Saccharine arrives with one of the strongest horror premises of the year. In an era where Ozempic, body positivity, calorie counting and algorithm-fuelled beauty standards dominate everyday conversation, a ghost story built around weight-loss pills made from human ashes feels both deliciously grotesque and eerily timely. It’s exactly the sort of concept that seems tailor-made…
Australian actress Danielle Macdonald has wasted no time racking up an impressive resume in the near-decade she’s been working on screen. Biding her time between acclaimed Australian dramas (I Am Woman) and Netflix successes (Dumplin’, Bird Box), the Sydney-born talent is furthering her mark in Azazel Jacobs’s surreal comedy French Exit (Read our review here)….
Towards the beginning of French Exit, Azazel Jacobs‘s at once tragic and surreal comedy, Michelle Pfeiffer‘s initially icy New York socialite Frances Price seemingly mocks the romantic uncertainty of her adult son, Malcolm (Lucas Hedges). “Menstruating?”, she asks when he refuses to divulge any type of answer to his sullenness, confirming screenwriter Patrick deWitt‘s penchant…
Patti Cake$ is the kind of movie that could have gone horribly wrong. The story of an overweight, white (trash) suburban girl gunning for glory in the hip-hop scene isn’t the most accessible story, nor is it culturally appropriate. Thanks to the wit of writer/director/composer Geremy Jasper though, Patti Cake$ disarms any of these potential…
