true story

Interview: Megan Twohey and Jodi Kantor on breaking the silence of abuse with She Said

Not only were they voices that spoke loud enough to break a cycle of abuse within the Hollywood system, they are now the faces of a ceiling-breaking movement that has forever changed the entertainment industry. Jodi Kantor and Megan Twohey were the New York Times journalists who investigated the abuse allegations against mogul Harvey Weinstein. …

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Film Review: She Said speaks to the strength of female silence-breakers in the face of abuse and corruption

Given the weight and influence that came with the #MeToo movement – founded in 2006 by American activist Tarana Burke – and, by extension (and association), the overwhelming allegations of sexual assault against once-famed producer Harvey Weinstein, it makes sense that a film detailing as such has come to fruition.  Based off the 2017 New…

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Interview: Jessica Chastain and Eddie Redmayne on The Good Nurse; “He’s America’s most prolific serial killer, and you’ve never heard of him”

Based on an incredible true story centred in the world of hospitals and health care, about how one woman’s growing suspicion of her co-worker led to America’s most prolific serial killer being brought to justice after 16 years of quietly killing patients across the US, The Good Nurse is a chilling true crime story that…

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Film Review: The Good Nurse overcomes any true crime narrative mechanisms with a strong, honest core

There’s something incredibly refreshing about The Good Nurse in that its true-crime temperament isn’t marred by overt manipulation – as so many of such adapted tales can be. Jessica Chastain (as typically great and committed as expected) is Amy, the titular good nurse, a single mother who is hiding her own ailment as she dedicates…

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Film Review: Muru educates and entertains as it forms a response to cultural racism

When looking at the treatment of indigenous populations the world over, it would be safe to say that any “crime” they have committed is simply existing.  Largely white populations, who have so often taken away the rights and lands that they inhabited originally, hope that apologies and acknowledgements are enough to reconcile their behaviour, but…

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The Good Nurse adheres to a more refreshing approach when detailing its true crime narrative: TIFF 2022 Review

There’s something incredibly refreshing about The Good Nurse in that its true-crime temperament isn’t marred by overt manipulation – as so many of such adapted tales can be. Jessica Chastain (as typically great and committed as expected) is Amy, the titular good nurse, a single mother who is hiding her own ailment as she dedicates…

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Interview: Jena Malone on the real-life awareness behind adult adoption in new film Adopting Audrey

Fired from her seventh job in two years and estranged from her family, Audrey (Jena Malone) is restless and dwells in a distinctly modern solitude, relying on YouTube for companionship. After falling down a video rabbit hole, she discovers the world of adult adoption and decides to try it herself in hopes of finding a…

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Film Review: Thirteen Lives is a tense dramatization of one of this century’s most triumphant rescue efforts

In June of 2018 when thirteen members of a Thai boys’ soccer team were trapped underground in a cave that flooded out through early monsoon rains, it didn’t take long for the story rights to be snapped up by various studio heads, all looking for their own take on an initially tragic then, thankfully, happily…

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Interview: Craig Roberts on directing The Phantom of the Open: “I didn’t want to make a little British kitchen-sink drama”

For the past decade-or-so, Welsh actor/writer/director Craig Roberts has made sure that his career could never be pigeonholed.  The darker aspects of comedy have often been his exploration as a filmmaker, having penned and directed the acclaimed duo of 2015’s Just Jim and 2019’s Eternal Beauty, whilst as an actor he’s just as likely to…

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Film Review: The Phantom of the Open is an uplifting true story about the power of optimism

Whilst not always the most prevalent sport to celebrate cinematically, golf has had its share of theatrical engagement over the decades; more often than not linked heavily to the comedy genre, too. Caddyshack (1980), Happy Gilmore (1996) and Tin Cup (1996) have arguably courted the most humorous notice, whilst The Legend of Bagger Vance (2000)…

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Film Review: Operation Mincemeat is an elaborate espionage thriller so intricate it can only be true

One of those true story tales that is so intricately outrageous it couldn’t possibly be fiction, Operation Mincemeat details a WWII espionage plot that centres itself around a heightened take on the classic Trojan Horse malware that so successfully aided the Greeks in their invasion of Troy. There’s a background story to the titular operation…

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Film Review: The Duke is a crowd-pleasing affair stirred by the incomparable Jim Broadbent and Helen Mirren

Blending his knack of humour, tenderness, and dramatic stakes that speaks to his strength as a storyteller, there’s a bittersweetness to Roger Mitchell‘s The Duke.  Sadly passing away prior to the film’s release, his swan song couldn’t seem more perfect as it encapsulates his talents in all the best ways possible. And The Duke just…

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Boulevard! A Hollywood Story is a fascinating look at life imitating art and the golden age of Hollywood: Mardi Gras Film Festival Review

Detailing a film and its lead actress adored by the queer community, and uncovering within that connection a story so juicy it seems almost too dramatic to be true, Boulevard! A Hollywood Story is a fascinating look at the intended musical iteration of Billy Wilder’s 1950 classic Sunset Boulevard, Gloria Swanson‘s determination to see its…

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Film Review: The Eyes of Tammy Faye; or how Jessica Chastain’s stunning performance saves an average biopic

A film that’s likely to resonate with, or at least feel more familiar to American audiences, The Eyes of Tammy Faye does its best to clue in local Australian viewers as to just who was the larger-than-life personality Tammy Faye Bakker Messner.  An only-in-America type tale, Tammy Faye’s small-time Minnesota upbringing, where she “found Jesus”…

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Film Review: King Richard is a winning biopic that transcends genre expectation

As much as King Richard has all the trappings of a biopic – and a sports drama, for that matter – it’s a testament to everyone involved that it manages to entirely transcend expectation and feel like something that’s so much more. It’s easy to wax lyrical about the fact that we’re getting a film…

