Film & TV

The Worst Person in the World is a compelling film that defies the tropes of the romantic comedy genre: Sydney Film Festival review

As much as The Worst Person in the World adheres to many of the standard ingredients of the “romantic comedy”, to refer to Joachim Trier‘s as one would be doing it a massive disservice. Detailed over 12 chapters (and both a prologue and epilogue), the film gives us a look into a certain period of…

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Film Review: Julia is a heartwarming documentary about trailblazer chef extraordinaire Julia Child

Julia is the latest film by documentary filmmakers Betsy West and Julie Cohen. They are best known for their acclaimed works such as RBG and My Name is Pauli Murray; studies of renowned trailblazers who have contributed so much to the world and have shattered social norms in order to do so. The latest subject…

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Blue Bayou is a deliberately heartbreaking drama about the intricacies of immigration: Sydney Film Festival review

Immigration is a topic that’s quite intensely debated across the world, particularly in the United States.  And in Blue Bayou, a spotlight is shone on a specific group of immigrants, those that come to a country as infants with little to no recollection of their homeland and, quite often, had no other choice. Such is…

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Interview: Ray Liotta on playing a “Hollywood Dick” in The Many Saints of Newark; “One thing I don’t have is a calm intensity”

Ray Liotta has made a name for himself throughout his career portraying characters with a certain intense edge.  From Scorsese’s genre-defining Goodfellas, the psychological thriller Unlawful Entry, and the controversial Silence of the Lambs sequel Hannibal, the Golden Globe-nominated actor has made it a point to express his vigour on screen.  But for our Peter…

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The Beta Test is a twisted, pitch black comedic thriller: Sydney Film Festival Review

On the surface you’d be forgiven for assuming The Beta Test is just another film industry picture, spending its minutes somehow justifying its existence as it hones in on the obnoxious and obnoxiously wealthy Hollywood players who wrongfully assume they’re untouchable in their town.  The film has that air about it, but this satirical-cum-unnerving thriller…

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Pleasure is a cold, calculating film detailing the politics of the sex industry: Sydney Film Festival Review

After introducing itself as a film that promises there’ll be no sugarcoating its subject matter – the first thing we hear are the audible moans and verbal berating from a pornographic film, and the first thing we see is the extremely graphic imagery of a young girl’s privates in the shower – Ninja Thyberg‘s confronting…

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Titane is an auto-erotic body horror oddity focused on the specifics of sexual identity: Sydney Film Festival Review

Similar to how Jordan Peele, Robert Eggers, Jennifer Kent, and Ari Aster all secured their place in the annals of genre cinema with their debut offerings, Julia Docournau‘s bold cannibalistic horror effort Raw cemented the French filmmaker as a name to pay consistent attention to.  And just as those aforementioned auteurs all swung big with…

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Film Review: Disappearance at Lake Elrod overcomes genre familiarity with an emotional edge

Though there’s perhaps a few too many “missing kid mystery” tropes adhered to in Disappearance at Lake Elrod – the grieving mother, the potentially corrupt police, the buried secrets coming to life – writer/director Lauren Fash injects enough character development and psychological complexity for it to get away with it. Centred around the disappearance of…

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Interview: Leslie Odom Jr. on the The Many Saints of Newark super secretive audition process & becoming a better actor

Since his Tony Award-winning role in Hamilton, Leslie Odom Jr. has had something of a meteoric rise.  Not content with just dominating the music and theatre scene, the New York-born actor is a wanted commodity on the big screen too, working with the likes of Kenneth Branagh, Kate Hudson, Orlando Bloom, and Judi Dench, to…

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Vance Joy

The Sound returns to ABC TV for Season 3 with a stacked lineup

ABC TV and Mushroom Studios’ The Sound is returning for its 3rd season this weekend, just in time for Ausmusic Month. And they’ve got a stacked lineup for its season premiere. Series 3 promises to be focused on the live performances, with a  big-name guest dropping in to chat with one of the featured acts. This…

