Film

SXSW Film Review: The Fallout is an authentic snap-shot of a movie that runs high on emotion

A devastatingly topical drama surrounding a school shooting and the emotional and psychological damage such a tragedy can cause for its survivors, The Fallout takes a quieter, more intimate look at the unseen faces – those that aren’t framed in the media as “a survivor”, merely fellow students who are unsure how to navigate their…

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SXSW Film Review: Potato Dreams of America tells a bold story in an artificial manner

There’s that old chestnut saying that truth is stranger than fiction, and it would appear that no one knows this more than writer/director Wes Hurley.  An autobiographical tale of growing up queer in the USSR in the 1980’s, Potato Dreams of America is an often bizarre, occasionally sad, but completely unique feature that, however trite…

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Film Review: Crisis details a heavy story without succumbing to its own weight

A multi-faceted drama designed in a manner not unlike Steven Soderbergh’s acclaimed, layered Traffic, Crisis‘ own multiple-strand approach to storytelling is understandable, but also can’t help but highlight the fact that director Nicholas Jarecki‘s ambition outweighs his ability to smoothly execute. There’s much to be discussed here, with Jarecki commenting on the many facets of…

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SXSW Film Review: Here Before utilises its supernatural premise and twists it when we least expect

Creepy children are always good fodder for horror-leaning films, and Here Before, whilst more psychological thriller than all-out horror, is no exception with writer/director Stacey Gregg utilising the premise and twisting it just so. Andrea Riseborough leads the charge as Laura in this small, gradual thriller that focuses on young Megan, a seemingly friendly school…

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SXSW Film Review: Recovery adds as much levity as it can to the global pandemic

A comedy both made during and about the pandemic that has forever altered the landscape of the world, Recovery adds as much levity as it can to the most devastating of situations.  Written, directed and headlined by the relatable comedy duo of Mallory Everton and Whitney Call (Everton serving as director and co-writer, Call as…

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SXSW Film Review: Executive Order is an often infuriating and incredibly timely film

Literally adopting the phrase “Go back to where you came from” and structuring a thriller-leaning narrative around it, Lazaro Ramos‘s Executive Order is an often infuriating and incredibly timely film given the racial prejudice that has framed the last 12 months. Set in a near-dystopian future in Rio de Janeiro, the film starts on the…

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SXSW Short Film Review: The Nipple Whisperer maintains a genuine sense of heart amongst its odd temperament

Immediately telling from its title, Jan Van Dyck’s The Nipple Whisperer is a bizarre offering, but it’s one that maintains a genuine sense of heart amongst its odd temperament. If you weren’t already privy to the title you’d think Van Dyck’s film was taking on a much more serious subject, with the film’s titular character…

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Film Review: Unsound is a mostly winning affair that overcomes its narrative simplicities with a queer authenticity

A film that takes pride in its conversational awareness of both the LGBTIQA+ and deaf and/or hard of hearing communities, Unsound may not always hit the right notes but there’s plenty of charm in the melody along the way. Centred around deaf Sydney-sider Finn (Yiana Pandelis), a transgender man navigating the complexities of being trans…

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Latinx culture and community are celebrated in new In The Heights trailer

As 2021 slowly finds its footing in navigating the pandemic, there appears to be no better time than now for a celebration of unity.  Dropping a beautifully colourful trailer in the lead-up to its June release, In The Heights, from director Jon M. Chu (Crazy Rich Asians), promises an honouring of all Latinx culture in…

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Interview: Ruby Rose and Tom Hopper for SAS: Red Notice, the comforts of the action genre and their character’s morality

Arriving March 16th in the US on demand and digital, SAS: Red Notice (read our review here) is a slick actioner led by Australian actress Ruby Rose.  In the lead-up to the film’s debut, Peter Gray chatted with Rose and her co-star, Black Sails actor Tom Hopper, about the comforts of the action genre and…

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Film Review: SAS: Red Notice is a disposable but supremely entertaining actioner

Perhaps something of an unofficial audition for the next post on the 007 roster – or maybe that’s second audition, given he was a name suggested around the same time as Daniel Craig secured the role – Sam Heughan does his best secret agent impression in SAS: Red Notice, a disposable but supremely entertaining actioner…

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MQFF Film Review: Cicada tackles uncomfortable subjects in an organic, understated manner

Given how authentic this “based on real events” tale proves to be, it’s safe to assume that writer/director/actor Matthew Fifer is baring a healthy portion of his soul and experiences in Cicada.  Likely to ring true with queer audiences – especially gay men – the film tackles uncomfortable subjects and presents promiscuous sex in an…

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MQFF Film Review: My Fiona is an emotionally excruciating navigation of mourning and self-discovery

The framing of My Fiona‘s opening scene is laced with a certain tension that very much clues the audience in on the fact that the film’s protagonist, Jeanette Maus‘s Jane, is about to have her life horrifically shattered.  It’s an emotional, painful way for us to bond with a character, but it immediately establishes a…

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Film Review: Come True is ambiguous, menacing material undone by an unearned climax

The type of indie horror flick that has a lot of promising-enough elements for it to earn audience investment, Come True may ultimately culminate in disappointment – in fact, it’s downright frustrating – but an atmospheric dread and hauntingly effective score keep Anthony Scott Burns‘s intense feature on a more upward trajectory overall. At the…

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Los Angeles’ Academy Museum to launch pre-opening virtual program for a worldwide audience

Ever since The Academy Museum of Motion Pictures was announced – a state of the art new complex in Los Angeles – cinephiles around the world have been anticipating what is set to be the most comprehensive and star-studded look at the history, and making of cinema. The Museum, which was set to open last…

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New Victorian initiative to finance the stories of under-represented screenwriters and filmmakers

