Author: Peter Gray

Seasoned film critic and editor. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Contact: [email protected]

The Eyes of Tammy Faye is an uneven, yet entertaining biopic driven by a show-stopping Jessica Chastain: Sydney Film Festival Review

A film that’s likely to resonate with, or at least feel more familiar to American audiences, The Eyes of Tammy Faye does its best to clue in local Australian viewers as to just who was the larger-than-life personality Tammy Faye Bakker Messner.  An only-in-America type tale, Tammy Faye’s small-time Minnesota upbringing, where she “found Jesus”…

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Film Review: Home Sweet Home Alone is a new form of punishment for naughty children this Christmas season

There’s a moment during Home Sweet Home Alone where two characters are watching a remake of the fictional “Angels With Filthy Souls” – you know, that quotable film within a film that Macaulay Culkin used in a manner to frighten the pizza delivery boy (“Merry Christmas ya filthy animal) – and comment on why studios…

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Win 1 of 5 Blu-ray copies of Marvel’s Shang-Chi and the Legend of the Ten Rings

Witness the origins of a new MCU superhero when Marvel Studios’ Shang-Chi and the Legend of the Ten Rings arrives on Blu-ray™, DVD, 4K Ultra HD™ and Digital November 12th, 2021.  To celebrate the release, we have 5 copies up for grabs! Marvel Studios’ Shang-Chi and The Legend of The Ten Rings stars Simu Liu as Shang-Chi, who…

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Film Review: No Time To Die is an emotional swan song for Daniel Craig’s 007

Although it leans into the tropes of what we come to expect from the institution that is a James Bond film, and in some ways this 25th entrant is possibly the most self-aware of the pack, No Time To Die keeps largely in tune with the mentality of the wave of Daniel Craig-led films; the…

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Win a double in-season pass to see Michael Caine in Best Sellers

Thanks to Rialto Distribution we have 10 double passes (Admit 2) to give away for the upcoming release of Best Sellers, starring Michael Caine and Aubrey Plaza, set for release in Australian cinemas from November 25th, 2021. Lucy Stanbridge has inherited her father’s publishing house, but the ambitious would-be editor has nearly sunk it with…

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The Worst Person in the World is a compelling film that defies the tropes of the romantic comedy genre: Sydney Film Festival review

As much as The Worst Person in the World adheres to many of the standard ingredients of the “romantic comedy”, to refer to Joachim Trier‘s as one would be doing it a massive disservice. Detailed over 12 chapters (and both a prologue and epilogue), the film gives us a look into a certain period of…

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Blue Bayou is a deliberately heartbreaking drama about the intricacies of immigration: Sydney Film Festival review

Immigration is a topic that’s quite intensely debated across the world, particularly in the United States.  And in Blue Bayou, a spotlight is shone on a specific group of immigrants, those that come to a country as infants with little to no recollection of their homeland and, quite often, had no other choice. Such is…

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Interview: Ray Liotta on playing a “Hollywood Dick” in The Many Saints of Newark; “One thing I don’t have is a calm intensity”

Ray Liotta has made a name for himself throughout his career portraying characters with a certain intense edge.  From Scorsese’s genre-defining Goodfellas, the psychological thriller Unlawful Entry, and the controversial Silence of the Lambs sequel Hannibal, the Golden Globe-nominated actor has made it a point to express his vigour on screen.  But for our Peter…

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The Beta Test is a twisted, pitch black comedic thriller: Sydney Film Festival Review

On the surface you’d be forgiven for assuming The Beta Test is just another film industry picture, spending its minutes somehow justifying its existence as it hones in on the obnoxious and obnoxiously wealthy Hollywood players who wrongfully assume they’re untouchable in their town.  The film has that air about it, but this satirical-cum-unnerving thriller…

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Pleasure is a cold, calculating film detailing the politics of the sex industry: Sydney Film Festival Review

After introducing itself as a film that promises there’ll be no sugarcoating its subject matter – the first thing we hear are the audible moans and verbal berating from a pornographic film, and the first thing we see is the extremely graphic imagery of a young girl’s privates in the shower – Ninja Thyberg‘s confronting…

