If there’s one thing that’s concrete in the rather contradictory personality of The Audition‘s focal character – Nina Hoss‘s Anna – it’s that music is her only unwavering interest. Scenes of her championing a young musical student – a mentality that soon graduates to near chastising – showcase her evident passion for the art of…
As much as Alecia Moore, best known professionally as P!nk, claims to be juggling the responsibilities of being a mother, a manager, and a performer with a worried anxiousness, this behind-the-scenes documentary has a certain self-promotional sheen about it that seems to prove the opposite. That’s not a criticism of the singer/songwriter’s struggles, or meant…
Expanding the ravaged world he teased us with in the 2018 original, unlikely horror aficionado John Krasinski returns for another play in the unbearably tense playground that is A Quiet Place Part II. Whilst the overall surprise element of the first film is perhaps not quite as prominent here, Krasinski still expertly manoeuvres around apocalyptic…
Singer/songwriter Leonard Cohen has often had his work incorporated into film. Sarah Polley’s Take This Waltz was one such work that set itself to the name-same song, whilst the documentary Marianne & Leonard highlighted the singer’s relationship with his “muse” and the time they spent together throughout the 1960’s and 1970’s. Death of a Ladies’…
Ema tells the story of the titular lead (Mariana Di Girolamo), a young insatiable dancer who is on a quest to bring her family back together. She is currently estranged from her husband Gaston (a brilliant Gael Garcia Bernal), the director of the dance company she performs. The couple had encountered problems with their marriage…
Defying the critical odds in 2004 and spanning an unlikely 8-film-strong series in the process, the original Saw became much more of a phenomenon than expected, and, arguably, than originally intended. Often synonymous with the horror sub-genre of “torture porn”, James Wan‘s grimy, low budget affair delighted in its gory aesthetics, but tried its best…
Adhering to a similar action efficiency of his penned Sicario, though not quite as emotionally rousing as his own Wind River or near-note perfect Hell Or High Water, Taylor Sheridan‘s Those Who Wish Me Dead is nonetheless a strong continuation of his brand of modifying the western genre. Adopting an environmental temperament and leaning into…
Fatale tells the story of Derrick Tyler (Michael Ealy), an eager sports agent who seemingly has the perfect life. A rising business, his loving wife Tracie (Damaris Lewis), immense wealth; it sounds like the perfect success story. However, underneath the façade lies a crumbling marriage on the rocks. Through the behest of his friend Rafe…
Despite a rather sunny marketing campaign – the poster alone evokes feelings of joy – June Again is a far more emotionally devastating feature than audiences may be expecting. That’s certainly not a criticism on behalf of JJ Winlove‘s feature film debut, more a light warning to audiences who may not be prepared for its…
Set in Northern China in 1931, Cliff Walkers follows the story of four Soviet-trained Chinese agents who are tasked to find an informer who has escaped from a location that was occupied by the Japanese, who used it for nefarious purposes like torture. Their mission is to evade capture and make it to Harbin so…
There’s nothing particularly original about The Resort. In some manner hoping to be a type of The Shining-in-Hawaii set-up, Taylor Chien‘s supernatural scarer at least doesn’t tread on the expected genre trope of the found footage angle – something that this type of narrative could easily have adopted. A film that unfortunately lets itself down…
“Action-capable hero seeks revenge following the murder of his wife” is one generic genre outline that many an action film has adhered to. And whilst Tom Clancy’s Without Remorse (as it’s being touted) is a film stocked with considerable talent who all deserve better than such a configuration afforded, their combined efforts can’t exactly lift…
After making a name for himself in the late 90’s/early 2000’s with his distinct brand of British gangster villainy, writer/director Guy Ritchie seemed to trade in authenticity for capital. The success of such studio projects as Sherlock Holmes and Aladdin seemed to gradually distance Ritchie from his more unkempt beginnings, before 2019’s The Gentlemen seemingly…
Set in 1820’s Northwest, First Cow tells the story of two travellers. The first being Otis “Cookie” Figowitz (John Magaro), a taciturn chef who is travelling with a group of fur trappers. The second being King-Lu (Orion Lee), a Chinese immigrant on the run for killing a Russian man. The two eventually become friends over…
Satirical without ever being savage, YouthMin adopts a cringeworthy mockumentary style of approach to its narrative, bringing to mind the same uncomfortable comedy that made The Office such fascinating viewing. Whilst its thematics of being primarily raised in the protestant church and the subsequent camps that came with such faith is more likely to resonate…
