Film

Interview: Director David Leitch on fusing the action and broad comedy of Bullet Train; “Bigger doesn’t always mean bad”

Having cut his teeth as a stunt performer for stars such as Jean Claude Van Damme and Brad Pitt over the years, David Leitch knew what it took to perfect the action stakes when he took on the role as genre director. Following a co-directing stint on the first John Wick film, before graduating to…

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Film Review: Bullet Train is brutal, tongue-in-cheek fun guided by a bombastically charming Brad Pitt

The Hitman Vs. Assassin subsect of the action genre is one that rarely deviates from its rather tried and true formula; aside from a hefty injection of cash and a star-studded cast, something as recent as Netflix’s throwaway actioner The Gray Man is proof that the genre, even in 2022, seems comfortable resting on its…

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Interview: Robert Patrick on respecting the acting process when making What Josiah Saw

One of the most recognisable presences within film, Robert Patrick has been dominating the screen with his oft-villainous and authoritative roles for nearly four decades now. Best known for his turn as T-2 in the groundbreaking Terminator 2: Judgement Day, as well as such films as Cop Land, Charlies Angels: Full Throttle, Walk the Line,…

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Film Review: What Josiah Saw subverts our horror expectations with a brutal subtlety

Though What Josiah Saw may include rather expected tropes of the haunted gothic subsect of the horror genre, Vincent Grashaw‘s self-contained chiller continually subverts our expectations with a brutal eeriness that’s likely to divide its audience between those who are enveloped by its slow burn mentality and those who prefer their horrors far less subtle….

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Interview: Brianne Tju on making Gone in the Night, the comfort of the horror genre, and the “beautiful experience” of working with Winona Ryder

Quickly earning the title of “new generation scream queen” is something that Brianne Tju seems to be wholeheartedly embracing, and her continued foray into the darker subsects of the genre are only further cementing her status. Having slashed and screamed her way through the streaming series’ of both Scream and I Know What You Did…

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Interview: Australian filmmaker Kriv Stenders on directing Lee Kernaghan’s concert film Boy From The Bush; “His story is still being told”

Part concert film and part road movie celebrating the life and music of multi-award winning and much loved Australian country music artist Lee Kernaghan, Boy From The Bush is a unique and personal insight into one of the country’s most celebrated artists. Ahead of the film’s local release, Peter Gray spoke with its director, Kriv…

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Among Us

Taiwan Film Fest Review: Among Us is an intimate look at the daily lives of those on the spectrum

They say if you’ve met one person with autism, you’ve met one person with autism. Director, Lin Cheng-Sheng’s latest film certainly confirms this by offering up the stories of four young men who are on the spectrum. The result is a touching fly-on-the-wall documentary. Cheng-Sheng is no stranger to this particular subject matter. In 2010…

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Interview: Director Andrew Traucki on changing the expected narrative of his shark thriller The Reef: Stalked

Having directed the landmark 2010 shark thriller The Reef and the similarly themed Blackwater and Blackwater: Abyss, Andrew Traucki is no stranger when it comes to navigating the murky waters of the creature feature. However, for the upcoming sequel The Reef: Stalked, the acclaimed director wanted to do more than just retread similar water, instead…

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Film Review: A brilliant Jodie Comer indicts the legal system in NT Live’s triumphant Prima Facie

Trigger warning: Sexual assault Prima Facie tells the story of Tessa (Jodie Comer), a young, tenacious and determined barrister who is at the prime of her career. With a sharp mind and an ironclad belief in the word of the law, she has never lost a case. Even when working on cases that would trigger…

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Interview: Ethan Hawke on embracing his horrific character in The Black Phone; “The unknown is where a lot of the fear lives”

It would seem in Hollywood, the nicer you are, the more evil you’re able to play.  So, it would make sense that Ethan Hawke, continually referred to as one of the industry’s nicest guys, would excel so at portraying the embodiment of terror. Reuniting with his Sinister director Scott Derrickson, Hawke’s portrayal of child abductor…

