Whilst it’s predominantly the House of Mouse that have been transforming their animated back catalogue into live-action features that have all varied in their quality output, DreamWorks have entered the chat with one of their most ambitious updates in How to Train Your Dragon. Hoping they can avoid a lot of the soulless critiques that…
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Selling itself direct from the off with a title that indicates both the seasonal setting and the supernatural creatures at bay, Monster Summer tries so desperately to align itself with the heavily rotated family-friendly likes of The Goonies, The Sandlot and Hocus Pocus, but its 1990s setting and adventurous personality aren’t able to conjure the…
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Are you ready to answer the call? Arriving in Australian cinemas this week (you can read our review here), The Black Phone is the latest horror outing from acclaimed genre director Scott Derrickson, a supernaturally inclined chiller about a sadistic child killer (dubbed “The Grabber”) whose latest victim turns the tables on him when the…
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Scott Derrickson has always found a way to blend his horror sensibilities with a certain sense of emotion. The Exorcism of Emily Rose incorporated the mentality of a legal drama to explore its themes of demonic possession; Deliver Us From Evil unearthed an other worldly entity amongst the trappings of a police-centred thriller; and Sinister…
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To coincide with the trailer launch of The Black Phone, the latest horror film from Blumhouse, detailing the abduction of a young boy who learns he is able to communicate with the voices of his captor’s previous victims through a disconnected black phone, Peter Gray chatted with the film’s director, Scott Derrickson, discussing the origins…
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