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Titane is an auto-erotic body horror oddity focused on the specifics of sexual identity: Sydney Film Festival Review

Similar to how Jordan Peele, Robert Eggers, Jennifer Kent, and Ari Aster all secured their place in the annals of genre cinema with their debut offerings, Julia Docournau‘s bold cannibalistic horror effort Raw cemented the French filmmaker as a name to pay consistent attention to.  And just as those aforementioned auteurs all swung big with…

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Film Review: Disappearance at Lake Elrod overcomes genre familiarity with an emotional edge

Though there’s perhaps a few too many “missing kid mystery” tropes adhered to in Disappearance at Lake Elrod – the grieving mother, the potentially corrupt police, the buried secrets coming to life – writer/director Lauren Fash injects enough character development and psychological complexity for it to get away with it. Centred around the disappearance of…

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Interview: Leslie Odom Jr. on the The Many Saints of Newark super secretive audition process & becoming a better actor

Since his Tony Award-winning role in Hamilton, Leslie Odom Jr. has had something of a meteoric rise.  Not content with just dominating the music and theatre scene, the New York-born actor is a wanted commodity on the big screen too, working with the likes of Kenneth Branagh, Kate Hudson, Orlando Bloom, and Judi Dench, to…

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The Card Counter is a bleak and repetitive effort mildly saved by the presence of Oscar Isaac: Sydney Film Festival Review

Kenny Rogers so famously told us “You gotta know when to fold ’em”, and in The Card Counter writer/director Paul Schrader seems unsure as to which hand he wants to confidently play.  It’s not that this film is poorly made, nor is his commitment to the representation of desolation anything other than pure, but it’s…

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Interview: The Many Saints of Newark director Alan Taylor on what he truly believes happened at the end of The Sopranos & auditioning James Gandolfini’s son

A writer and director known for his predominant television work, helming episodes for such lauded series as The Sopranos, Boardwalk Empire, and Game of Thrones, Alan Taylor is returning to the gangster-fuelled environment of David Chase’s Sopranos with The Many Saints of Newark, the anticipated prequel to the award-winning show.  Ahead of the film’s Australian…

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Film Review: Eternals opts for a more emotional, biblical edge as it deviates from the standard Marvel fare

After thirteen years and twenty-five films, it only makes sense that the standard formula for what makes a Marvel movie earns something of a deviation from the expected.  The tightly choreographed fight sequences, the amusing quips, the CGI-heavy climactic battle…all ingredients that, to the testament of such an institution, have been recycled in a variety…

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Film Review: The Many Saints of Newark should satisfy Sopranos fans and satiate the unversed

There’s a certain challenge one takes on when adapting a secondary story (for lack of a better word) to a televisual project.  Whether you continue the narrative as a sequel, take the premise in a more comedic fashion, or simply re-imagine the original, fans of the original property are always going to be the audience…

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Interview: Jamie Lee Curtis and the cast of Halloween Kills on character dynamics, female representation and franchise emotionality

As Halloween Kills slices its way through Australian cinemas (you can read our review here), series scream queen Jamie Lee Curtis and fellow cast-members Andi Matichak, Anthony Michael Hall and Kyle Richards participated in a global press conference – which our own Peter Gray was invited to attend – to discuss the character dynamics formed in…

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Interview: Lair writer/director Adam Ethan Crow on making his first feature length horror film; “I think fans appreciate when they see something a bit different”

To coincide with the release of his horror film Lair, now available to rent or buy on DVD and digital in time for the spooky season, writer/director Adam Ethan Crow spoke with our own Peter Gray about his love of horror films, attempting something different to please the genre fans, and the rough seas travelled…

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Film Review: Lair, a horror film aiming for a focus on characters over carnage

In the opening minutes of Adam Ethan Crow‘s Lair, a masterful sense of tension is introduced that near-immediately puts its audience on guard.  An eerie musical score, an unseen force, a bloodied body…nightmarish additives that deliberately only tell fragments of a whole story. From here we are introduced to Steven Caramore (Corey Johnson, having an…