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Interview: The Black Phone stars Mason Thames and Madeleine McGraw on navigating emotion and levity on a horror set

Are you ready to answer the call? Arriving in Australian cinemas this week (you can read our review here), The Black Phone is the latest horror outing from acclaimed genre director Scott Derrickson, a supernaturally inclined chiller about a sadistic child killer (dubbed “The Grabber”) whose latest victim turns the tables on him when the…

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Film Review: Where the Crawdads Sing laces its dirty setting with a filtered gloss

Where the Crawdads Sing seemed like the type of film primed for success before it was even released.  Delia Owens‘ 2018 novel was one of those reads that became the prose to intake during its first run (boosted by Reese Witherspoon‘s Hello Sunshine bookclub pick), leading it to be crowned the best-selling fiction title of…

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History-making comedy Bros and the anticipated Knives Out sequel to premiere at TIFF ’22

As cinephiles eagerly await the official schedule on August 23rd, the 47th annual Toronto International Film Festival has announced its first slew of premiere titles for its first in-person celebration following two years of pandemic-disrupted programming. 11 days of international and Canadian cinema, special events featuring some of the biggest names in film, and TIFF’s…

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Win a double in-season pass to see The Black Phone starring Ethan Hawke

Thanks to Universal Pictures, we have 5 double in-season passes (Admit 2) to see the chilling new horror film The Black Phone, starring Ethan Hawke and directed by Scott Derrickson (Sinister, Doctor Strange). The phone is dead. And it’s ringing.  Director Scott Derrickson returns to his terror roots and partners again with the foremost brand…

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Interview: Craig Roberts on directing The Phantom of the Open: “I didn’t want to make a little British kitchen-sink drama”

For the past decade-or-so, Welsh actor/writer/director Craig Roberts has made sure that his career could never be pigeonholed.  The darker aspects of comedy have often been his exploration as a filmmaker, having penned and directed the acclaimed duo of 2015’s Just Jim and 2019’s Eternal Beauty, whilst as an actor he’s just as likely to…

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Interview: The Phantom of the Open writer Simon Farnaby on celebrating “The world’s worst golfer” and what inspires his comedic musings

A writer and performer whose resume boasts such acclaimed works as The Mighty Boosh, Horrible Histories, and both Paddington films, Simon Farnaby and the comedy genre practically go hand-in-hand. For his latest big screen outing, the English creative is adapting his own work, bringing his musings on infamous golfer Maurice Flitcroft to life with The…

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Film Review: The Phantom of the Open is an uplifting true story about the power of optimism

Whilst not always the most prevalent sport to celebrate cinematically, golf has had its share of theatrical engagement over the decades; more often than not linked heavily to the comedy genre, too. Caddyshack (1980), Happy Gilmore (1996) and Tin Cup (1996) have arguably courted the most humorous notice, whilst The Legend of Bagger Vance (2000)…

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Film Review: Thor: Love and Thunder is a more humorous addition to the MCU

Once Taika Waititi reinvented the Marvel wheel with 2017’s wild Thor: Ragnarok, it made sense that the studio big-wigs would bestow further free licensing in the character’s shift towards a more humorous mentality. And whilst that’s all well and good – we certainly don’t want the character regressing in any manner – Thor: Love and…

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SXSW to head to Australia in 2023

SXSW have announced an annual Asia-Pacific installment, with Sydney set to host in October 2023. It’s the first time the iconic conference and festival of creativity has expanded beyond North America since its inception in 1987. A joint collaboration between the NSW Government, Destination NSW, TEG, and SXSW, SXSW Sydney will bring together the world’s…

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Film Review: The Roundup is beautifully brutal, crowd-pleasing cinema

Korean cinema has always been a hub of unmatched quality.  Whilst those that have enjoyed the fruits of labour over the decades aren’t remotely surprised at such a statement – and have been waiting for the world to catch up through viewings of I Saw the Devil and Oldboy – the recent successes of the…

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George and Julia reunite in first trailer for Ticket to Paradise

