Reviews

Film Review: The Resort is a small-scale horror film that’s surprisingly gory

There’s nothing particularly original about The Resort.  In some manner hoping to be a type of The Shining-in-Hawaii set-up, Taylor Chien‘s supernatural scarer at least doesn’t tread on the expected genre trope of the found footage angle – something that this type of narrative could easily have adopted. A film that unfortunately lets itself down…

Read more

Film Review: The Sparks Brothers is one of the greatest musical documentaries you’ll ever see

There’s often a sense of nostalgia, awe, love, respect and intrigue that goes into watching a music documentary.  It’s learning about an artist we idolise, how they affected us upon that first listen, and a further understanding of their music.  When it comes to The Sparks Brothers, those are indeed all sentiments adhered to, but,…

Read more

Film Review: Gunpowder Milkshake overcomes genre familiarity with a sense of violent humour

Given how well she’s utilised her heart and her humour when leaning into the action heroine outfit – see the Guardians of the Galaxy and Jumanji franchises for reference – it makes sense that both additives be applied to Karen Gillan‘s latest genre effort, the delightfully named Gunpowder Milkshake. Initially she’s a little too cold-hearted…

Read more

Film Review: Nine Days is storytelling in its purest form

With an incredibly vague premise that could read as pretentiously high-concept, Nine Days is the type of life-altering experience that, as cliched as it is to state, needs to be seen to be believed. A powerful piece of storytelling that announces writer/director Edson Oda as a major talent to keep tabs on, Nine Days centres…

Read more

Film Review: Space Jam: A New Legacy makes a few neat shots in its attempt to continually slam dunk

Whilst subtitling the film “A New Legacy” seems a bit too confident for the team behind this Space Jam sequel, it’s arguably not straying too far from the truth in relation to its selected talent.  Whilst the original film received a mixed reception upon its release in 1996, it made considerable bank and has, in…

Read more

Film Review: Firestarter: The Story of Bangarra is a fierce look at the dance company’s rich and complex history

If you want an example of the transportive power of dance then you need to look no further than Firestarter: The Story of Bangarra. This documentary packs a lot into its slender 96-minute run time, by tracing the origins of this First Nations dance troupe. This film draws together many facets and stories including the…

Read more

Film Review: Black Widow proves that a female voice is a tone that suits the Marvel canon

Eagerly awaited, though perhaps a few years too late, Marvel’s latest excursion of the bombastic kind – Black Widow – isn’t exactly reinventing the wheel.  That’s not necessarily a bad thing though as Cate Shortland‘s venture adopts a more grounded mentality (at least for the most part), playing as a type-of Bourne Identity actioner that…

Read more

Film Review: Escape Room: Tournament of Champions is a fans-only sequel that indulges in its elaborate production value

Taking an activity that’s (arguably) something of a fad and morphing it for a theatrical narrative was a risk that evidently paid off for director Adam Robitel and screenwriters Bragi Schut and Maria Melnik with 2019’s Escape Room.  A psychological horror film that aimed for suspense over gore, its $150 million worldwide haul practically guaranteed…

Read more

Film Review: In The Heights is a feel-good reminder of the joy of the big screen musical

Any film that has an air of positivity about it can all too easily be framed as “the movie we need right now” coming off the global lockdown stage of the pandemic.  Sure, a film that makes you laugh, smile, or cry (in the good way) is going to be enough of an escape after…

Read more

Film Review: Love Spreads is a contained drama uplifted by winning performances

As most musicians can attest, the hopeful critical and commercial success of your debut album ultimately means very little if your sophomore record under-delivers.  Such is the dilemma for Glass Heart, the fictional girl group at the centre of Jamie Adams‘ familiar-feeling Love Spreads. Seeming personal vendettas, the strain of writer’s block, and the clashing…

Read more

Tribeca Film Festival Shorts Review: Enjoy is a delicate look at depression in men

A sensitive subject that manages to transcend its 18 minute containment, Saul Abraham‘s Enjoy is a delicate look at depression, specifically in men, and how difficult it is to remove your own psyche from spiralling downwards. 1 in 8 men in Australia experience some form of depression or anxiety, 3 times more common than it…

Read more

Film Review: Luca is a love story at its core that celebrates individuality

On the surface Luca appears to be one of the more slight Pixar entrants.  A studio that is known for its near-perfect track record, there’s a certain narrative around the brand that seems to paint any of their films that doesn’t quite reach the emotional highs of an Up or an Inside Out as a second-tier…

Read more

Film Review: Fast & Furious 9 knows that too much is never enough

As melodramatic and as nonsensical as one would expect from a series that defies the laws of physics as freely as it does whilst waxing lyrical on the importance of family, Fast & Furious 9 (or F9 as it’s being marketed) is the type of ludicrous, high-octane fluff designed for the biggest of screens. Another…

Read more

Tribeca Film Festival Review: Ultrasound is a deliberately off-kilter horror/sci-fi hybrid

To claim nothing is as it seems in Rob Schroder‘s Ultrasound would be a vast understatement.  Requiring significant patience and understanding of its components, this horror/science-fiction hybrid begins on one disturbing note before unravelling into something far more psychologically mysterious. It all opens rather straightforward, however off-kilter, with Glen (Vincent Kartheiser) driving home one night…

Read more

Tribeca Film Festival Review: No Future‘s simplistic script is overcome thanks to committed, nuanced performances

With a title like No Future and a narrative detailing the recovery of addicts and the potential grief and fear of relapsing that comes with that territory, Andrew Irvine and Mark Smoot‘s drama isn’t exactly reaching for subtlety. It’s a simplistic script that takes few risks in straying from the expected, but superb, committed performances…

Read more

Tribeca Film Festival Review: Catch The Fair One is a vigilante tale of stark realism