Film Victoria, SBS and Arenamedia are teaming up to launch a new initiative that will support low-budget feature films by Victoria’s most creative and diverse filmmakers. Originate is a program designed to turn early draft scripts by diverse and underrepresented voices into production-ready screenplays. The program involves a three-part process delivered by internationally renowned UK-based…

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Film Review: Judas and the Black Messiah delivers with heart and valorous conviction

After proving a formidable plot point in last year’s The Trial of the Chicago 7 – however secondary it may have been – the killing of Black Panther chairman Fred Hampton in 1969, at the age of only 21 years, is given the right, timely treatment in Shaka King‘s equally impactful (perhaps even more so)…

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Australian director Shannon Murphy amongst BAFTA’s Best Director nominees for Babyteeth

Taking last year’s criticism on board for its predominant exclusion of people of colour and women in the majority of its categories, the British Academy of Film and  Television Arts (BAFTA) has overhauled its 2021 voting process with a far more inclusive mindset. Continuing to throw the eventual Oscar nominations into chaos, this year’s BAFTA…

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Film Review: French Exit is quirky, controlled chaos primarily designed as a showcase for the glorious Michelle Pfeiffer

Towards the beginning of French Exit, Azazel Jacobs‘s at once tragic and surreal comedy, Michelle Pfeiffer‘s initially icy New York socialite Frances Price seemingly mocks the romantic uncertainty of her adult son, Malcolm (Lucas Hedges).  “Menstruating?”, she asks when he refuses to divulge any type of answer to his sullenness, confirming screenwriter Patrick deWitt‘s penchant…

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Film Review: Coming 2 America is a loving family reunion; warts and all

Set 30 years after the events of the original film, Coming 2 America sees Prince Akeem (Eddie Murphy) and his true love Lisa McDowell (a spirited Shari Headley) settled in the kingdom of Zamunda with their three daughters, living, as all fairy tale romances go, happily ever after. Prepped to take over the kingdom from…

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Blu-Ray Review: Possessor blends the psychological and visceral effects of proposed technological voyeurism

Opening with one of the most violently stunning set pieces witnessed in cinema in recent memory, Possessor suggests something of a techno-thriller is to follow in the 100-or-so minutes.  But, almost to be expected given it has the Cronenberg name attached to it, the rug is more than swept out from underneath us as the…

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Film Review: Nomadland is an emotionally-charged masterpiece

The opening of Chloe Zhao’s Nomadland opens with a sobering statistic.  In Nevada, a small town – Empire – has essentially become a ghost town due to the local Gypsum plant closing down amid the recession.  The Empire residents, most of whom lived in company-owned homes, had to vacate in masses, deactivating the town’s zip…

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Raya and the Last Dragon

Film Review: Raya and the Last Dragon is visually rapturous and fun, marking a minor step in representation

Raya and the Last Dragon is set in a fantasy world called Kumandra; which was once inhabited by both humans and dragons in a harmonious existence. But, that peace comes under imminent danger when malevolent monsters known as the Druun make their presence known. To stave off the threat and save humanity, the dragons perform…

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The Walrus and the Whistleblower

Transitions Film Festival Review: The Walrus and the Whistleblower submerges its important issues in water

Lots of us know Free Willy but what about Free Smooshi? The latter campaign started after a former trainer at Canada’s Marineland water park went rogue. He took to Twitter to make allegations about animal abuse at his former employer. The documentary, The Walrus & the Whistleblower tells this sad story. Nathalie Bibeau directs this…

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Interview: Julie Sokolow on her documentary Barefoot: The Mark Baumer Story

Screening as part of the digital Transitions Film Festival, we caught up with Director Julie Sokolow to talk about her new documentary Barefoot: The Mark Baumer Story. What first attracted you to making a film about Mark Baumer? Back in 2016, a friend of mine frequently shared Mark’s videos on Facebook. I finally clicked on…

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Transitions Film Festival Review: Barefoot: The Mark Baumer Story is an inspiring look at an activist who walked to the beat of his own drum

Barefoot: The Mark Baumer Story was my first introduction to the eccentric writer and eponymous artist. Baumer went viral in 2016 after he embarked on a barefoot walk across America. This documentary takes in various beats along his journey of over 100 days. It’s a portrait that is as rich and detailed as an oil…

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The Mauritanian confirms Australia and New Zealand release after Golden Globes & BAFTA nominations

The Mauritanian, the new highly anticipated thriller by Kevin Macdonald will premiere on Amazon Prime Video in Australia and New Zealand on 24th March. Starring Jodie Foster, Tahar Rahim, Benedict Cumberbatch and Shailene Woodley, the film is based on the best-selling memoir Guantànamo Diary by Mohamedou Ould Slahi and follows the inspiring true story of Slahi’s fight for freedom after being…

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Test your might against the red band Mortal Kombat trailer

Warner Bros has dropped its first major Mortal Kombat trailer. The long-in-development reboot promises a film that revels in its violence every bit as much as the video games it’s based on. The Mortal Kombat trailer runs through a laundry list of popular MK characters — Sub-Zero, Scorpion, Liu Kang, Sonya Blade, Kung Lao, Jax,…

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Sydney Film Festival moves to August for 2021 season only

After a successful Summer Season at the State Theatre and a sold-out Wong Kar Wai retrospective, Sydney Film Festival is excited to announce the 68th edition will take place 18-29 August 2021. The shift will allow the Festival to continue to include films from major international festivals (in addition to Australia’s best new feature films…

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Eric Bana and The Dry director Robert Connolly to reunite for Tim Winton’s Blueblack

With The Dry fast approaching the $20 million mark at the Australian box office – now one of the most successful Australian films of all time – the appetite for local material is at an all-time high. Looking to emulate that success, The Dry director Robert Connolly is reuniting with leading man Eric Bana for…

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