Author: Peter Gray

Seasoned film critic and editor. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Contact: [email protected]

Film Review: The Square (Sweden, 2017) is a strange slice of fiction that’ll unwind itself differently for each individual viewer

A film that appears more episodic than cohesive, The Square is an indulgent and uncomfortable piece of work from a filmmaker who’s clearly enjoying himself as he dissects human behaviour and the pretension of modern art. Excited to present his latest art installation to the public – the titular Square – chief curator at a…

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Film Review: Molly’s Game (USA, 2017) is as sophisticated as it is entertaining

Known for his rapid-fire flair for dialogue, writer Aaron Sorkin proves ideally suited to tackling the true story of Molly Bloom.  Bloom, a former professional skier, earned her stripes working under one of the co-owners of the infamous Viper Room as she recruited high-profile talent to take part in secretive poker games in the club’s…

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Interview: Sweet Country director Warwick Thornton on the importance of storytelling as an Indigenous filmmaker

In cinemas now, Sweet Country director Warwick Thornton sat down with The Iris’ Peter Gray to talk about the film and the importance of storytelling as an Indigenous filmmaker. You’ve been involved in other projects since Samson and Delilah, but would you classify Sweet Country as your official follow-up? Yeah sophomore project.  The second album,…

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Film Review: I, Tonya (USA, 2017) showcases Margot Robbie in the role of her career (so far)

To think that a notorious figure like Tonya Harding could be, in any way, made out to be sympathetic is no mean feat, yet screenwriter Steven Rogers, director Craig Gillespie, and star Margot Robbie (also serving as one of the film’s producers) have achieved just that in I, Tonya. For the uninitiated, the saga of…

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Interview: Margot Robbie on the passion that got I, Tonya made

Returning to her homeland on the eve of an eventual Oscar nomination, Margot Robbie was all light and levity as she walked the pink carpet at the Australian premiere of I, Tonya. Understandably a figure in high demand from a media standpoint alone, The Iris’s Peter Gray was fortunate enough to nab a brief moment…

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Interview: Director Craig Gillespie on taking no prisoners when filming I, Tonya

Director Craig Gillespie wasn’t particularly interested in making a biopic about disgraced figure skater Tonya Harding when he was offered the script.  But the simple uttering of the name “Margot Robbie” was enough to change his mind, and the rest, as they say, is history. As both the film and Robbie’s performance dominate the current…

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Jessica Chastain to attend Q&A event in Sydney for Molly’s Game

Golden Globe award winning actress Jessica Chastain (Zero Dark Thirty) is set to visit Sydney later this month in a brief promotional tour for her latest film, the biographical thriller Molly’s Game. Based on the true story of world-class skier turned Hollywood poker princess Molly Bloom, Molly’s Game has already earned Chastain her fifth Globe…

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Interview: Swinging Safari director Stephan Elliott on finding the truth in his comedy and why he will never work in America again

Primarily known for the defining Australian classic Priscilla, Queen of the Desert, writer/director Stephan Elliott is hoping his latest cinematic venture earns similar status and praise.  A labor of love, Swinging Safari is a semi-autobiographical comedy that expresses the trials and tribulations of Elliott’s own childhood through a series of wild montages that highlight the…

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We talk all things Swinging Safari with Guy Pearce, Kylie Minogue, Asher Keddie and Radha Mitchell

In the lead up to its national release on January 18th, the cast and crew of the new Australian comedy Swinging Safari strutted their stuff down the orange carpet to talk all about their crazy new film, one which has the potential to earn classic status alongside director Stephan Elliott‘s defining feature, Priscilla, Queen of…

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Film Review: Swinging Safari (Australia, 2018) is a gloriously playful film that finds the humour and horror of growing up in 1970’s Australia

Spin-the-vase, a late night taste of fondu, and a rotting beached whale make for just some of the intricate ingredients of Stephan Elliott‘s semi-autobiographical comedy Swinging Safari, a gloriously playful film that finds both the humour and the horror of growing up in Australia in the 1970’s. As kinetic a film it may be (I…