The teen-centric, modernised adaptation of classic literature is a road travelled before throughout cinema. Jane Austen’s Emma was revamped for the Valley girl-focused Clueless; Shakespeare’s The Taming of the Shrew was the basis for Heath Ledger’s taming of Julia Stiles in 10 Things I Hate About You, and, however surprising it may be, Christopher Nolan’s The Dark…
As much as The Oak Room‘s narrative basis of “A man walks into a bar…” sounds like a gag set up, Cody Calahan‘s slow burning thriller is anything but a humorous punchline. The man walking into said bar is Steve (RJ Mitte), a prodigal son of a small Canadian town who, as we learn through…
With Nomadland having just earned Academy Award accolades as the Best Picture of 2020, a film like Land being released is curious timing. It’ll inevitably be compared to Chloe Zhao’s inward masterpiece and, in its own way, it’s something of a more digestible, audience friendly take on the narrative of finding yourself in the wilderness. The…
The spirit of the 1990’s thriller is alive and well within Every Breath You Take. The upper-middle class family having their perfectly manicured lives upended by the arrival of a mysterious figure – this one British and in the form of the disarmingly handsome Sam Claflin – is a road travelled many times before; hell,…
Sister tells the story of An Ran (Zhang Zifeng), a nurse who is on a strong career path to become a doctor and move out her home and go to Beijing as a full-time student. She is estranged from her family due to the ongoing fact that her parents always preferred a son over her….
The road from video game to cinema screen has often been an arduous trek – to say the least. Often made with the best of intentions, but seldom able to satisfy the expansive fanbase, video game adaptations are usually starting at a disadvantage. Sure, there’s a certain campy pleasure to watching Jean Claude Van Damme…
The best performances within the biopic genre are those that aren’t just simply imitations or impressions of the subject at hand, but an honest appraisal of the person, one where the performer vanishes on screen. And so often with such grand performances, it can lead to the rest of the film surrounding them to feel…
Marketed as “Lord of the Flies in space”, Voyagers – whilst occasionally leaning in to that description – is a confused genre effort that feels like a more reflective, psychological film has been edited down to a tween crowd who may appreciate its melodramatic personality. Written and directed by Neil Burger, his first original script…
Ascendant is one of those films that’s equally as difficult to write about it as it is deceptively simple. A film that banks entirely on the fact that it unravels and reveals its narrative in an unexpected manner, Antaine Furlong‘s ambitious sci-fi-leaning action/thriller is a testament to the first time Australian filmmaker’s bold vision and…
It goes without saying that the ending of a film is as crucial to its success as any other major component. And in horror films especially, the satisfaction element of its climax is one the genre often lives or dies by. Hunter Hunter, from writer/director Shawn Linden, is such a film that almost relies entirely…
So much of Blithe Spirit‘s ingredients point to signs of a tasty meal, and yet one can’t help but feel entirely ready to return this flavourless chaff to the kitchen within minutes of its arrival. Adapted from Noel Coward‘s 1941 play and boasting the appealing quartet of Dan Stevens, Leslie Mann, Isla Fisher and Judi…
British businessman Greville Wynne (Benedict Cumberbatch) doesn’t have the most suave persona. And it’s because of this very reason that MI5 and the CIA have collaborated in their bid to maximise the potential of an insider during the time of America and Russian intensifying their nuclear arms race. “You drink too much and you’re not…
When an esteemed actor’s five-decade-long career includes one Academy Award from five nominations, three BAFTA Awards from eight nominations, and two Emmys from five nominations, you hardly expect to see them deliver their finest performance in the twilight of their career. But Anthony Hopkins‘ astonishing performance in The Father may just be the greatest he’s…
Given the fact that Tom & Jerry screenwriter Kevin Costello has a duo of self-aware, critically acclaimed projects to his name – the dramedy Brigsby Bear and Jean Claude Van Damme’s underrated television series Jean Claude Van Johnson – one might think he’d be able to create something innovative off the basis of 7-minute cartoon…
You would think by now that the proprietors of the particular cinematic universe that encompasses films surrounding a giant ape and a radioactive lizard would gather that we really don’t care about the human characters involved. Sure, it’s great for there to be suitably formed players, and in the case of these films they’re often…
