Reviews

Penguin Bloom follows the story of the Bloom family, a happy and adventurous troupe who are led on many treks by the outgoing matriarch Sam (Naomi Watts). All appears well as they are holidaying in Thailand until a once-in-a-lifetime accident occurs; leaving Sam paralysed and confined to a wheelchair.  Seen as a shadow of her former…

Whilst Yuval Adler‘s The Secrets We Keep has quite a nasty temperament, it’s a testament to his and Ryan Covington‘s script that it never overindulges in its wince-worthy material. Set in a post-WWII America where the horrors of Nazi camps and prisoner brutality are a distant though still painful memory, Maja (Noomi Rapace), a Romani…

Rachel Sennott stars as Danielle, a young bisexual Jewish woman, traipsing through life going through a phase of self-defeat as she essentially performs sex work for money; all under the guise of sexual empowerment excused by her gender studies degree. The mindset of Danielle is set up in a succinctly and hilariously tired fashion as she has sex with her…

Prior to COVID-19 taking a hold of the industry in a capacity the world was unprepared for, Trolls World Tour was primed for a first quarter release – hell, Sydney was even planning a premiere with director Walt Dohrn and star Anna Kendrick in attendance – ready to capitalise on the somewhat-unexpected success of the…

There are genre conventions that we see all the time in film that whenever they show up, we cannot help but smile at the sight of it. One of them is seeing the hero succeed in their journey; another is seeing the protagonist triumph over oppression and adversity and another is seeing a zombie getting…

When news of the latest project by writer/director Marie-Castille Mention-Scharr was announced, this reviewer was intrigued yet quite trepidacious [sic]. The premise of the story itself is inspiring but the casting of the titular role can be seen as quite problematic. The major reason for being is because of the lack of proper representation for…

In America 1964, the audience is introduced with its four main players. Renowned boxer Cassius Clay (Eli Goree) had just defeated Sonny Liston to become heavyweight champion of the world; Muslim minister and human rights activist Malcolm X (Kingsley Ben-Adir) is still fighting for the cause for Black people; pop musician Sam Cooke (Leslie Odom…

Jessica Barden stars as Ruth Avery, a high school student who lives in Jackson, Ohio with her older brother Blaze (Gus Halper). She is intelligent and resilient but due to her living conditions, she is looked down upon by people at school to the point that she has to resort to stealing books (i.e. Madame…

As someone who was a kid when the first two Bill & Ted films were released (Excellent Adventure in 1989, Bogus Journey in 1991), and watched them on a regular basis throughout my childhood, I’m very much in the target demographic for the unexpected sequel that is Bill & Ted Face the Music.  As 1980’s-leaning…

Zoey Deutch is a star, and as her infectious enthusiasm and penchant for live-wire-fuelled comedy proves in Buffaloed, the world is simply waiting to catch up to her.  In the same manner as someone like Anna Kendrick, Deutch does so much with so little, going-for-broke with a fearlessness that often elevates both the material she’s…

The New Mutants was going to be Fox’s attempt at re-invigorating the X-Men franchise, or at least, it probably was before it got bogged in production issues and a merger with Disney. The film, now released some two years later, gets dropped into cinemas whilst a pandemic is happening, which is probably a metaphor for…

We’re twenty minutes into Hu Guan‘s epic The Eight Hundred before the credits cease on screen.  Then the film informs us that we are on Day 1 of what is to be a four-day siege – not to mention a further 2 hours in its running time. The titular Eight Hundred refers to the 400…

There’s a scene relatively early in Christopher Nolan‘s ambitious time-bending actioner Tenet where Clemence Poesey is explaining to John David Washington‘s confused character – known only as The Protagonist – about the supposed science behind his forthcoming operation; “Don’t try to understand it” she assuredly states. And it’s that advice that audiences best take when…

A cautionary tale about the thrills and perils of recreational sex in the digital dating world, Sequin in a Blue Room is a risqué but nonetheless important teen-aimed drama that offers something of a safe space for queer or questioning audiences regarding the nature of their sexual selves. An erotic film without being overtly explicit…

There are some films you just can’t quite pick. As much as Lawrence Michael Levine‘s Black Bear stays relatively true to its basic plot logline – “A filmmaker at a creative impasse seeks solace from her tumultuous past at a rural retreat, only to find that the woods summon her inner demons in intense and…

The teen sex comedy isn’t a rarity within the studio system, but they are often quite outlandish enough that they never entirely ring true regarding the situations they’d like teenagers to relate to.  Weighing down the high concept mentality so often adopted by the genre, Yes, God, Yes is that rare beast that hopes to…

