Reviews

Film Review: Blacklight opts for an emotional and political edge over standard action thrills

It’s almost hard to believe there was a time before Liam Neeson took an almost exclusive stance on the midrange-budgeted actioner where his character, usually an operative in some form or another, possessed enough of a skillset to inflict pain on an interchangeable villain.  It’s been the actor’s go-to for almost 15 years, and whilst…

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Film Review: Marry Me basks in the glow of Jennifer Lopez and Owen Wilson’s warm chemistry

Prior to Jennifer Lopez becoming the global icon she’s considered today, her path as an actress was one that oft travelled in directions not expected.  Sure, now we align her with romantic comedies such as The Wedding Planner, Maid In Manhattan and Second Act, but some 20-odd years ago, before she was synonymous with that…

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Film Review: Death on the Nile is a campy mystery that succeeds as a knowingly melodramatic affair

Whilst most films set for release over the last two years were understandably shaken by the COVID-19 pandemic, Kenneth Branagh‘s Death on the Nile has been more than just a casualty of coronavirus.  Though its initial late 2020 release was pulled due to the ongoing pandemic – and industry insiders spooked by Tenet‘s “underperformance” –…

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Film Review: Street Gang: How We Got to Sesame Street is a nostalgic look at all those sunny days

For most people, the opening chords to Sesame Street theme song “Sunny Days” will bring back a surge of memories. Sesame Street recently celebrated its golden anniversary, and was a staple for many growing up. The revolutionary kids’ show has already inspired many documentaries, including Sesame Street: 50 Years of Sunny Days and the puppeteer-focused…

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Film Review: Moonfall is an explicable cluster of sci-fi nonsense

Known as the “master of disaster”, due to his penchant for predominantly large-scale destructive narratives, director Roland Emmerich has, once again, assembled an abundance of special effects, overt exposition, and stock standard human characters for his latest suspension of disbelief – Moonfall. Whilst his varied directorial career is littered with some genuine genre gems –…

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Film Review: Here Out West shows a rich tapestry of multicultural Australia that we rarely get to see on-screen

Set in present-day Western Sydney, Here Out West starts off following the story of a grandmother, who is visiting her daughter who had just given birth. The grandmother is stuck with babysitting an 8-year old neighbour and they both make a trip to the hospital. However, the relationship between the grandmother and the daughter is…

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Film Review: Jackass Forever‘s cringe-inducing lunacy caters to a fanbase who know exactly what they’re getting

They say that with ageing comes the idea of wisdom.  Whoever stated such a bumper sticker statement though clearly hadn’t met the Jackass crew, a group of middle-aged men old enough to know better, but too famous to care. A reality slapstick comedy show that heavily relied on its shock value – garnered either through…

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Film Review: Kenneth Branagh’s Belfast is a life affirming drama lovingly laced with a childlike wonder

Given that the lockdowns that every country seemed to adhere to at some stage or another since COVID-19 plagued an unsuspecting public caused many to examine their own sense of self, it’s not surprising that something like Kenneth Branagh‘s Belfast would be born from such introspection.  Written from his own perspective as a 9-year-old growing…

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Sharp Stick is an inconsistent, weird and endearing sophomore effort from filmmaker Lena Dunham: Sundance Film Festival Review

Multi-talent Lena Dunham is back into the realm of filmmaking after 11 years since her feature-film debut Tiny Furniture. For her latest film Sharp Stick, she writes, directs and appears in a supporting role in a story that invites discussion about sexual freedom, depiction and perceptions via gender, media, hypocrisy and empowerment. While the film…

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You Won’t Be Alone is an engagingly wistful look into humanity wrapped up as a supernatural horror: Sundance Film Festival Review

A unique if uneven take of supernatural horror told through the veil of existentialism that is frustrating, beguiling and eventually emotionally rewarding. The film follows the story of a young woman who is kidnapped from her mother by a wolf-eateress, rendered mute and then turned into a shape-shifting demon. We see her inhabit various characters…

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Piggy meshes both realistic horror and well-worn genre tropes into one aggressive experience: Sundance Film Festival Review

