Reviews

Sundance Film Festival Review: Pleasure is a deliberately uncomfortable navigation of the boundaries of the sex industry

After introducing itself as a film that promises there’ll be no sugarcoating its subject matter – the first thing we hear are the audible moans and verbal berating from a pornographic film, and the first thing we see is the extremely graphic imagery of a young girl’s privates in the shower – Ninja Thyberg‘s confronting…

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Sundance Film Festival Review: Robin Wright’s Land speaks to the love of the land and one’s own self

With Nomadland currently doing the rounds and collecting its share of awards in the lead-up to a presumed heft of Oscar nominations, a film like Land being release is curious timing.  It’ll inevitably be compared to Chloe Zhao’s inward masterpiece and, in its own way, it’s something of a more digestible, audience friendly take on…

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Sundance Film Festival Review: Together Together amusingly explores the notion of a man’s desire to listen to his biological clock

The notion of a biological clock and its exclusivity to women is a road travelled many a time over the course of cinematic history.  Such an idea pertaining to men however is another story entirely, and one that has seldom been explored.  Enter, Together Together. Written and directed by Nicole Beckwith (returning to Sundance 6…

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Sundance Film Festival Review: Mayday is a wonderfully unique, genre-shifting ode to female resilience

Do you know how it feels to describe a dream? A moment where you are not really sure what you just witnessed and yet you remember seeing certain things and oddly enough, you remember feeling everything about it? That is basically how it feels like watching Mayday, the feature-length directorial debut by writer/director Karen Cinorre….

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Sundance Film Festival Review: Don’t ignore the Knocking! Go see it for the thrills and Cecilia Milocco’s performance!

Knocking follows the story of Molly (Cecilia Milocco), a woman who is returning to the outside world after being discharged from a psychiatric hospital after she was admitted due to her involvement in a past traumatic event. She moves into an apartment complex and is starting to experience things that she has not come into…

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Sundance Film Festival Review: Coming Home in the Dark is a menacing feature that doesn’t take full advantage of its eerie potential

It doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark.  A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s…

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Sundance Film Festival Review: Mass is powerful, unflinching storytelling that demands to be seen

An agonising drama if ever there was one, Mass details the type of conversation that instantly makes you feel sickeningly uncomfortable.  And then to watch it unfold in a suffocating location for 110 minutes is a test of endurance that audiences may be unprepared for. The tragedy at the centre of the conversation is one…

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Sundance Film Festival Review: How It Ends is a scrappy comedy that utilises its charm to overcome any shortcomings

In How It Ends, the joint-directorial effort from Daryl Wein (Lola Versus) and Zoe Lister-Jones (The Craft: Legacy), the question is proposed of what would you do if you knew the world was coming to an end?.  It’s a question that has familiarity to it, but Wein and Lister-Jones have the smarts and wit to…

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Sundance Film Festival Review: Censor is an enjoyably reverential and visually stimulating psychological horror experience

When a filmmaker decides to venture into the topic of filmmaking as a narrative, their efforts can be fascinating in terms of storytelling. When the horror film Censor had been announced as an entry for Midnight Madness at the 2021 Sundance Film Festival, it was particularly intriguing for a few reasons. Firstly, the topic of…

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Sundance Film Festival Review: In the Same Breath is a sobering, harrowing account on the origins and cover-up of COVID-19

There really is no way for yours personally to say this in a pithy fashion so it is best to just say it straight. One of my most anticipated films this critic wanted to see was In the Same Breath by director Nanfu Wang, a talented documentary filmmaker whose work in indicting the government workings…

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Sundance Film Festival Review: John and the Hole is an ambiguous thriller that refuses to spoon-feed its audience

There’s a series of odd interludes dispersed throughout Pascual Sisto‘s unnerving thriller John and the Hole that suggest the story at hand has been passed down over time as something of a fable, one that impressionable young children may construe as a challenge on how they view their own relationship with their supposed elders.  It’s…

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Film Review: Malcolm & Marie succeeds entirely off the committed performances of John David Washington and Zendaya

Although Malcolm & Marie was one of the first films to be announced as a “made during COVID-19” production, it thankfully has nothing to do with the global catastrophe.  Instead, writer/director Sam Levinson (creator of HBO’s Euphoria) has opted for an in-house tragedy revolving around the titular couple (John David Washington‘s Malcolm and Zendaya‘s Marie)…

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Film Review: High Ground takes a deceptively simple story to heights of excellence

High Ground is the latest film from Stephen Maxwell Johnson, whom is best known for his 2001 acclaimed film Yolngu Boy; a powerful coming-of-age story about three Aboriginal men who strive to become great hunters as they deal with social, economic and especially filial factors in maturing from adolescence to adulthood. Since then, Johnson has…

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Film Review: Brothers By Blood is an all-too ordinary mob story that seems unfortunately content with coaxing by on familiarity

Despite a talented cast that consists of such reliable names as Matthias Schoenaerts, Joel Kinnaman, Ryan Phillippe, and Maika Monroe, Brothers By Blood (originally known as The Sounds of Philadelphia) is an all-too ordinary mob story that seems unfortunately content with coaxing by on familiarity. Masculinity, faith, loyalty, redemption, brotherhood, a criminal underworld…it’s stock standard…

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Film Review: Dave Franco’s The Rental is a gradually unnerving thriller that speaks to his skills as a storyteller

It goes without saying that within the realms of the horror film, setting plays a large factor.  From the Bates Motel – and, by extension, THAT shower – in Psycho to the murderous New York dwelling of The Amityville Horror, places of habitation are often their own character if utilised precisely enough.  In The Rental,…

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Film Review: One Night in Miami is a thematically powerful and emotionally riveting chamber piece

