Author: Peter Gray

Seasoned film critic and editor. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Contact: [email protected]

TV Review: FX’s Feud: Bette and Joan is a delicious TV affair

As eloquently described by Catherine Zeta Jones‘s portrayal of two-time Academy Award winning actress Olivia de Havilland, feuds are never about hate…they are about pain.  And in the first season of Ryan Murphy‘s latest anthology series Feud, pain is running rampant for both Joan Crawford (Jessica Lange) and Bette Davis (Susan Sarandon), two legendary actresses…

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SXSW Film Review: Lake Bodom (Finland, 2016) attempts to straighten the horror genre curve

A delightfully nasty horror movie that draws on real-life inspiration, Lake Bodom hopes to be more than just a Friday The 13th-type slasher, in large part to its true crime connection, but ultimately can’t overcome its conventionality – not that there’s anything wrong with that. What still remains one of Europe’s greatest unsolved mysteries, the…

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SXSW Film Review: Hounds of Love (Australia, 2016) flips the conventions of the serial killer genre

Assuredly disturbing and revelling in its ability to flip the conventions of the serial killer genre, Ben Young‘s debut feature Hounds of Love is one for those that appreciate their stories without gloss. Counterbalancing its Christmas setting with a tale unflinching in its disturbing nature, this Australian thriller manages to escape the confinements of the “torture porn”…

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Interview: Planetarium director Rebecca Zlotowski discusses her unique foreign film and how an Oscar winner came to be involved

As the 28th annual Alliance Francaise French Film Festival makes its way across the major Australian states through March and April, the toast of French cinema will be at the ready for audiences seeking a sense of European style.  One film sure to hold interest throughout the festival is Planetarium, a lush pre-war drama starring…

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Film Review: Rings (USA, 2016) is dead on arrival

After spending the better part of two years playing musical chairs with the release schedule, Rings arrives with a considerable thud to remind us how unnecessary certain sequels are. Presenting a messy storyline that wants to both adhere to the formula of Gore Verbinski‘s (supremely superior) 2002 original The Ring and place its own stamp on…

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First Impressions: HBO’s Big Little Lies is rich, addictive television

Never forgive.  Never forget. If there’s one mantra the characters of Big Little Lies live by, it’s that.  Shrewdly written by TV veteran David E. Kelly, HBO’s new seven-arc mini-series is a deliciously wicked slice of suburban slaughter where it’s what’s on the outside that matters most. Based on Australian novelist Liane Moriarty’s best-selling prose,…

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Blu-Ray review: Morgan (MA15+) (USA, 2016) is well-intentioned, though not entirely successful

A well-intentioned, though not entirely successful debut venture from Luke Scott (son of Alien director Ridley Scott, for those of you playing along at home) Morgan is more a shallow version of Ex-Machina than the slick sci-fi character study it so clearly desires to be. The titular Morgan (Anya Taylor-Joy, maintaining her genre score-card with this, The…

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Film Review: XXX: The Return of Xander Cage (USA, 2017) comes up short in nearly every aspect

“Kick some ass, get the girl, and try to look dope while doing it” That inane piece of dialogue is essentially what xXx: The Return of Xander Cage bases its existence on. Never a film that was going to be considered good, but at the very least could have been fun, this useless threequel comes…

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Film Review: Passengers (M) (USA, 2016) is far from the grand space opera many will be expecting

Similar to how the recently released Allied arrived in cinemas preempted by an action-heavy advertising campaign that proved somewhat misleading, Passengers is far from the grand space opera many will be expecting.  Instead of a sci-fi outing that’s more brawn than brains, Morten Tyldum‘s intriguing film is surprisingly simple, personal, and (mostly) effective. As we…

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Film Review: Red Dog: True Blue (PG) (Australia, 2016) hardly proves a necessary excursion

Just as emotionally manipulative as the 2011 original Red Dog but less successful in its execution, Red Dog: True Blue looks to merely survive on a superficial level as the “aww shucks” cuteness of the titular canine appears to be the sole reasoning behind this sequel/prequel hybrid coming to fruition. The stunning harsh red dirt…

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Film Review: Sing (G) (USA, 2016) is a pleasant outing for families this holiday season

Stacking itself plentiful with a heft of pop songs ranging from the classic sounds of Lennon & McCartney to the modern screech of Lady GaGa, Sing is a jukebox musical of sorts that’s suitably bold and bright. Seemingly content not reaching for critical acclaim in the same vein as recent animated offerings like Zootopia, this…

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Film Review: Netflix’s Obama biopic Barry (MA15+) (USA, 2016) is at once thoughtful, intelligent and entertaining

The kind of film that benefits from its titular character being portrayed as less of an impression and more as a fully realised character, Barry is at once thoughtful, intelligent and particularly entertaining. Though he is introduced to us as Barry, we’re all aware of the Barack Obama he ultimately will become (so to speak),…

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Film Review: Little Men (PG) (USA, 2016) survives on the natural performances of its cast

Similar to how director Ira Sachs‘ previous effort Love Is Strange commented on the increasing rate of renting in New York City, Little Men showcases how a simple financial squabble can become someone’s undoing. A relationship-based drama that survives mainly on the simplistic but natural performances of its cast, Little Men focuses on young Jake…

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Film Review: The Founder (M15+) (USA, 2016) is an intriguing drama benefitting from Michael Keaton’s performance

Likely to come as a surprise to many that The Founder is less a success story regarding the origins of McDonalds, but more a tale on greed and the value of real estate, John Lee Hancock‘s engaging drama benefits from its stellar central performance from Michael Keaton, continuing the run he so assuredly began with…

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Film Review: Arrival (M15+) (USA, 2016) is an emotionally immersive film