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The Card Counter is a bleak and repetitive effort mildly saved by the presence of Oscar Isaac: Sydney Film Festival Review

Kenny Rogers so famously told us “You gotta know when to fold ’em”, and in The Card Counter writer/director Paul Schrader seems unsure as to which hand he wants to confidently play.  It’s not that this film is poorly made, nor is his commitment to the representation of desolation anything other than pure, but it’s…

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Interview: The Many Saints of Newark director Alan Taylor on what he truly believes happened at the end of The Sopranos & auditioning James Gandolfini’s son

A writer and director known for his predominant television work, helming episodes for such lauded series as The Sopranos, Boardwalk Empire, and Game of Thrones, Alan Taylor is returning to the gangster-fuelled environment of David Chase’s Sopranos with The Many Saints of Newark, the anticipated prequel to the award-winning show.  Ahead of the film’s Australian…

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Film Review: Eternals opts for a more emotional, biblical edge as it deviates from the standard Marvel fare

After thirteen years and twenty-five films, it only makes sense that the standard formula for what makes a Marvel movie earns something of a deviation from the expected.  The tightly choreographed fight sequences, the amusing quips, the CGI-heavy climactic battle…all ingredients that, to the testament of such an institution, have been recycled in a variety…

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Film Review: The Many Saints of Newark should satisfy Sopranos fans and satiate the unversed

There’s a certain challenge one takes on when adapting a secondary story (for lack of a better word) to a televisual project.  Whether you continue the narrative as a sequel, take the premise in a more comedic fashion, or simply re-imagine the original, fans of the original property are always going to be the audience…

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Interview: Jamie Lee Curtis and the cast of Halloween Kills on character dynamics, female representation and franchise emotionality

As Halloween Kills slices its way through Australian cinemas (you can read our review here), series scream queen Jamie Lee Curtis and fellow cast-members Andi Matichak, Anthony Michael Hall and Kyle Richards participated in a global press conference – which our own Peter Gray was invited to attend – to discuss the character dynamics formed in…

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Interview: Lair writer/director Adam Ethan Crow on making his first feature length horror film; “I think fans appreciate when they see something a bit different”

To coincide with the release of his horror film Lair, now available to rent or buy on DVD and digital in time for the spooky season, writer/director Adam Ethan Crow spoke with our own Peter Gray about his love of horror films, attempting something different to please the genre fans, and the rough seas travelled…

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Film Review: Lair, a horror film aiming for a focus on characters over carnage

In the opening minutes of Adam Ethan Crow‘s Lair, a masterful sense of tension is introduced that near-immediately puts its audience on guard.  An eerie musical score, an unseen force, a bloodied body…nightmarish additives that deliberately only tell fragments of a whole story. From here we are introduced to Steven Caramore (Corey Johnson, having an…

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Last Night in Soho is a gorgeously crafted giallo tribute drenched in 1960’s London culture: Brisbane International Film Festival review

A gorgeously rendered, lovingly crafted, maybe slightly messy, giallo tribute drenched in 1960’s London culture, Last Night In Soho is the type of film one wishes to dissect and divulge in intimate detail.  But that would entirely undo any service to writer/director Edgar Wright, who has implored audiences the globe over to keep their mouths…

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November 2021 Australian cinema releases: Five films you need to see

After months of theatres sitting dark in NSW, Victoria, and the ACT, cinemas are now open again in every corner of Australia. As expected, the lockdowns brought those painful release date delays most thought we’d left behind in 2020. That means November is stacked with several big releases to encourage Aussie audiences back to the…

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Film Review: Antlers favours emotionally complex horror over standard genre thrills

One of many 2020 titles that saw its original release delayed due to the pandemic, and one of the few that held its nerve and opted out of a streaming alternative, Antlers, from director Scott Cooper (Crazy Heart, Black Mass) and producer Guillermo del Toro (Pan’s Labyrinth, The Shape of Water), proves its bold mentality…

