Whilst the breakdown of a marriage and the impending custody battle that will take place as to whose time favours the child in question has been a reliable staple for cinematic drama over the years – most recently displayed in Noah Baumbach’s Marriage Story and perhaps most famously in 1979’s Kramer vs. Kramer – queer cinema has taken a…
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Premiering at this year’s Tribeca Film Festival, Bill Oliver‘s Our Son is where drama meets mindfulness as audiences explore contemporary relationships between two men (played by Luke Evans and Billy Porter) trying to make their way in the world of parenting their child in the aftermath of their separation. This story unabashedly unfolds with the…
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Whilst the breakdown of a marriage and the impending custody battle that will take place as to whose time favours the child in question has been a reliable staple for cinematic drama over the years – most recently displayed in Noah Baumbach’s Marriage Story and perhaps most famously in 1979’s Kramer vs. Kramer – queer…
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Contemporary music accompanying a period set film is not exactly a personality that a production should solely rely on. And whilst this unnecessary, but completely harmless, “re-telling” of the classic Cinderella does its damnedest with admittedly catchy (and colourfully choreographed) numbers – ranging from Janet Jackson’s “Rhythm Nation” to Jennifer Lopez’s “Let’s Get Loud”, by…
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