Grounded by Amy Adams’ breathtaking performance, Arrival is a departure of sorts for director Denis Villeneuve, opting to showcase the lighter sound of humanity here as opposed to the more pessimistic tones he showcased with Prisoners and Sicario.  A film that feels both personal and grand, Arrival intertwines the beginnings and endings of time, creating…

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Film Review: The Accountant (MA15+) (USA, 2016) is a surprisingly funny and engaging actioner

Taking its outlandish concept and maintaining a balance of wit and intelligence, Gavin O’Connor illustrates a sense of faith for his audience with The Accountant, allowing the film to entertain them without pandering in the process.  With its sense of humour in check the film utilises Ben Affleck’s stone-cold gaze and considerable physique to the…

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Film Review: Nocturnal Animals (MA15+) (USA, 2016) is one of the best films of the year

Better known as one of the world’s greatest fashion designers, Tom Ford proves himself every inch the competent filmmaker with Nocturnal Animals.  Verifying his debut feature A Single Man was no flash in the pan either, Ford juxtaposes a relationship drama feature with a violent revenge tale in such an effortless fashion you’d swear you…

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Film Review: Hell Or High Water (MA15+) (USA, 2016) rises above the simplicities of its genre

Proving that his script work on Sicario was no fluke, screenwriter Taylor Sheridan has taught an old dog some new tricks with Hell Or High Water, a should-be predictable crime tale that’s peppered with so many nuances and perceptive characters that it rises above its genre simplicities. Despite director David Mackenzie (Starred Up, Young Adam)…

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Film Review: Masterminds (M15+) (USA, 2016) never hits its target sucessfully

When “based on a true story” flashes across the screen in the beginning moments of Masterminds, you can’t help but think that it’s trying to squeeze an easy laugh out of its audience. Somehow, whether you believe it or not, Jared Hess’s comedy adopts its premise from an actual robbery that took place in the…

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TV Review: Divorce or: No Sex in the City (Starts Wednesday on Showcase)

Did you ever wonder what would become of Sex and the City‘s Carrie Bradshaw had she moved to the suburbs, popped out two children, and wound up married to a man she no longer loves and has “literally nothing to say” to? Well, HBO’s latest offering Divorce may just be for you then. Given that…

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We meet Keegan DeWitt: The Composer of HBO’s Divorce and member of the band Wild Cub

Ahead of the premiere of the new half hour HBO comedy series Divorce, starring Sarah Jessica Parker and Thomas Haden Church, we meet Keegan DeWitt, the composer of the series and member of the band Wild Cub. He talks to us about how he came to be a part of the series,  we learn a…

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Film Review: Miss Peregrine’s Home For Peculiar Children (USA, 2016) is enjoyable and visually pleasing but inconsistent

Whilst Tim Burton is far from being back to his winning form, Miss Peregrine’s Home For Peculiar Children is at least a step in the right direction for a filmmaker who has always found comfort in showcasing the weird and wonderful. Though the film slightly feels like a fantasy cash-in, much in the way features…

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Blu-Ray Review: Supergirl Season One (M15+) (USA, 2015)

Adopting a hopeful, cheery personality that aligns itself more with quintessential 90’s outing Lois & Clark over the grittier tone set by Zack Snyder’s Man of Steel, Supergirl injects some much-needed optimism into the TV comic-book scene which is teetering with becoming an over-saturated market at this stage.  Much like the character herself, the show…

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Film Review: Independence Day: Resurgence (M15+) (USA, 2016)

There’s an extended sequence in Independence Day: Resurgence where an all-powerful queen-bee alien is chasing a Jeff Goldblum-driven school bus across the desert, somehow finding itself unable to keep up with his wild driving skills despite swatting down fighter-jets only moments earlier with unspoiled precision. It’s one of the many moments this large, loud sequel…

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Film Review: Warcraft: The Beginning (M15+) (USA, 2016)

As someone completely unschooled in the world of Warcraft, I entered the filmic adaptation of the popular video game franchise with an open mind and no expectations.  On its own merits it’s a perfectly serviceable action/fantasy opus that’s heavy on CGI and spectacle but short on much else – not that that is necessarily a…

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DVD Review: Regression (MA15+) (Canada/Spain/USA, 2015)

What an incredibly frustrating film Regression turned out to be. It’s competently made, well-acted, and contains interesting ideas that are suitably unnerving; ingredients that make it all the more disappointing when its ultimate culmination results in a resounding whimper rather than a wow. Director Alejandro Amenabar knows his way around dark material, and for a…

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DVD Review: Stretch (MA15+) (USA, 2014)

Though Stretch is a rather kinetic film – think an episode of Entourage on crack – and would’ve most likely come and gone in cinemas without much notice, there’s such an infectious energy to it all that you can’t help but feel disappointed that it wasn’t granted a larger release. The DVD market seems tailor…

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Film Review: Bastille Day (M15+) (USA/France, 2016)

Though on its own terms Bastille Day is an above-average action thriller with a slew of slick action sequences and enough plot twists to make you dizzy, you can’t help but view it as star Idris Elba’s unofficial audition for the next 007 film, with the actor’s name quite often mentioned as a serious contender…

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DVD Review: Youth (MA15+) (Italy, 2015)

A film that manages to be both reserved yet personal, Youth is a realistically surreal film experience existing on its own plane thanks to the brave direction from Paolo Sorrentino.  Gorgeous imagery and a restful pulse compliment the stunning, oft self-indulgent performances from an excellent cast of performers all masters at their craft. Set in…

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Five bosses who could Melissa McCarthy a run for her money

From the devil who wears designer labels to the literal incarnate of evil itself, cinema has long been a platform for employers to be presented as anything but reasonable.  On the eve of Melissa McCarthy doing her best bad boss impersonation in (the appropriately titled) The Boss, here’s a look at five other business heads you…

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