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Film Review: Halloween Kills delights in gory nonsense, but none of the atmosphere of its predecessors

As the flashing lights of fire brigades speed past a bruised and bloodied Laurie Strode (Jamie Lee Curtis) in the opening moments of Halloween Kills, it becomes all too evident that the haunting figure that is Michael Myers is far from vanquished; her desperate screams of “Let him burn” practically beg the oft-called ‘boogeyman’ to…

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Interview: Halloween Kills director David Gordon Green on how classic cinema inspired him and the pressure of taking on an iconic horror franchise

After pushing 2018’s sequel-cum-reboot Halloween to record breaking statistics, it only made sense that writer/director David Gordon Green was handed a sequel to continue revelling in Michael Myers’ carnage. Not only granted a sequel – Halloween Kills – but a trilogy (Halloween Ends, set for a 2022 release) to boot, Green expanded on the violent…

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Film Review: Ron’s Gone Wrong delivers its mature message with a sense of adolescent abandon

Comparisons between Ron’s Gone Wrong and 2014’s Big Hero 6 seem inevitable, yet, apart from the central relationship between a young adolescent boy and an operated robot, the two share little DNA, so it’s probably best that’s put to bed before going any further.  Much like the titular Ron, the Sarah Smith/Jean-Phillipe Vine-directed feature is…

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My Dead Dad is a deeply personal feeling film with an accessible personality: Austin Film Festival review

  When Lucas (Pedro Correa) learns that his father has passed away and subsequently left him an entire apartment complex in Los Angeles, he’s emotionally perturbed, to say the least.  Learning of such tragic news and such a vast inheritance in the one sitting would be enough for anyone to re-evaluate their existence, but given…

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“What’s your favourite scary movie?” The AU Team share their top cinema scares just in time for Halloween!

Spooky season is well and truly upon us, and the team here at The AU Review are firing up the popcorn maker and getting ready to enjoy our favourite scary movies. If you’re looking for some ideas for that horror marathon you’re planning this weekend, here’s a few films had us checking under our beds…

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Two Tickets to Mars embraces the pessimism and metaphysical questions that come with facing the end of the world: Austin Film Festival short film review

In these pandemic-driven times, the idea of inhabiting another planet sounds more and more appealing.  And with space travel now becoming somewhat generally accessible – sure, you have to be filthy rich, but it’s still a step up from it being exclusive to astronauts only – it stands to reason that such a concept could…

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Time Now skewers a tried and true narrative with a surprise unconventionality: Austin Film Festival review

A descent into grief and an examination on the affects of re-opening old wounds, Time Now, from writer/director Spencer King, is a tragic thriller that implements an unreliable narrator to maintain a certain intrigue as it navigates its central tragedy. Jenny (Eleanor Lambert, daughter of Diane Lane and Christopher Lambert) is feeling secluded and alone…

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The Card Counter is unsure of which narrative hand it wants to play: Brisbane International Film Festival review

Kenny Rogers so famously told us “You gotta know when to fold ’em”, and in The Card Counter writer/director Paul Schrader seems unsure as to which hand he wants to confidently play.  It’s not that this film is poorly made, nor is his commitment to the representation of desolation anything other than pure, but it’s…

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Swan Song proves an absolute joy to behold due to Udo Kier’s beautiful, vanity-free performance: Brisbane International Film Festival review

German character actor Udo Kier is so synonymous with villainy that his role in Swan Song appears all the more revelatory.  But given the actor’s own queer identification and penchant for theatrical performances, a character like his at the centre of Todd Stephens‘s gentle dramedy feels quite in tune with the actor’s aesthetic. Based on…

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Blue Bayou is an intimate drama detailing an invaluable message about the state of immigration: Brisbane International Film Festival review

Immigration is a topic that’s quite intensely debated across the world, particularly in the United States.  And in Blue Bayou, a spotlight is shone on a specific group of immigrants, those that come to a country as infants with little to no recollection of their homeland and, quite often, had no other choice. Such is…

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