Interview: Director Pierre Perifel and producer Damon Ross on bringing The Bad Guys to life; “It was very much in the spirit of the kind of movies we make at DreamWorks”

A New York Times #1 best-seller, The Bad Guys series from Australian author Aaron Blabey has solidified itself as one of the most successful collections of graphic novels aimed at younger audiences.  With such success comes the inevitable big screen adaptation, and arriving in Australian cinemas on March 31st from award-winning filmmaker Pierre Perifel, the…

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Win a double in-season pass to return to the Wizarding World with Fantastic Beasts: The Secrets of Dumbledore

Thanks to Warner Bros. Pictures we have 5 double passes (Admit 2) to give away for the upcoming release of Fantastic Beasts: The Secrets of Dumbledore, the anticipated continuation of the Wizarding World, starring Jude Law, Eddie Redmayne and Mads Mikkelsen, set for release in Australian cinemas from April 7th, 2022. Professor Albus Dumbledore (Jude…

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Film Review: Ti West’s X is a horny, gory throwback to the 70’s era slasher movie

Taking it back to the basics of the horror genre – i.e. sex and blood sprawled out on a big cinema screen – Ti West‘s return to the fray (his last horror effort being the 2013 found footage outing The Sacrament) indulges in the slasher mentality of eras gone by whilst fusing it with a…

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Film Review: The Duke is a crowd-pleasing affair stirred by the incomparable Jim Broadbent and Helen Mirren

Blending his knack of humour, tenderness, and dramatic stakes that speaks to his strength as a storyteller, there’s a bittersweetness to Roger Mitchell‘s The Duke.  Sadly passing away prior to the film’s release, his swan song couldn’t seem more perfect as it encapsulates his talents in all the best ways possible. And The Duke just…

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Film Review: Panama indulges in an excessive aesthetic that speaks to Mel Gibson’s unbridled energy

Sporadically seen but frequently heard throughout via storytelling-like narration that speaks to the throwback era of filmmaking Panama adheres to, Mel Gibson waltzes in and out of Mark Neveldine‘s action effort with little care as to how his scene chewing is going to disrupt the heavy lifting supplied by co-star (and actual lead) Cole Hauser….

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Film Review: Measure of Revenge is a hopelessly pedestrian thriller that remains only mildly steady thanks to a solely committed Melissa Leo

Whilst it’s not uncommon for usually reliable, oft-Oscar celebrated actors to slip into filmic mediocrity, Melissa Leo must’ve really needed a healthy paycheck when she opted to commit to Measure of Revenge.  Perhaps at one stage offering a script worthy of her talents, but the final 92 minute result – one which mysteriously omits a…

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Say hola to the Puss In Boots: The Last Wish trailer

Talking to director Joel Crawford on the eve of the release of the trailer for the long-awaited sequel Puss In Boots: The Last Wish, the enthusiasm for the project was palpable. A storyboard artist for some of DreamWorks Animation’s biggest titles – he can claim his hand in such productions as Kung Fu Panda, Shrek…

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Homesick finds the beauty in the bizarre tale of literally recreating one’s childhood: SXSW Film Festival Review

To call Homesick bizarre would be a colossal understatement.  And that’s meant in the most complimentary of fashions. Born – and that’s quite the fitting term when the film’s narrative is uncovered – from director Will Seefried‘s fascination with society’s urgency in recreating their childhood, Homesick takes a unique look at how one could submit…

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Interview: Director Nyla Innuksuk on her SXSW horror film Slash/Back and the importance of incorporating her indigenous culture

Having premiered at SXSW to rave reviews (including our own here) the horror/adventure film Slash/Back has more than announced filmmaker Nyla Innuksuk as a talent to take note of.  Talking with Peter Gray during her time at the festival, the two spoke about the origins of the film’s story, the importance of incorporating her indigenous…

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Omoiyari: A Song Film by Kishi Bashi is a beautiful and heart-breaking journey into the historical relationship between America and Japan: SXSW Film Festival Review

Weaving together both historical and current events, how those events pertain to the savagery of racism over the years, and the juxtaposition of his own calming musicality, Omoiyari: A Song Film by Kishi Bashi is a stunning documentary about Kishi Bashi‘s own personal journey in exploring his past as he looks for inspiration for his…

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Interview: Director Maureen Bharoocha and actress Ramona Young on their SXSW revenge comedy The Prank

After missing out on the SXSW screening experience in 2020 with her feature The Golden Arm, director Maureen Bharoocha is even more grateful to be screening her latest film, The Prank, in person this year.  As the dark comedic thriller premiered (you can read our festival review here) our Peter Gray spoke to both Maureen…

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Film Review: Dog is an emotionally investing feature that benefits from Channing Tatum’s charm and competence as a filmmaker

Whilst he never exactly went off the grid to warrant this a “comeback”, Channing Tatum certainly reminds us just why his likeable, some may say limitedly ranged persona was such a staple in the mid 2010’s with Dog.  Not only does it see the actor step back into leading man territory – somewhere he hasn’t…

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The Cow; A slow burn thriller with a wild reveal that asks more questions than it answers: SXSW Film Festival Review

For such a scrappy little feature, Eli Horowitz‘s The Cow has some impressive calibre that will no doubt help earn it some extra eyes beyond the unique indie crowd this seems tailor made for. Headlined by Winona Ryder (always a treat to see taking charge these days) and a suitably disarming Dermot Mulroney, The Cow…

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The Prank is an uneven black comedy kept afloat by the wicked Rita Moreno: SXSW Film Festival Review

A somewhat standard high-school comedy and a campy dark mystery are fused together in Maureen Bharoocha‘s ambitious offering The Prank.  Whilst much of the film rides on the fact you have to root for unlikeable archetypes – either outcast students Ben (Connor Kalopsis) and his feisty bestie Tanner (Ramona Young) or their evil-incarnate teacher (a…

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Everything Will Be Alright is a bleak yet soul-stirring drama that speaks to our universal determination: SXSW Film Festival Review

A pandemic story without exclusively being as such, Everything Will Be Alright has an everyman-type quality to it in how it presents the dilemmas the Coronavirus inflicted upon the world.  Director Farhard Pakdel fuses his narrative with a heightened sense of drama though, injecting a potentially triggering additive that further highlights how people’s realities were…

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Pretty Problems comedically indulges in the unpleasantness of the privileged: SXSW Film Festival

When watching Kestrin Pantera‘s Pretty Problems, if such titles as This Is 40, Wanderlust, The Invitation, White Lotus, and/or Schitt’s Creek come to mind, you can sit comfortably knowing that was somewhat deliberate.  Though there’s evident inspiration from such vast titles, Pretty Problems is still very much its own being; it just helps it has…

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Sissy is a gross and darkly funny horror that explores the dangers of the social influencer: SXSW Film Festival Review

Whether we like them (or follow them) or not, influencers – sorry, “content creators” – are a cultural mainstay in our society that often extends beyond the environment of social media.  In Australian horror effort Sissy, co-writers/directors Hannah Barlow and Kane Senes seem all too aware of the faux importance influencers place upon themselves, a…

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Slash/Back thrills with both a genuine terror and its youthful energy: SXSW Film Festival Review

Unless you’re already an established name in the industry – and even then, to some degree, getting a film off the ground can have its challenges – the process of seeing a film through its production stages is never without its hurdles.  So you can only imagine how it was for a first-time director like…

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