The latest film to be trotted out onto Netflix’s new rotation is The Wrong Missy. Straight up, you should know that this project comes courtesy of Adam Sandler’s Happy Madison Productions team, so that might immediately throw up some questionable flags to begin with. Bankrolled by the streaming giant, predominantly set in Hawaii (presumably as…
If you don’t want to play the waiting game and count the days before the likes of Joker and 1917 hit streaming services than this week is going to be good to you. For the next few days, from now until Wednesday 20th May, a digital download frenzy called Mega Movie Week is on, slashing…
The newest feature film for us to enjoy from the company of our own homes during isolation is one that was never acquired for big screen distribution. Coming from HBO Films (following the largest acquisition deal of the 2019 Toronto International Film Festival), Bad Education is the dramatised telling of a true story of corruption…
In the face of the global disruption to the entertainment market, the film industry is finding new and innovative ways to keep cinema enthusiasts connected, and today the Melbourne International Film Festival (MIFF) announced MIFF 68½ – a reimagined celebration of film online. Following the festival’s cancellation, MIFF Artistic Director Al Cossar and his team…
Don’t be put off by the title! Butt Boy tells the story of Chip Gutchel (Tyler Cornack, also performing double duty in the director’s chair), a bored IT engineer, who has a reawakening after a routine prostrate exam. Some harmless anal pleasure grows into a dangerous addiction, as he becomes responsible for a missing child….
Given the fact that Hostage has something of a reputation for being one of Australia’s biggest Ozploitation films, you’d be forgiven for assuming it would live up to its supposed status. And whilst the opening credits suggest the film to come will be one heavy on uncomfortable violence – there are sudden, furious flashes of…
The opening scrawl of The Flood states that at least 18,000 people who have been displaced by persecution, conflict and violence in their own habitats around the world have died in the last 5 years alone in their bid to reach Europe. It’s a shocking statistic regarding those trying to enter another country, but in…
Tribeca Enterprises and YouTube jointly announced today We Are One: A Global Film Festival, an unprecedented 10-day digital film festival exclusively on YouTube, bringing together an international community of storytellers to present festival programming for free to audiences around the world. Set to begin on May 29 on YouTube.com/WeAreOne, the festival will feature programming curated by…
Extraction sees Aussie Chris Hemworth team up with writer Joe Russo (of the Russo Brothers) and debut director Sam Hargrave for a brutal and bloody action thriller for Netflix. This isn’t a unique story, it sees a teenage kid of a Mumbai drug lord get nabbed and held for ransom by an opposing drug lord….
Given 1917‘s rather simplistic plot – a pair of infantrymen having to cross the treacherous No Man’s Land in order to prevent a doomed attack during the height of World War 1 – it makes sense that director Sam Mendes (Skyfall) would opt for a more complex manner to detail the story. Single camera shots…
Though the blueprint behind Come As You Are is quite insultingly familiar – three sexually-charged men on a road trip that’s as heavy on situational humour as it is on their own self-discovery – director Richard Wong proves that appearances are indeed deceiving. The core structures of the road-trip-comedy are in place, but Come As…
*Due to the current global crisis the planned 2020 Tribeca Film Festival has been postponed. The AU Review has been in contact with the respective representatives for available films in order to give them the coverage they intended. A commentary on the so-called perfection of social media, Eamonn Murphy‘s quirky short A Better You is…
*Due to the current global crisis the planned 2020 Tribeca Film Festival has been postponed. The AU Review has been in contact with the respective representatives for available films in order to give them the coverage they intended. Much like the recent slate of short films that were intended for this year’s SXSW Film Festival,…
Best not to be fooled by Almost Love‘s incredibly generic title (its alternative UK/international moniker Sell By isn’t much better either) as Mike Doyle‘s interconnected relationship drama plays stronger than it deserves to, thanks in large part to an ensemble cast that are allowed to play to and with their own respective strengths. Set in…
With each Star Wars film in the latest trilogy, fans have been treated to a feature length documentary about the making of the film, alongside its home release. They have surprisingly honest and detailed, in particular The Director and The Jedi, which took time to address some of the backlash Episode VIII received. The latest…
If we have learnt anything throughout cinema’s depictions of estranged families, it’s that the more alienated you are from one another, the more unpredictable your journey will be. This proves especially true in Come To Daddy, a pitch black comedic thriller that director Ant Timpson bathes in gory oddity. There’s an unease immediately present from…
Last week I caught up with Director Debs Paterson, who was tasked the monumental duty of documenting everything that happened during the 7 months of filming Star Wars Episode IX: The Rise of Skywalker. The result is the two hour documentary The Skywalker Legacy, that accompanies the home release of the film (on digital now…
On paper, the premise for Swallow sounds almost too-grotesque to be relayed without resorting to some type of gimmick. In reality, Carlo Mirabella-Davis‘s slow-burning thriller transcends its potentially nauseating core to deliver a deep, at times dark tale that wholly understands and respects its unique subject matter. The film surrounds the delicate Hunter (Haley Bennett),…
*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Perhaps diving a little too heavily into the metaphorical stance on storytelling, Claire Oakley‘s Make Up is a self-discovery tale dressed up like…
By virtue of unfortunate comparison to Pixar’s impeccable back catalogue of masterpieces, every new film from the studio faces a dauntingly high bar to clear. Last year, Toy Story 4 somehow managed to defy all expectations and walk off with the Academy Award for Best Animated Feature in the process. Sadly, Pixar’s first of two…
One of the biggest film casualties of the Harvey Weinstein sexual assault scandal has been Alfonso Gomez-Rejon‘s The Current War; a lavish period biopic which was surely due to be Weinstein’s great big Oscar hope of the 2017 season. After premiering at the 2017 Toronto International Film Festival to a tepid response, Gomez-Rejon was furiously…
*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. The Midnight Shorts Competition has long been an audience favourite at SXSW. A bite-sized marathon of twisted ideas that usually fuses gore, overt…
*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Detailing a tragic situation with a sobering, uncomfortable realism that has the potential to test even the most patient of viewers, The Surrogate…
*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Proof that more than enough can be conveyed in a fraction of the time of a standard feature, Ashley Eakins‘ short-feature Single is…
*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. A noble idea marred by melodramatics that often take away the importance of the film’s message, Shooting Heroin can’t help but feel like…
*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. You can love your dog, and then you can love your dog. And whilst Caleb Michael Johnson‘s bizarre effort The Carnivores wouldn’t be…
The sports drama formula in cinema has been the most overused and non-innovative formula in cinema lately. Ever since the early 2000s, Walt Disney Pictures have made a long string of films with a fixed formula: inspirational movies about triumphing over adversity that are mostly based on true stories. Despite the critical reception of the…
This year’s South By Southwest is fast approaching (March 13th 2020, y’all!), and with that haste comes a schedule of cinematic treats for the masses to feast on. Of course with 250 projects to fill the time, getting to each and every screening will be an impossible task, so we’ve compiled our look at 5…
2020 is primed to be a big year for cinema, both in the realm of big-budget blockbusters and under-radar indies. Each month we’re going to be taking a look at five upcoming films that you need to see in cinemas, encouraging Aussies to get out and experience these stories on the big screen. Whether you’re…
Having never read any of Kerry Greenwood‘s historical Miss Fisher mystery novels, nor seen the television program that was birthed from them, I can only judge Miss Fisher and the Crypt of Tears as someone entering blindly. And whilst I’m unfamiliar with the show, I’m aware of its structure, and I would assume that a…