What make horror films successful is how it examines ideas that are truthful about the human condition with bloodcurdling, cinematic panache. In the case of Carlota Pereda’s feature-length film debut Piggy, she succeeds with flying colours. Adapted from her 2018 short film of the same name; Pereda has ample time to explore the horrors of…

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Resurrection is a gripping, unpredictably wild thriller that commits to its perverse nature: Sundance Film Festival Review

Whilst Resurrection never deviates from its grim examination of motherhood, Andrew Semans‘ gripping, ultimately bonkers thriller refuses to stay on the course you expect it to. Portraying very much the type of Rebecca Hall-encapsulated character that Rebecca Hall effortlessly portrays, the actress here, strong-willed and properly presented, is Margaret, a pharmaceutical company representative who offsets…

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Emily the Criminal; Aubrey Plaza personifies charming chaos in scrappy, oft intense thriller: Sundance Film Festival Review

They say crime doesn’t pay, but whoever stated as such may want to have a chat with the titular criminal in John Patton Ford‘s scrappy, oft intense thriller, one that furthers Aubrey Plaza‘s hold on chaos personified characters in the off-kilter subsect of cinema. Plaza’s Emily is a former art student with a $70,000 debt…

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The gloriously entertaining horror flick Hatching will provide you a nice egg in this trying time: Sundance Film Festival Review

Hatching tells the story of Tinja (Siiri Solalinna), a 12-year old rising star gymnast who lives in the supposed perfect existence of domesticated suburbia; led by her image-perfectionist mother (Sophia Heikkilä), who runs a popular blog about exactly that. Tinja’s family also consists of her taciturn father (Jani Volanen) and her spoiled, irritable younger brother…

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Maika is a flawed family film that has plenty of energy and charm but not enough innovation: Sundance Film Festival Review

Maika tells the story of Hung (Truong Phu), an 8-year old boy who is grieving over the loss of his mother who had died almost a year ago due to a severe illness. One would think that this type of emotional baggage is bad enough. However, it not only rains but it pours. His best…

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Am I OK? is a neatly crafted journey of self-discovery and sexual acceptance: Sundance Film Festival Review

There’s something of a full circle moment experienced with Am I OK?, Tig Notaro and Stephanie Allynne‘s co-directorial feature debut.  The real-life couple, who met on the set of a Sundance selection title (2013’s In A World…), return to the festival as married women detailing their own journey of self-discovery and acceptance with a film…

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Film Review: The Eyes of Tammy Faye; or how Jessica Chastain’s stunning performance saves an average biopic

A film that’s likely to resonate with, or at least feel more familiar to American audiences, The Eyes of Tammy Faye does its best to clue in local Australian viewers as to just who was the larger-than-life personality Tammy Faye Bakker Messner.  An only-in-America type tale, Tammy Faye’s small-time Minnesota upbringing, where she “found Jesus”…

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Dual is a blend of deadpan satire and high concept sci-fi that mainly succeeds off Karen Gillan’s fascinating performance: Sundance Film Festival Review

With its mix of deadpan satire and high concept sci-fi – comparisons to Yorgos Lanthimos’ 2015 dystopian black comedy The Lobster feel imminent – Dual may be an off-putting experiment to many who can’t readily accept Riley Stearns‘ mentality.  It certainly helps that the film is headlined by the wonderful Karen Gillan though, delivering two…

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Cha Cha Real Smooth is a funny, charming and poignant crowd-pleaser about people who hesitate to grow up: Sundance Film Festival Review

Cha Cha Real Smooth tells the story of 22-year old Andrew (writer/director Cooper Raiff), a recent college graduate who is stuck in his own purgatory before adulthood. Stuck in a dead-end job selling fast food and back living with his family including his mother (Leslie Mann), his step-father (Brad Garrett) and his younger brother David…

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There is Something in the Dirt from Benson and Moorhead, but it doesn’t amount to much: Sundance Film Festival Review

Set-in present-day Hollywood Hills, Something in the Dirt tells the story of two neighbours Levi and John (Justin Benson and Aaron Moorhead), who both meet after Levi had recently moved into an apartment, following a large amount of predicaments. The two strike up a quick camaraderie as they exchange life stories, intimate secrets and their…

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Alice fails to marry its ambitions satisfyingly; despite Keke Palmer’s standout performance: Sundance Film Festival Review

