Once a staple of Australian television – having worked on such notable homegrown series as McLeod’s Daughters, Underbelly, and Home and Away – Jonny Pasvolsky has since been making ground for himself across the Pacific, starring in such profile productions as Mortdecai opposite Johnny Depp, The Front Runner with Hugh Jackman, and the acclaimed series […]
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With Australian cinema exceeding expectations at the box office in 2021 alone, now feels like as a perfect a time than ever for homegrown productions to thrive within their own country. Ā Founding his own company to pursue his passion of filmmaking, Dublin-born Antaine Furlong had followed his dream to technical fruition as his debut feature […]
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Suitably gripping from the opening images of the bloody aftermath of a supposed murder-suicide – made all the more unsettling to the sounds of an infant crying – Robert Connolly‘s The Dry, an adaption of Jane Harper’s best-selling novel, is a tension-laced thriller that stays true to its source material. The murder-suicide that initially garners […]
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Thanks to Roadshow we have ten double passes to give away to the upcoming release of the Australian thriller The Dry, starring EricĀ Bana, based on the best-selling novel by Jane Harper, in Australian cinemas from January 1st, New Year’s Day 2021. When Federal Agent Aaron Falk returns to his drought-stricken home town after an absence […]
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With the imminent release of Rams set for Australian audiences, director Jeremy Sims has been discussing the film and what brought him to reinterpret the original Icelandic drama. Ā Our own Peter Gray chatted with Sims, learning of his approach to directing, how he has found the film’s reception so far, and why he had to […]
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We have ten double passes to give away to the upcoming release of the Australian comedy Rams, starring Sam Neill, Michael Caton, and Miranda Richardson. In remote Western Australia, two estranged brothers, Colin (Sam Neill) and Les (Michael Caton), are at war. Raising separate flocks of sheep descended from their familyās prized bloodline, the two […]
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On the eve of Shannon Murphy‘s tragic dramedy Babyteeth releasing in Australian cinemas (you can read our interview with her here) we were fortunate enough to chat with the film’s male lead, British-born Australian talent Toby Wallace. Ā As he stated that being able to talk about the film during COVID-19 is “a breath of fresh […]
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Australian cinema has already seen Ali and Muriel getting married (to other people) but Promised takes a different approach. This dramedy, set in the 1970’s, is a look at an arranged marriage, starring a pair of Italo-Australians. The results are an imperfect story that brims with real heart. Itās obvious that this independent film was […]
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Six Australian films have been chosen for the 2018 Toronto International Film Festival (TIFF). As one of the biggest publicly attended film festivals the TIFF has close ties to the US film industry. This poses a good chance of expanding the range of Australian film making to a world-wide audience, like former Toronto premieres (e.g. […]
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Zelos will be a breath of fresh air to Australian cinema. The upcoming Australian film to be helmed by new Australian face Jo-Anne Brechin and written by Claire Harris will be a female-led endeavor exploring theĀ wreckful throes of contemporary romance. The Iris sent Fergus Halliday to get some insight on the films progression as it […]
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The big-hearted, character-driven ensemble film takes place in a dusty old pawnbrokerās in the heart of Footscray, where world-weary owner Les Underwood (John Brumpton) watches as the lives of people who come through his doors collide, change and unravel. From blossoming romance to desperate last gambles, these twelve individualsā stories represent the best and the […]
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It was NRL luminary Jack Gibson who said, “In football, if you are standing still, youāre going backwards fast“. These words are lived by Heath Davisās lapsed hero Barry Kelly (played by Steve Le Marquand) and extend to the broader film in the suburban melancholy and missed opportunities of Australian redemption tale, Broke. Broke begins […]
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Australia has played the crest to the wave of āindie horrorā films settling amongst international audiences. Jennifer Kent’s The Babadook was received as one of the best horror films of the decade, and the minimalist-horror ethos settles well with Australian roots in Outback Gothic; something thatās quite present in Joseph Sims-Dennett‘s Observance. The film follows […]
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