Like his previous works that celebrate their fantastical, absurdist nature with a certain gravitas, Yorgos Lanthimos grounds Poor Things, an undeniably wild, oft-offensive, sexually liberated black comedy, with a stirring sense of emotion and topical commentary. In 19th century London – or what such a time period looks like within Lanthimos’ vivid imagination – the…
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Within the opening minutes of May December, small-town mother Gracie Atherton-Yoo (Julianne Moore) is throwing a community BBQ with all the social niceties we come to see over the future 113 minutes she shrewdly projects. In hoping she has enough food to feed the masses, she opens the refrigerator and questions if she has enough…
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Whenever a horror film does well at the box office, the internet as a collective (or, more specifically, Twitter, sorry, X) likes to announce that “horror is back!” But the truth is, it never really went anywhere. Sure, like most genres it has its ups and downs in terms of general interest and monetary returns,…
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Inspired by Hotel Coolgardie, Pete Gleeson’s shock 2016 documentary about two female Finnish backpackers and their work experience at a predominantly male-frequented pub, The Royal Hotel similarly shines a light on the the disturbing, toxic nature that can spawn from a small, isolated town that exploits Australia’s “drinking culture” mentality. An ironic title that will…
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As someone who lost their father at a young age, and therefore never had the conversation regarding my sexuality (and all that could possibly entail), the thought process throughout and inability to hold back my emotions during All of Us Strangers was palpable. Adapted by writer/director Andrew Haigh (Looking: The Movie) from Japanese author Taichi…
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Gorgeous but unsatisfying, Pedro Almodóvar‘s campy telenovela Strange Way of Life is a sexy short feature that proves the ultimate tease as it doesn’t entirely deliver on the sex appeal of its leads and then climaxes before we’ve even moved on from foreplay. Said leads are Ethan Hawke and Pedro Pascal, playing two perfectly-tailored cowboys…
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*Trigger warning: This review discusses eating disorders* The satirical possibilities present within Jessica Hausner‘s dramatic Club Zero are ripe. The execution, however, is undercooked; ironic, considering the topic at the core of this truly odd and oft dangerous film. At an elite private school, the enigmatic Miss Novak (Mia Wasikowska) has arrived to teach a…
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Given that Jim Weir and Jack Clark‘s frighteningly uncomfortable Birdeater is an Australian chiller set in the outback (at least for the majority of its running time), audiences are justified in thinking it could fall in line with other brutality-in-the-bush titles like Picnic at Hanging Rock or even Wolf Creek. The more accurate comparison though…
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“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…
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The BIFF is back! As the Brisbane International Film Festival continues to go from strength to strength as an industry must-do, newly appointed CEO Luke Wheatley and Screen Queensland CEO Jacqui Feeney made sure the festival’s 29th year was worthy of an Uproar-ious reception. A celebration of films for audiences seeking new perspectives and memorable…
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The Brisbane International Film Festival (BIFF), presented by MINI, has announced its 2023 program with an incredible line-up of Queensland and Australian premiere features, with Taika Waititi’s Next Goal Wins, starring Michael Fassbender, serving as the Australian premiere and Closing Night event. BIFF’s program is further brimming with Queensland premieres from highly acclaimed and visionary…
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The Brisbane International Film Festival (BIFF), presented by MINI, has announced its first wave of preview titles ahead of its program launch, including its Opening Night Gala event premiere. Set to take place from October 26 to November 5 at selected Dendy, Reading and Five Star cinema locations across Brisbane, the full program will be…
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Ahead of its launch, the Brisbane International Film Festival (BIFF) – running from October 26th to November 5th, 2023 – has announced its exciting collaboration with MINI as its presenting partner. As a brand synonymous with style, innovation, and a passion for driving, MINI is the perfect fit for the Brisbane International Film Festival. The…
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The plot for Aftersun is one that we have seen countless times before in one form or another: Adult reflects on a childhood trip with a parent that was often laced with memorable experiences. It’s how writer/director Charlotte Wells chooses to frame such a story though – almost like a faded memory – that transforms…