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Interview: Ruby Rose talks Pitch Perfect 3 and why she doesn’t want to direct a feature

Ruby Rose chats to The Iris’ Peter Gray about how she landed her role in Pitch Perfect 3, getting to skip the action this time around… and she tells us why she doesn’t want to direct a feature film. Watch the full interview here: Pitch Perfect 3 is in cinemas on New Years Day through…

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Film Review: The Greatest Showman (USA, 2017) is cheery lunacy that revels in its attempt to call back on the positive musicals of the past

Going for broke and wearing its heart on its sleeve for all to appreciate, The Greatest Showman is a corny yet engaging musical that embraces its overt positivity with stride. An enthusiastically romanticised telling of how legendary American showman P.T. Barnum (portrayed by a wholly committed Hugh Jackman) worked his way from rags to riches…

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We talk Pitch Perfect 3 with Anna Camp and Brittany Snow at the Australian premiere

Bringing their perfect pitch and poise to the red carpet on the (not-so) eve of the release of the closing chapter of the Pitch Perfect series – appropriately titled Pitch Perfect 3 – founding Bellas Rebel Wilson, Brittany Snow and Anna Camp, alongside new recruit Ruby Rose, allowed their devoted fanbase the opportunity to say…

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Film Review: Coco (USA, 2017) is yet another irresistible fable from a studio uniquely versed in their ways of storytelling

We really shouldn’t be overly surprised at this point when Pixar release yet another beautiful, thought provoking, emotionally stirring film. What’s more important is the respective film’s ranking in the overall studio canon, and if it will earn longevity (ala Toy Story) or leave little impression (2015’s The Good Dinosaur). Time will tell if Coco…

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Film Review: In This Corner of the World (Japan, 2016) is thought-provoking anime for older audiences

Similar to the majority of other anime titles on offer, In This Corner of the World is suitably aimed at older audiences.  Whilst the animated medium usually suggests family-friendly viewing, Sunao Katabuchi‘s thematically heavy drama is more thought-provoking than visually reliant. Concerning itself predominantly with the bombing of Hiroshima towards the end of World War…

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Film Review: Shot Caller (USA, 2017) is a powerful showcase for Nikolaj Coster-Waldau

A performance removed from his knowing talents on Game of Thrones, Nikolaj Coster-Waldau‘s turn in Shot Caller is a strong, powerful showcase for the actor in a film worthy of seeking out during its limited season. When Ric Roman Waugh‘s film begins, Coster-Waldau’s character, Jacob Harlon, is referred to as “Money”, and his appearance checks…

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Film Review: Wonder (USA, 2017) overpowers the negativity of bullying with its heart and pluck

As easy as it would’ve been for writer/director Stephen Chbosky (The Perks of Being a Wallflower) to nail Wonder‘s sentimental subtext into the ground – those grand old morality notes like “beauty is only skin deep” and “never judge a book by its cover” are covered here nicely – there’s something alarmingly non-saccharine about the…

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Film Review: The Butterfly Tree (Australia, 2017) is visually lush but fails to produce a story to match

Given how lush Priscilla Cameron‘s debut feature The Butterfly Tree appears, it’s a real shame that the material at hand doesn’t match its aesthetic.  With its jazz-influenced pop soundtrack and Baz Luhrman-like colour pallet, there’s no denying how visually appealing the film is, but it becomes strikingly evident that it’s all for show when Cameron’s…

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Film Review: Daddy’s Home 2 (USA, 2017) is an unnecessary sequel constricted by its family-friendly mentality

Who ever would’ve thought the day would come that Mel Gibson would be re-established enough to earn himself a prime role in a family-aimed comedy?  Whilst the controversial figure has been steadily working over the least few years, either headlining under-seen projects (Get The Gringo, Blood Father) or co-starring in ensemble pieces (Expendables 3, Machete…

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Film Review: Netflix’s Mudbound (USA, 2017) is a breathtaking film that is persistent in its treatment of a difficult subject