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Last Night in Soho is a gorgeously crafted giallo tribute drenched in 1960’s London culture: Brisbane International Film Festival review

A gorgeously rendered, lovingly crafted, maybe slightly messy, giallo tribute drenched in 1960’s London culture, Last Night In Soho is the type of film one wishes to dissect and divulge in intimate detail.  But that would entirely undo any service to writer/director Edgar Wright, who has implored audiences the globe over to keep their mouths…

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Film Review: Antlers favours emotionally complex horror over standard genre thrills

One of many 2020 titles that saw its original release delayed due to the pandemic, and one of the few that held its nerve and opted out of a streaming alternative, Antlers, from director Scott Cooper (Crazy Heart, Black Mass) and producer Guillermo del Toro (Pan’s Labyrinth, The Shape of Water), proves its bold mentality…

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Film Review: Halloween Kills delights in gory nonsense, but none of the atmosphere of its predecessors

As the flashing lights of fire brigades speed past a bruised and bloodied Laurie Strode (Jamie Lee Curtis) in the opening moments of Halloween Kills, it becomes all too evident that the haunting figure that is Michael Myers is far from vanquished; her desperate screams of “Let him burn” practically beg the oft-called ‘boogeyman’ to…

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Interview: Halloween Kills director David Gordon Green on how classic cinema inspired him and the pressure of taking on an iconic horror franchise

After pushing 2018’s sequel-cum-reboot Halloween to record breaking statistics, it only made sense that writer/director David Gordon Green was handed a sequel to continue revelling in Michael Myers’ carnage. Not only granted a sequel – Halloween Kills – but a trilogy (Halloween Ends, set for a 2022 release) to boot, Green expanded on the violent…

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Film Review: Ron’s Gone Wrong delivers its mature message with a sense of adolescent abandon

Comparisons between Ron’s Gone Wrong and 2014’s Big Hero 6 seem inevitable, yet, apart from the central relationship between a young adolescent boy and an operated robot, the two share little DNA, so it’s probably best that’s put to bed before going any further.  Much like the titular Ron, the Sarah Smith/Jean-Phillipe Vine-directed feature is…

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My Dead Dad is a deeply personal feeling film with an accessible personality: Austin Film Festival review

  When Lucas (Pedro Correa) learns that his father has passed away and subsequently left him an entire apartment complex in Los Angeles, he’s emotionally perturbed, to say the least.  Learning of such tragic news and such a vast inheritance in the one sitting would be enough for anyone to re-evaluate their existence, but given…

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Two Tickets to Mars embraces the pessimism and metaphysical questions that come with facing the end of the world: Austin Film Festival short film review

In these pandemic-driven times, the idea of inhabiting another planet sounds more and more appealing.  And with space travel now becoming somewhat generally accessible – sure, you have to be filthy rich, but it’s still a step up from it being exclusive to astronauts only – it stands to reason that such a concept could…

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Time Now skewers a tried and true narrative with a surprise unconventionality: Austin Film Festival review

A descent into grief and an examination on the affects of re-opening old wounds, Time Now, from writer/director Spencer King, is a tragic thriller that implements an unreliable narrator to maintain a certain intrigue as it navigates its central tragedy. Jenny (Eleanor Lambert, daughter of Diane Lane and Christopher Lambert) is feeling secluded and alone…

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The Card Counter is unsure of which narrative hand it wants to play: Brisbane International Film Festival review

Kenny Rogers so famously told us “You gotta know when to fold ’em”, and in The Card Counter writer/director Paul Schrader seems unsure as to which hand he wants to confidently play.  It’s not that this film is poorly made, nor is his commitment to the representation of desolation anything other than pure, but it’s…

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Swan Song proves an absolute joy to behold due to Udo Kier’s beautiful, vanity-free performance: Brisbane International Film Festival review

German character actor Udo Kier is so synonymous with villainy that his role in Swan Song appears all the more revelatory.  But given the actor’s own queer identification and penchant for theatrical performances, a character like his at the centre of Todd Stephens‘s gentle dramedy feels quite in tune with the actor’s aesthetic. Based on…

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