Whilst it’s easy to roll your eyes at the almost insultingly familiar narrative Babyteeth works with at its core – terminal ill teenager falls in love with the wrong guy – it somehow manages to avoid most of the genre cliches, thanks to a mindset that isn’t afraid to be messy, frustrating and, at times,…

So you should know going into The King of Staten Island that, yes, director Judd Apatow hasn’t changed his aesthetic in terms of narrative length or character ingredients.  A too-long comedic drama (emphasis on the drama here) focusing on a typical man-child who’s failed to launch himself, Staten Island hopes to be more endearing than…

Prior to watching Natalie Erika James’ Relic, I’d read constant comparisons to Hereditary and The Babadook. The former has too strong a grasp on literal malevolence to align in any way with James’ debut feature, but The Babadook certainly shares a great deal with this Australian-made indie-horror, given both are rooted in German expressionism and…

Despite this year’s Oscars honouring one of 2019’s more diverse offerings (Bong Joon-ho’s Korean black comedy/thriller Parasite), the whitewashing of the event was overwhelming.  In a cinematic year where actors of colour delivered universally-praised performances (see Lupita Nyong’o in Us, Awkwafina in The Farewell, and Jennifer Lopez in Hustlers, for a start), it was disappointing that…

When the eponymous Sarah unexpectedly passes away, her best friend and business partner Isabella (Shelley Conn) throws in the towel and backs out of their dream of running a bakery. But when Sarah’s daughter and estranged mother (Shannon Tarbet and Celia Imrie, respectively) re-enter her life, things are set right back in motion. With the…

In case the filmic version of Fifty Shades of Grey was ultimately a little too safe in its actuality compared to the near-porn mentality of E.L. James’s novel, J-P Valkeapää‘s striking Dogs Don’t Wear Pants stands as something of a reparative.  And as much as the bold, dark comedy intends to shock its audience, this remains…

Given the state of the world right now, a little comedy would be the perfect antidote to distract us.  And, on paper, a satire-cum-love-letter surrounding the Eurovision Song Contest starring Will Ferrell and Rachel McAdams as a duo of Icelandic popstar-wannabes desperate to win said contest sounds like a potential winner. The reality, unfortunately, is…

At just over 80 minutes, Darkness Falls (which is also known as Anderson Falls in other regions) understands the importance of not overstaying its welcome.  It’s a lean, tight running time for a serial killer thriller, one that opens with a particularly harsh sequence where the predators murder their prey by forcing them to digest…

Fresh off the acclaim of his last film Blackkklansman and the series reboot She’s Gotta Have It, writer/director Spike Lee is back with his most ambitious film yet; the 2020 wartime drama Da 5 Bloods. Taking his prescient, provocative style and conveying it on a larger scale, it looks to be an absolute winner. A…

Based on the 2001 book series by author Eoin Colfer, Disney have finally released their latest adaptation onto their streaming service. The film was originally delayed from an August release last year to April 2020. Then the Covid-19 pandemic caused a closure of cinemas globally. Now, finally, the film finally receives a release on Disney Plus…

End of Sentence treads a familiar path.  And, initially, Elfar Adalstein‘s father-son-centric drama is a particularly downtrodden affair that audiences may not believe they’ll warm to.  The film’s lead characters don’t come off as the most inviting either – Logan Lerman‘s fresh-out-of-prison Sean and his doormat dad, Frank, played by John Hawkes – and their…

Not unlike fellow Netflix offering Murder Mystery, The Lovebirds adopts the tried and true premise of regular-folk-get-mixed-up-in-a-major-crime and hopes it has enough of a strong centre to overcome any unoriginality.  And whilst the screenplay from Aaron Abrams (a sometimes-actor whose credits include Resident Evil: Apocalypse and The Open House) and Brendan Gall (TV’s Blindspot) doesn’t…

The dynamic relationship people share with personal trauma is examined in this emotionally complex and sensitively written debut feature by Australian filmmaker Ben Lawrence. Memories and the role they play in our lives sits at the core of Hearts and Bones, giving Lawrence and co-writer Beatrix Christian plenty of tough, poignant material to work with…

The latest film to be trotted out onto Netflix’s new rotation is The Wrong Missy. Straight up, you should know that this project comes courtesy of Adam Sandler’s Happy Madison Productions team, so that might immediately throw up some questionable flags to begin with. Bankrolled by the streaming giant, predominantly set in Hawaii (presumably as…