There’s something of a full circle moment experienced with Am I OK?, Tig Notaro and Stephanie Allynne‘s co-directorial feature debut. The real-life couple, who met on the set of a Sundance selection title (2013’s In A World…), return to the festival as married women detailing their own journey of self-discovery and acceptance with a film…
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As evident in fellow AU critic Harris Dang’s TIFF review of Shadow in the Cloud, this film’s connection to disgraced screenwriter Max Landis is understandably a hot-button subject. Whilst I won’t go into the necessary detail, I’m certainly not making light of the allegations brought towards him, but given the fact that co-writer/director Roseanne Liang…
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With an often bright, candy coated aesthetic that masks a darker, more poisonous taste inside, Promising Young Woman, Emerald Fennell‘s bold debut, is the type of delicious indulgence that will ultimately make your stomach churn. Headlined by a career-best Carey Mulligan (her performance sure to be a consistent contender come award season), Promising Young Woman…
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Written and directed by an openly gay man and fronted by a quartet of women – one of whom a woman of colour – 1996’s supernatural teen horror film The Craft was, in retrospect, ahead of its time. 2 years before witchcraft would become weekly viewing on the television series Charmed, and over a decade…
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Whilst it’s easy to roll your eyes at the almost insultingly familiar narrative Babyteeth works with at its core – terminal ill teenager falls in love with the wrong guy – it somehow manages to avoid most of the genre cliches, thanks to a mindset that isn’t afraid to be messy, frustrating and, at times,…
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