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Film Review: Being the Ricardos is a narratively disjointed, though enjoyably acted biopic about the unmatched Lucille Ball

Much was said about Being the Ricardos before it even screened for critics, with the fact that stars Nicole Kidman and Javier Bardem were somewhat controversial casting choices to play Lucille Ball and Desi Arnaz.  Neither looks considerably like the legendary comedic performers, which left a certain sour taste in the mouths of those wondering…

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King Richard is a crowd-pleasing drama featuring a career-best turn from Will Smith: AFI Film Festival Review

As much as King Richard has all the trappings of a biopic – and a sports drama, for that matter – it’s a testament to everyone involved that it manages to entirely transcend expectation and feel like something that’s so much more. It’s easy to wax lyrical about the fact that we’re getting a film…

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The Eyes of Tammy Faye is an uneven, yet entertaining biopic driven by a show-stopping Jessica Chastain: Sydney Film Festival Review

A film that’s likely to resonate with, or at least feel more familiar to American audiences, The Eyes of Tammy Faye does its best to clue in local Australian viewers as to just who was the larger-than-life personality Tammy Faye Bakker Messner.  An only-in-America type tale, Tammy Faye’s small-time Minnesota upbringing, where she “found Jesus”…

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Film Review: Nitram is a chilling, infuriating, yet respectful drama detailing one of Australia’s most horrific events

The Port Arthur Massacre of 1996 was horrific.  Perpetrated by a violently disturbed young man who shot and killed 35 people at a Tasmanian tourist site, with a legally purchased semi-automatic rifle, it, to this day, remains Australia’s worst massacre committed by a single person in the country’s history, as well as serving as the…

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Film Review: 12 Mighty Orphans is a feel-good affair that balances its earnestness and predictability in equal measure

A film that perhaps tries a little too hard to embellish the emotionally manipulative story its true-to-life basis can conjure on its own accord, 12 Mighty Orphans’ “classic underdog” mentality is both a help and a hindrance to its overall delivery. Set during the Great Depression, Ty Roberts’ syrupy drama lays focus on the saintly…

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Film Review: Dream Horse is exactly the type of syrupy underdog story you expect it to be

Exactly the type of film you expect it to be from its title, Dream Horse is a syrupy, stereotypically inspiring drama that embraces the underdog narrative – or should that be under-horse? – and runs (gallops) with it to no end. Set in the mid-2000’s in a sleepy Welsh country town, Dream Horse places its…

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Film Review: The Conjuring: The Devil Made Me Do It relies on cheap scares instead of shadowy suspense

Having essentially built itself around the “based on a true story” hook, the Conjuring universe of films have been served well by a selling point that’s either something you buy into or simply accept as neat marketing. Whilst there’s no denying that Ed and Lorraine Warren did exist and built a name for themselves as…

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Film Review: The United States vs. Billie Holiday succeeds off Andra Day’s transformative central performance

The best performances within the biopic genre are those that aren’t just simply imitations or impressions of the subject at hand, but an honest appraisal of the person, one where the performer vanishes on screen. And so often with such grand performances, it can lead to the rest of the film surrounding them to feel…

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Film Review: The Courier is an emotionally fraught thriller balancing its emotional and educational mentality

British businessman Greville Wynne (Benedict Cumberbatch) doesn’t have the most suave persona.  And it’s because of this very reason that MI5 and the CIA have collaborated in their bid to maximise the potential of an insider during the time of America and Russian intensifying their nuclear arms race. “You drink too much and you’re not…

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Film Review: The Mauritanian is a factual-based thriller grounded by Tahar Rahim’s central performance

As much as The Mauritanian can boast Jodie Foster (in her Golden Globe-winning role), Benedict Cumberbatch and Shailene Woodley as its headliners, it’s the central performance from the lesser-known Tahar Rahim that ultimately impresses and grounds the film around him. A factual-based dramatic thriller detailing some of the supposed inner workings of the 9/11 terrorism…

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Film Review: Judas and the Black Messiah delivers with heart and valorous conviction

After proving a formidable plot point in last year’s The Trial of the Chicago 7 – however secondary it may have been – the killing of Black Panther chairman Fred Hampton in 1969, at the age of only 21 years, is given the right, timely treatment in Shaka King‘s equally impactful (perhaps even more so)…

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Sundance Film Festival Review: Judas and the Black Messiah is an impactful drama that’s all too aware of its topical relevance

After proving a formidable plot point in last year’s The Trial of the Chicago 7 – however secondary it may have been – the killing of Black Panther chairman Fred Hampton in 1969, at the age of only 21 years, is given the right, timely treatment in Shaka King‘s equally impactful (perhaps even more so)…

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Film Review: All My Life has enough appeal and charm to offset its overtly sugary packaging

Likely to appeal to the Nicholas Sparks crowd, All My Life is a particularly sweet (almost too much so for its own good) true story-inspired tearjerker that, in many ways, gets away with being so cookie cutter because – as we are informed in the opening monologue – we only remember the most beautiful and tragic…

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Film Review: 1983’s Ozploitation classic Hostage is little more than a Lifetime movie with sporadic moments of exploitation thrown in

Given the fact that Hostage has something of a reputation for being one of Australia’s biggest Ozploitation films, you’d be forgiven for assuming it would live up to its supposed status.  And whilst the opening credits suggest the film to come will be one heavy on uncomfortable violence – there are sudden, furious flashes of…

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Film Review: The Flood overcomes its melodramatic narrative thanks to topical sensitivity

The opening scrawl of The Flood states that at least 18,000 people who have been displaced by persecution, conflict and violence in their own habitats around the world have died in the last 5 years alone in their bid to reach Europe.  It’s a shocking statistic regarding those trying to enter another country, but in…

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