Invoking notes of revenge thrillers like Death Wish and Taken, but adhering to a female edge that lends the film a more calculating temperament, Catch The Fair One is a gritty thriller that survives more on its emotional mindset rather than gratuitous violence. Headlined and anchored by real-life boxer Kali Reis (who also serves as…

Read more

Tribeca Film Festival Review: God’s Waiting Room is alluring as it is ugly

There’s some magnetic performances and a dirty immersion to God’s Waiting Room that, at times, are strong enough for the film to overcome its narrative cliches and ultimate contrivance that put much of its good work at risk. As easy as it is to roll your eyes at the outline of the film being that…

Read more

Tribeca Film Festival Review: Agnes is far too uneven to earn complete forgiveness

Starting on a blackly comic note and ending on a vastly different one of dramatic grit, Mickey Reece‘s Agnes is a truly confounding piece.  Inserting a narrative and tonal shift half-way through its proceedings, Reece has created a unique film without question, but it’s one that is likely to irk viewers who could respond so…

Read more

Tribeca Now Showcase Review: If I’m Alive Next Week… is a humorous (and short) snapshot into the lives of a perfectly dysfunctional family

The foul-mouthed, no-nonsense senior citizen can easily give itself way to presenting a caricature more than a character of organic standing.  Thankfully, in If I’m Alive Next Week… screenwriting duo Jennifer Morris and Robbie Sublett (who also serve as the series’ directors and creators) manage to create an 80-something who tells like it is without…

Read more

Tribeca Film Festival Review: Shapeless‘ important message is undone by its minimalistic approach

Given that Shapeless is an incredibly personal film to lead actress and writer Kelly Murtagh, detailing a disorder that cripples many, it’s a somewhat painful experience to be framing a review in a negative light. There’s a dark, unforgiving movie in here somewhere, one that expresses no fear in manifesting her struggle with bulimia in…

Read more

Film Review: Rogue Hostage is a joyless and predictable thriller

Despite actors amassing considerable acclaim over their careers with carefully calculated role choices, sometimes they just have to take a pay cheque because the work is there and the money is good.  Such is the case with John Malkovich and his latest effort, Rogue Hostage. The two-time Academy Award nominated actor has sporadically offset his…

Read more

Tribeca Film Festival Review: See For Me treads familiar ground with a welcome creativity

The elevator pitch narrative of “blind subject is targeted by home invaders” is one that’s been explored before in the cinematic realm.  The 2016 double offering of Don’t Breathe and Netflix’s Hush both utilised this logline to impressive effect, and though See For Me is treading familiar ground, it too is at least doing so…

Read more

Film Review: Spirit Untamed rides with a harmlessness that’s sweet and safe

Despite one of the more impressive voice casts assembled in recent years – Julianne Moore, Jake Gyllenhaal, Walton Goggins, and Isabela Merced, to name a few – Spirit Untamed is suitably middle-of-the-road fare.  It’s sweet and harmless, but it’s aimed so specifically at the young female demographic that its universal appeal feels ultimately limited. Playing…

Read more

Film Review: Dream Horse is exactly the type of syrupy underdog story you expect it to be

Exactly the type of film you expect it to be from its title, Dream Horse is a syrupy, stereotypically inspiring drama that embraces the underdog narrative – or should that be under-horse? – and runs (gallops) with it to no end. Set in the mid-2000’s in a sleepy Welsh country town, Dream Horse places its…

Read more
Lapsis

Film Review: Lapsis is an engagingly topical, darkly funny and breathlessly creative piece of sci-fi cinema

Lapsis tells the story of Ray Tincelli (Dean Imperial), a lowly baggage handler in Queens who is down on his luck financially; struggling to support himself and his ailing brother Jamie (Babe Howard), who is suffering from a strange fatiguing illness called omnia, which is connected to the death of his mother who died from…

Read more

Film Review: The Conjuring: The Devil Made Me Do It relies on cheap scares instead of shadowy suspense

Having essentially built itself around the “based on a true story” hook, the Conjuring universe of films have been served well by a selling point that’s either something you buy into or simply accept as neat marketing. Whilst there’s no denying that Ed and Lorraine Warren did exist and built a name for themselves as…

Read more

Film Review: Plan B takes a familiar genre on a fresh route

Although in the last 12 months we’ve had two films detailing the very subject that Natalie Morales navigates in her directorial debut, Plan B, it doesn’t mean that her efforts are by any means diminished.  The buddy comedy Unpregnant and the hauntingly realistic Never Rarely Sometimes Always both highlighted the difficulty of teen girls accessing…

Read more

Film Review: Cruella is exhilarating to witness & delectably good fun

Cruella tells the story of the titular villain (played by Emma Stone) back in her early days before she became the monstrous, despicable fashion icon/dog-killer we know today. Known formerly as Estella, we briefly follow her childhood in 1964 as she revels in her rebellious streak as she punches her way through school both physically…

Read more

Film Review: My Name Is Gulpilil is a strikingly emotional and bittersweet reflection of an Australian icon

Introducing My Name Is Gulpilil as “my story of my story”, subject David Gulpilil, along with director Molly Reynolds, is all too aware of the duality the film frames itself around – Gulpilil’s running life and that of his persona on-screen. As a performer, Gulpilil has that undeniable star quality, and this stunning film proudly…

Read more

German Film Festival Review: I’m Your Man provides comedy and contemplation in equal measure

Given both our fascination and reliance on the support of technology, it only makes sense that the relationship between man and machine is one oft explored throughout the annals of cinema.  From John Connor’s correlation with Arnold Schwarzenegger’s Terminator to Joaquin Phoenix’s obsession with Scarlett Johansson’s voiced AI in Her, so often are these links…

Read more