Family can make us feel safest, but it can also reopen wounds we thought had long since healed. That tension sits at the heart of River, the nerve-shredding feature debut from writer-director Joshua Giuliano, which celebrated its world premiere at Midnight Madness at this year’s Toronto International Film Festival. Jane Levy, Jessica Rothe and Max…
Sometimes horror really doesn’t need to be complicated. Give us a handful of characters we care about, isolate them somewhere they shouldn’t be, introduce something terrifying and let nature take its course. Joshua Giuliano understands this remarkably well with River, his feature directorial debut and a brutally efficient love letter to the kind of slasher…
Whilst there is a certain initial familiarity in Jessica Rothe portraying someone who’s in something of a cyclical environment in her latest horror effort, Affection, it becomes all too evident in the early minutes of BT Meza‘s genre outing that this is no retread of the more humorously minded Happy Death Day – the film…
Childlike yet ultra violent, there’s a lot of style over substance when it comes to Mortiz Mohr‘s Boy Kills World, an exaggerated, audacious, attention-seeking actioner that doesn’t have much to say, but succeeds at being a delirious slice of escapism that deserves points for the fact that it’s a bonkers, live-action (R-rated) cartoon that speaks…
From It to “It will hurt”, Bill Skarsgård is set to unleash a lot of pain if this first-look trailer for his wild new revenge flick Boy Kills World is anything to go by. Skarsgård stars as “Boy” who vows revenge after his family is murdered by Hilda Van Der Koy (Famke Janssen), the deranged…
Likely to appeal to the Nicholas Sparks crowd, All My Life is a particularly sweet (almost too much so for its own good) true story-inspired tearjerker that, in many ways, gets away with being so cookie cutter because – as we are informed in the opening monologue – we only remember the most beautiful and tragic…
Just as much of a surprise as the delightfully twisted original – 2017’s Happy Death Day – Happy Death Day 2U is revelatory not because it improves on its predecessor’s horror temperament, but because it completely bypasses the slasher genre trope and cements itself firmly within the grounds of science-fiction. Given how much fun writer and director…
As varying subsets of the horror genre have forged ahead in 2017 as some of the year’s biggest successes (Split, Get Out and It remain three of the most fruitful ventures), it only makes sense that the slasher genre attempt the resurgence it so desperately deserves. It simply isn’t enough however to let a film…