Alice tells the story of its titular character played by Keke Palmer, a slave who has spent her entire life enslaved in a rural Georgia plantation. Like many of her family members, she yearns for freedom. Her recently wedded husband Joseph (Gaius Charles) plots an escape for the entire plantation but the plan backfires due…

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Living, buoyed by innovative storytelling and Bill Nighy, makes a strong case for remakes: Sundance Film Festival Review

Set in 1950’s Britain, Living tells the story of Mr. Williams (Bill Nighy), a veteran civil servant who works every day in a meticulous and repetitive fashion in a government office while leading a group of colleagues to help him out. His work ethic and reputation are well known around the inner circle but the…

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Summering is an appealing, if safe, drama about the bonds of female adolescence: Sundance Film Festival Review

Comparisons to Rob Reiner’s 1986 coming-of-age drama Stand By Me will be inevitable when discussing James Ponsoldt‘s Summering; the Sundance fixture returning to the festival following his last effort, the critically mauled 2017 Tom Hanks vehicle The Circle, the first of his filmography to not screen at the festival.  The dark elements, thematic inclinations, and…

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Leonor Will Never Die is an enjoyably oddball and whimsical ode to cinematic escapism: Sundance Film Festival Review

Leonor Will Never Die tells the story of its titular character Leonor Reyes (Sheila Francisco), a once successful screenwriter in the Filipino film industry. Now, she is an aging mother who is struggling to keep her household in check. Desperately trying to recapture past glories as a path to escapism, she discovers a newspaper advertisement…

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Speak No Evil taps into the awkwardness of human interaction and squeezes out all the horror to excruciating effect: Sundance Film Festival Review

Speak No Evil tells the story of a Danish family who are having a vacation in Tuscany, Italy. They meet a friendly and jovial family who are from the Netherlands. They both share common interests, they both have children the same age but most importantly, it is the polite camaraderie that they share that makes…

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Emergency finds the danger and darkness within ’80s comedy hijinks in this racially-charged comedy/drama: Sundance Film Festival Review

Emergency tells the story of two best friends, the academic and accomplished Kunle (Donald Elise Watkins) and the jovial and casual Sean (RJ Cyler). After all the stresses of school, the two are determined to make school history by being the first Black students to complete the legendary frat party tour. With a laid-out plan,…

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Good Luck To You, Leo Grande is an intelligent sex-positive comedy headlined by a career-best Emma Thompson: Sundance Film Festival Review

Whilst there’s no surprise revealed in the fact that Emma Thompson truly deserves to be considered one of the greatest living actresses working today, it’s always appreciated when a performance solidifies such a statement.  And in the deliriously charming and strikingly emotional Good Luck To You, Leo Grande, Thompson turns in career-best work that leans…

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Watcher is a formulaic, but no less tension-filled thriller carried by a striking Maika Monroe: Sundance Film Festival Review

A thriller that both leans into the formulaic mentality of the genre whilst simultaneously hoping to combat it, Watcher, from director Chloe Okuno (V/H/S/ 94), is a dread-filled effort that plays on the terrors of voyeurism. Gorgeously shot, though consistently lingering with uncertainty, Watcher lays focus on Julia (Maika Monroe, always a welcome presence in…

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Jesse Eisenberg’s When You Finish Saving the World is a shallow drama that lacks true satirical bite: Sundance Film Festival Review

There are flashes of an interesting film present within Jesse Eisenberg‘s directorial debut When You Finish Saving the World, it’s just a shame that the satirical flourishes and occasional nuances teased throughout aren’t devoted enough to to be deemed an overall success.  The film’s closing 20 minutes leans into the emotional gut-punch Eisenberg clearly hopes…

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Fresh is an ambitious, genre-skewering effort that should satisfy those with off-kilter pallets: Sundance Film Festival Review

Off-putting it may be, there’s enough deliciousness throughout the wicked Fresh that your pallet is sure to be satisfied in spite of the cannibalistic practices laid forth. An initial romantic dramedy, director Mimi Cave sets up the dating scene with all the discouragement you’d expect, with Noa (Daisy Edgar-Jones) endlessly swiping through her Tinder-esque apps,…

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