Alison Brie

Interview: Alison Brie on comedic inspiration, the changing landscape of television and new comedy Somebody I Used To Know

If you want to know why when Peter Gray spoke to Alison Brie about her latest film, Somebody I Used To Know, they started suggesting television shows where Jason Biggs would fornicate with various types of dessert pies, you’ll just have to watch it and find out. To be fair, Brie’s character Ally and her…

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Film Review: Somebody I Used To Know defies genre conventionality with a welcome authenticity

That classic romantic comedy genre trope of big-city-girl-returns-to-small-home-town is one that, initially, writer/director Dave Franco and writer/star Alison Brie utilise to almost expected potential in Somebody I Used To Know, a more human dramedy than romcom romp that cements the notion that you can never truly go home again. People and places change, and no…

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Interview: Kiersey Clemons on Somebody I Used To Know, normalising bi-sexuality and favourite rom-coms

Do you ever wonder what happened to the one that got away? If you’re Alison Brie in Somebody I Used To Know, you might have lost them to Kiersey Clemons. In the new romantic comedy, co-written by Brie and her husband (and director) Dave Franco, workaholic TV producer Ally (Brie) faces a major professional setback,…

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Film Review: Dave Franco’s The Rental is a gradually unnerving thriller that speaks to his skills as a storyteller

It goes without saying that within the realms of the horror film, setting plays a large factor.  From the Bates Motel – and, by extension, THAT shower – in Psycho to the murderous New York dwelling of The Amityville Horror, places of habitation are often their own character if utilised precisely enough.  In The Rental,…

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Film Review: Promising Young Woman is a delicious indulgence that will make your stomach churn

With an often bright, candy coated aesthetic that masks a darker, more poisonous taste inside, Promising Young Woman, Emerald Fennell‘s bold debut, is the type of delicious indulgence that will ultimately make your stomach churn. Headlined by a career-best Carey Mulligan (her performance sure to be a consistent contender come award season), Promising Young Woman…

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First Impressions: GLOW (Netflix, 2017) is a glamed-up, feminist comedy in the vein of OITNB

From the first scene, GLOW‘s feminist message is openly clear. Aspiring actor Ruth Wilder (Community alum Alison Brie) is auditioning for a role as company boss “Mel”, opening the series by delivering a sombre monologue. After finishing, she explains that she is grateful for the opportunity because  “there are not roles like this for women”, yet…

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Sydney Film Festival Review: The Little Hours (USA, 2017) is a fun, irreverent, often non-sensical comedy

Fans of off-kilter comedy should find something of value in Jeff Baena’s quirky spoof The Little Hours, a play on the 14th-century Giovanni Boccaccio novella The Decameron. With hefty doses of witchcraft, torture, and pan-sexuality peppered throughout the script, it’s not hard to see some viewers being confounded by Baena’s film just as much as those…

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Sarah Paulson, Carrie Coon, Bob Odenkirk and more join Steven Spielberg’s The Papers

Steven Spielberg is certainly a busy man. Currently in the midst of a lengthy post-production period for his sci-fi adaptation Ready Player One, the influential director has wasted little time getting his next project off the ground. With Spielberg’s Pentagon Papers film The Papers (previously titled The Post) ambitiously being fast-tracked for an awards-friendly 2017 release. The film has previously…

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Teaser released for Jenji Kohan’s upcoming Netflix wrestling comedy GLOW

Glitter. Leotards. Neon lights. This 80s wrestling ring is the comeback of the Glamourous Ladies of Wresting with the teaser trailer for this Netflix original series, GLOW. Set in 1980s Los Angeles, GLOW tells the story of Ruth Wilder (Alison Brie), an out-of-work, struggling actress who finds herself in the first-ever women’s wrestling TV show…

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DVD Review: How to be Single (M) (USA, 2016)

Given the combined creative genius of writers (Abby Kohn, Marc Silverstein, Dana Fox) who co-wrote this screenplay, one would have expected to strap themselves in for a solid, heart wrenching, feel good romp with How to be Single. However not all rom-coms are created equal and this would be sure fire winner, boosted by the…

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