In America 1964, the audience is introduced with its four main players. Renowned boxer Cassius Clay (Eli Goree) had just defeated Sonny Liston to become heavyweight champion of the world; Muslim minister and human rights activist Malcolm X (Kingsley Ben-Adir) is still fighting for the cause for Black people; pop musician Sam Cooke (Leslie Odom…

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Film Review: Shadow in the Cloud in an off-kilter, bi-polar horror film that’s unlike anything you’ve seen before

As evident in fellow AU critic Harris Dang’s TIFF review of Shadow in the Cloud, this film’s connection to disgraced screenwriter Max Landis is understandably a hot-button subject.  Whilst I won’t go into the necessary detail, I’m certainly not making light of the allegations brought towards him, but given the fact that co-writer/director Roseanne Liang…

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Film Review: Promising Young Woman is a delicious indulgence that will make your stomach churn

With an often bright, candy coated aesthetic that masks a darker, more poisonous taste inside, Promising Young Woman, Emerald Fennell‘s bold debut, is the type of delicious indulgence that will ultimately make your stomach churn. Headlined by a career-best Carey Mulligan (her performance sure to be a consistent contender come award season), Promising Young Woman…

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Film Review: The Dry is a tension-laced thriller that stays true to its source material

Suitably gripping from the opening images of the bloody aftermath of a supposed murder-suicide – made all the more unsettling to the sounds of an infant crying – Robert Connolly‘s The Dry, an adaption of Jane Harper’s best-selling novel, is a tension-laced thriller that stays true to its source material. The murder-suicide that initially garners…

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Film Review: Let Me Take You Down proves that the public’s penchant for true crime has gone a step too far

Yoko Ono and Paul McCartney have often asked that we do not name John Lennon’s killer. They reasoned that we should not reward Mark David Chapman, nor grant him the fame and notoriety he sought from that heinous act. There have been many films and books about John Lennon’s murder over the years. The latest,…

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Film Review: The visually stunning Soul is life-affirming, full of joy and unafraid to address reality

A far more meaningful film now given the climate of the world at hand, Soul is a deeply-felt, oft-hilarious, more experimental effort from Pixar that serves as a lovely ode to both life and death.  Whilst it absolutely deserves the cinema treatment it’s unfortunately being denied – the film will stream from December 25th on…

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Film Review: Wonder Woman 1984 is fun blockbuster escapism but not as emotionally gripping

When 2017’s Wonder Woman directed by Patty Jenkins was released it was considered the lighter, more fun of the films in the DC Extended Cinematic Universe. It brought us this portrayal of a character that was full of optimism and hope. The latest release sees Jenkins return to direct the follow up, this time setting…

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Film Review: The Croods: A New Age is a cheerful slice of family entertainment

Given that it’s been 7 years since the first Croods movie was released, the original target audience are all likely scattered across primary and high school now.  But displaying the sense that it honestly doesn’t care about this statistic, The Croods: A New Age delights all the same, and very much presents itself as its…

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Film Review: Crock of Gold celebrates storytelling & the craic

Shane MacGowan is an artist specialising in Irish cream and the craic. The Pogues’ former front man is a brilliant raconteur, even if his body now seems rather battle-hardened. This documentary film is a detailed mosaic and in-depth look at this punk poet’s hedonistic life and his remarkable career. Documentarian, Julien Temple (The Great Rock…

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Film Review: I’m Your Woman is a slow burning thriller anchored by a phenomenal Rachel Brosnahan

You’d be forgiven for assuming I’m Your Woman is going to be a ferocious, revenge-driven thriller going off the simple, yet striking poster art that accompanies.  Rachel Brosnahan, decked in a long trench coat, a baby on one arm, clutching a gun with the opposing hand.  It’s a hell of an image – provocative, even…

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Film Review: The Stand In is a tonally confused comedy unsure what to do with Drew Barrymore’s wild energy

Biding her time between newly found talk-show host duties and headlining the Netflix series Santa Clarita Diet (a show gone too soon) has kept Drew Barrymore busy enough that it’s been 5 years since we saw her in a feature film.  And though The Stand In gives the delightful star plenty of meat to chew…

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Film Review: The Furnace manages to compel thanks to a dedication to its historical and religious roots

A unique focal point weaved into a standard narrative, Roderick MacKay‘s The Furnace manages to compel thanks to a dedication to its historical and religious roots.  Tracing steps of Australian history that have seldom been explored before, MacKay tracks a tumultuous period with a somewhat modern sensibility. Egyptian actor Ahmed Malek leads the film as…

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Koko-di Koko-da

Film Review: Koko-di Koko-da is a loopy descent into madness and grief

Koko-di Koko-da starts off in an oddly jovial fashion. We are taken into a forest and there is a small troupe of people – visually influenced by nursery rhymes – dancing in unison while singing merrily. Yet not all is as it seems; and it sets the tone for what is to come: an eerie…

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Film Review: Sound of Metal is an already astonishing film elevated by Riz Ahmed’s uninhibited performance

After his standout turn opposite Jake Gyllenhaal in 2014’s disturbing neo-noir thriller Nightcrawler, Riz Ahmed seemed destined for greatness on the big screen.  And thankfully, after years of slumming it in supporting roles in Hollywood blockbusters that have all wavered in their quality (Jason Bourne, Rogue One: A Star Wars Story, Venom), he’s finally been…

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Film Review: The Bee Gees: How Can You Mend a Broken Heart is an emotional tribute to one of the music industry’s most celebrated acts

The musician documentary is one that can easily be an exhausting experience.  Any form of relative success and cultural impact often results in a film being made about whichever artist, and the ones worthy of the subject’s talent are few and far between.  This is what makes The Bee Gees: How Can You Mend a…

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