Despite being associated with Netflix, Mudbound is no made-for-streaming affair.  Premiering to rave reviews in the earlier half of the year at Sundance, Dee Rees‘s film was snapped up by the media service after surprising snubs from the other major studio players.  Rees is arguably having the last laugh though as this film more than…

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Film Review: Borg vs McEnroe (Sweden, 2017) is an uneven film that never feels complete

Borg vs McEnroe feels like a film more tailored for the streaming services market.  A minor feature that’s likely to only really be of interest to tennis fanatics, and even then they might prefer a more traditional documentary, Janus Metz Pedersen‘s drama never feels like a complete production, despite its substantial focus on Bjorn Borg…

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Film Review: Justice League (USA, 2017) is a fun yet inconsistent ride that breezes by on the charm of its cast

It’s been something of an arduous trek but the Justice League have finally made their way to the big screen.  Long before Joss Whedon earned the tick of approval from comic enthusiasts the world over with his take on The Avengers, George Miller (Mad Max, Happy Feet) was planning on brining the titular crew to…

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Film Review: Lucky (USA, 2017) is an affecting swan song for the late Harry Dean Stanton

Very few actors have been afforded a send-off as fitting as Harry Dean Stanton has in Lucky.  Throughout his 6 decades of working across both film and television, Lucky, next to his most substantial screen-time turn in 1984’s road movie Paris, Texas, stands as a true showcase for the actor; regardless of the film arriving…

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Film Review: Murder On The Orient Express (USA, 2017) beautifully captures the essence of Agatha Christie’s material

With its classic style, striking ensemble, and lack of action-heavy set pieces, Murder on the Orient Express may be a little too refined for modern audiences versed in the ways of today’s distraction-centric filmmaking where bigger and louder equals better. Despite the film being void of any staple action moment, Orient Express still delivers on…

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Sydney to be pitch slapped by Rebel Wilson, Ruby Rose and Brittany Snow for Pitch Perfect 3 premiere

Aca-scuse me?!?! Pitches best be ready as Universal Pictures have proudly proclaimed that Australia’s international comedy queen Rebel Wilson, original Bella Brittany Snow, and our very own star-on-the-rise Ruby Rose will take to Sydney this November to preview the final instalment in the Pitch Perfect series, Pitch Perfect 3, which has collectively earned more than…

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Film Review: Netflix’s The Babysitter (USA, 2017) delights in being supremely distasteful

Beginning its streaming season on the rather appropriate date of Friday the 13th, Netflix’s nasty, bloodied The Babysitter proves a suitable entree for the feast that is the Halloween film season. Playing with the conventions of an 80’s style slasher whilst simultaneously maintaining an air of modern self-referential wit, McG‘s splatter comedy is a quick…

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Film Review: Happy Death Day (USA, 2017) survives on the strength of its sense of humour

As varying subsets of the horror genre have forged ahead in 2017 as some of the year’s biggest successes (Split, Get Out and It remain three of the most fruitful ventures), it only makes sense that the slasher genre attempt the resurgence it so desperately deserves. It simply isn’t enough however to let a film…

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Film Review: Battle of the Sexes (USA, 2017) is topical, crowd-pleasing entertainment

Despite its 1973 setting, Battle of the Sexes is very much a film for the now with Billie Jean King’s story appearing just as relevant today as it did back then.  Stances on sexuality and the pay parity between genders as depicted here is likely to strike a chord with many an audience member, but…

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Film Review: American Assassin (USA, 2017) doesn’t break convention but it gets the job done

Stop me if you’ve heard this before: A loose cannon who doesn’t play by the rules, but dammit if he doesn’t get the job done, is recruited by the CIA to assist in taking out some “very bad people who plan on doing some very bad things“… American Assassin is not the type of film…

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Film Review: mother! (USA, 2017) will test even the most stern of viewers

Where does one even begin to describe the demented deliciousness that is mother!?  Despite the film’s rather studio-heavy calibre of talent on board, Darren Aronofsky‘s latest cinematic insanity is anything but an audience-friendly affair.  The mysterious marketing campaign has wound up viewer interest (and rightfully so), and I would wager many will be entering theatres…

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