George Clooney and Julia Roberts have reunited for the good of the romantic comedy.  In Ticket to Paradise, the Ocean’s Eleven pair play a duo of bitter exes who attempt to put their differences aside for the sake of their daughter, intending to derail her impeding nuptials to stop her from making the love-blinding mistake…

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Film Review: The Black Phone is equally unnerving as it is emotional

Scott Derrickson has always found a way to blend his horror sensibilities with a certain sense of emotion.  The Exorcism of Emily Rose incorporated the mentality of a legal drama to explore its themes of demonic possession; Deliver Us From Evil unearthed an other worldly entity amongst the trappings of a police-centred thriller; and Sinister…

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Thor Love and Thunder

Gallery: Chris Hemsworth and Taika Waititi in Sydney for the Premiere of Thor: Love and Thunder

Chris Hemsworth, Elsa Pataky and Director Taika Waititi walk the red carpet for the Sydney premiere of Thor: Love and Thunder. Joining them at the premiere were local celebrities and VIPs. Our photographer Nathan Atkins was there to bring us all the action.

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National Film and Sound Archive’s groundbreaking Australians & Hollywood exhibit to continue throughout 2023

Following its successful launch in Canberra earlier this year, the groundbreaking National Film and Sound Archive (NFSA) Australians & Hollywood exhibition will remain on show throughout 2023. The blockbuster exhibition, which celebrates Australia’s contemporary cinematic, acting and filmmaking success, opened in January and now its extended run will give Canberra and national audiences an expanded…

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Sydney Film Festival 2022 Dispatch #1 – Family Dinner, As in Heaven and Fire of Love

Family Dinner (dir. Peter Hengl) Guess Who’s Coming to Dinner? Family Dinner tells the story of a reticent and obese teenager Simi who is spending her Easter Weekend at her auntie’s house. Her aunt Clara is a popular nutritionist and comes across as passive-aggressive toward her. Her partner Stefan comes off as a ladykiller as…

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Film Review: Minions: The Rise of Gru delivers the safe, nonsensical shenanigans we’ve come to expect from such characters

Even though 2010’s Despicable Me was centred around Steve Carell‘s Eastern European reformed super-villain Gru, it was his hoard of indecipherable henchmen – his Minions – that stole the film from under his considerably rendered nose. They were funny without really trying to be, so it made perfect sense that subsequent films (Despicable Me birthed…

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Interview: Catherine Martin on her love of design and the inclusive story behind Elvis

When you walk into a room to interview Catherine Martin, a production and costume designer with no less than four Academy Awards to her name (fun fact, she’s the most awarded Australian in Oscar history), you know you’ve chosen the correct shirt when it kicks off an enthusiastic conversation about its origins; to set the…

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Interview: Actress Olivia DeJonge on playing Priscilla Presley in Elvis; “The crux of this (film) is love”

To say the excitement in the air was palpable when walking the hotel halls during the Australian press junket of Elvis would be describing it mildly.  As director Baz Luhrmann enthusiastically boasted about the late nights had in the lead-up to the film’s premiere, and Tom Hanks so endearingly noting the hotel as “groovy” as…

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Interview: Schuyler Weiss on producing Elvis and his collaborative relationship with Baz Luhrmann

Arriving in Australian cinemas this week (you can read our review here) hot off its history-making reception at the Cannes Film Festival, Baz Luhrmann’s Elvis brings the life of the king of rock ‘n’ roll to the big screen in predictably lavish fashion. Talking with our own Peter Gray at the Australian premiere, the film’s…

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Film Review: Baz Luhrmann’s Elvis is a showcase for the revelatory Austin Butler

If Baz Luhrmann is a director whose gaudy, lavish, larger-than-life style has been an aesthetic you haven’t gelled with thus far, his “biopic” Elvis isn’t about to change your mind. The director of Moulin Rouge suitably shakes, rattles, rolls, razzles and dazzles over a sometimes-exhausting 159 minutes, kinetically pacing the king of rock ‘n’ roll’s…

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