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There’s a scene in the first third of Call Jane that I can only imagine would infuriate the female audiences in attendance. Abortion is not a subject I have any real right to comment on – I am pro choice, for what it’s worth – but, in 2022, it’s almost insulting that sequences taking place…
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The rich eat, but then suffer mercilessly in Ruben Östlund’s Triangle of Sadness, a wicked, at-times horrifically and humorously gross, satire that takes aim at the wealthy in a manner that is deliciously void of any subtlety. Divided into three chapters – all linked by a young, glamorous couple – the film promises one observation…
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Whilst Resurrection never deviates from its grim examination of motherhood, Andrew Semans‘ gripping, ultimately bonkers thriller refuses to stay on the course you expect it to. Portraying very much the type of Rebecca Hall-encapsulated character that Rebecca Hall effortlessly portrays, the actress here, strong-willed and properly presented, is Margaret, a pharmaceutical company representative who offsets…
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The type of filmmaker who’s able to create stories so bombastically silly that they are somewhat brilliant, Quentin Dupieux once again expresses straight-faced frivolity in Incredible But True, a tightly-paced (a lean 74 minutes) twilight-zoned comedy that, somehow, is one of his more level-headed features in spite of its ludicrous plot. Said ludicrous plot revolves around Alain (Alain…
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An agonising drama if ever there was one, Mass details the type of conversation that instantly makes you feel sickeningly uncomfortable. And then to watch it unfold in a suffocating location for 110 minutes is a test of endurance that audiences may be unprepared for. The tragedy at the centre of the conversation is one…
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Turning the lens on himself to explore his own childhood in both a nostalgic and informative manner to almost act as a type of assessment on how he came to be where he is today, James Gray‘s Armageddon Time is a reflective, personal drama that immediately announces its almost hostile personality through its title alone….
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After wowing audiences at South By Southwest earlier in the year, before spreading some serious joy in her homeland, writer/actress Krew Boylan got all dolled up for her, appropriately enough, Dolly Parton-inspired comedy Seriously Red, a film about taking chances, following your dreams, and channelling your inner Dolly. As Krew and her co-star Daniel Webber…
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Though he certainly didn’t lose any of his sense of comfort by travelling across the Atlantic for his last film – 2017’s Three Billboards Outside Ebbing, Missouri – there’s a sense of grandeur in writer/director Martin McDonagh returning to his homeland for The Banshees of Inisherin, an impossibly funny and, at times, heartbreakingly bleak dramedy…
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Celebrating its 28th year, Queensland’s brightest celebration of film, the Brisbane International Film Festival (BIFF), announces its eagerly awaited program and new festival hub, lighting up screens over 11 days from October 27 to November 6, 2022. This year BIFF will delight audiences with a diverse selection of Award-Winning films, anticipated releases from acclaimed directors,…
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Kenny Rogers so famously told us “You gotta know when to fold ’em”, and in The Card Counter writer/director Paul Schrader seems unsure as to which hand he wants to confidently play. It’s not that this film is poorly made, nor is his commitment to the representation of desolation anything other than pure, but it’s…
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German character actor Udo Kier is so synonymous with villainy that his role in Swan Song appears all the more revelatory. But given the actor’s own queer identification and penchant for theatrical performances, a character like his at the centre of Todd Stephens‘s gentle dramedy feels quite in tune with the actor’s aesthetic. Based on…
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Immigration is a topic that’s quite intensely debated across the world, particularly in the United States. And in Blue Bayou, a spotlight is shone on a specific group of immigrants, those that come to a country as infants with little to no recollection of their homeland and, quite often, had no other choice. Such is…
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Lending an air of femininity to the western genre – one so often entangled with a masculine temperament – without compromising its rooted personality, Leah Purcell‘s The Drover’s Wife: The Legend of Molly Johnson is the cinematic incarnation of her penned 2016 stage play and 2019 novel, all inspired by Henry Lawson‘s short story, “The…
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