Film & TV

Film Review: Seven Snipers; B-grade actioner knows its target

There’s no point pretending Seven Snipers is aiming for prestige – it knows exactly what it is, and to its credit, it rarely misfires because of that. Director Sandra Sciberras leans into the film’s B-grade action-thriller DNA with confidence, delivering something tight, tense, and just self-aware enough to stay engaging without tipping into parody. The…

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Film Review: The Sheep Detectives; a charming, quietly profound whodunit

The Sheep Detectives is exactly that kind of oddball triumph of a film that feels like it shouldn’t work on paper – until it absolutely does: A murder mystery where the sleuths are a flock of sheep, the victim is their beloved shepherd, and the emotional through-line quietly sneaks up on you when you’re least…

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Interview: Cassandra Scerbo and Adrianne Palicki on releasing the emotion underneath the horror of The Wolf and the Lamb

Grief, faith, and folklore collide in The Wolf and the Lamb, a haunting hybrid of western grit and supernatural horror from director Michael Schilf. At its centre is Jo Beckett, a schoolteacher pushed to the brink when her son vanishes, sending her spiralling into a world where belief and paranoia blur. But beneath the film’s…

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Film Review: Apex; well-crafted Netflix thriller leans into performance, place, and momentum

Grief sits at the centre of Apex, but it’s not the kind that asks for quiet reflection. It’s restless, disorienting, and constantly pushing forward – much like the film itself. What begins as a solitary escape into the wilderness gradually tightens into something far more dangerous, until it snaps into a lean, nerve-rattling game of…

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Interview: Author Isabel Allende and The House of the Spirits; how her landmark debut has been reinterpreted for a new generation

Few novels arrive with the sense of destiny that surrounds The House of the Spirits. For Isabel Allende, it began not as a grand literary ambition, but as something far more intimate: a letter written on January 8th to her dying grandfather. More than four decades later, that deeply personal act of remembrance has evolved…

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Interview: Alfonso Herrera and Nicole Wallace on inhabiting the pain and pleasure of The House of the Spirits

Spanning generations, heartbreak, and political upheaval, The House of the Spirits has long stood as one of the great literary portraits of love and legacy under pressure. Now, in its latest screen adaptation, that sweeping saga is reimagined with an intimate focus – anchoring its revolution not just in history, but within the fragile, shifting…

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Series Review: Running Point Season 2 makes a convincing case that it’s here to play for the long game

Season two of Running Point doesn’t just build on its breakout debut – it confidently steps into its own power, sharpening its voice, raising the stakes, and leaning even harder into the messy, addictive dynamics that made the first season such a bingeable delight. At the centre of it all is Kate Hudson’s Isla Gordon,…

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Interview: Writer/director James Litchfield on the unhinged romance of Alphabet Lane

There’s a fine line between connection and performance – and Alphabet Lane walks it with a quietly unnerving confidence. What begins as a joke between two isolated lovers spirals into something far stranger, as invented friends start to feel more real than the relationship they were meant to save. Darkly funny, subtly unsettling, and unexpectedly…

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Film Review: Beast; Daniel MacPherson anchors effective MMA drama

Beast doesn’t pretend to break new ground. It moves along a well-worn path – fall from grace, one last shot, the hope of redemption – but what sets it apart is how seriously it treats that journey. Directed by Tyler Atkins, working off Russell Crowe and David Frigerio‘s script, the film is less interested in…

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Interview: Tyler Atkins on directing Beast, violence as communication, and creative transformations

Beast hits with more than just brute force. Beneath the bone-crunching action is a story about restraint, identity, and the internal battles that don’t end when the fight does. Academy Award winner Russell Crowe steps into the role of a seasoned trainer, guiding Daniel MacPherson’s Patton James – a fighter pulled back into a world…

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The HSBC German Film Festival announces full 2026 program

The 2026 HSBC German Film Festival arrives this May with a program that feels both expansive and sharply curated, bringing a wide spectrum of German-language cinema to screens across the country from 6th to the 27th May. From urgent contemporary dramas to offbeat comedies and family-friendly adventures, this year’s lineup strikes a confident balance between…

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Film Review: Michael; Jaafar Jackson shines in a story that plays it safe

In an era where musical biopics arrive with assembly-line regularity, it was only a matter of time before Michael Jackson – arguably the most mythologised pop figure of all – received the full prestige treatment. Backed by his estate and positioned as the definitive cinematic account, Michael has all the makings of something monumental. Instead,…

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Interview: Nicholas Ma on exploring the emotional language of plants in tender drama Mabel

In Mabel, filmmaker Nicholas Ma crafts a quietly disarming coming-of-age story that finds its emotional roots in an unexpected place: the bond between a fiercely self-possessed young girl and a plant. At its centre is Callie (Lexi Perkel), a prickly, sharp-witted outsider whose love of botany becomes both her shield and her language for navigating…

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No operation stays dark forever in action-packed trailer for Tom Clancy’s Jack Ryan: Ghost War

After four seasons of watching Jack Ryan evolve from reluctant analyst to full-blown field operative, there’s something genuinely exciting about seeing him pulled back in for one more mission – especially one that feels this personal. The new trailer for Tom Clancy’s Jack Ryan: Ghost War leans into everything that made the series work in…

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How To Edit Like A Hollywood Pro From Your Home

Let’s be honest: the difference between “home movies” and “Hollywood perfection” isn’t about a camera that costs as much as a small car. It’s an attitude. It’s that nagging feeling at 3:00 AM when you know a scene is “done,” but your gut tells you a single cut is two frames too long. You don’t…

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Balls Up brings the mayhem: Inside the wild new Prime Video comedy

The red carpet for Peter Farrelly’s latest comedy was less a stroll and more a full-blown warm-up for the chaos to come – fitting for a film that proudly leans into its “balls-to-the-wall” sensibility while still promising a surprising amount of heart. Front and centre was Mark Wahlberg, who didn’t hesitate to set the tone,…

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Full-length Street Fighter trailer is a fighting good time!

The first full trailer for Street Fighter has arrived – and it’s not pulling any punches. Set against a neon-soaked, early ’90s backdrop, the footage leans hard into the franchise’s arcade roots, delivering a deliriously fun mix of high-impact action, heightened drama, and unapologetic camp. This isn’t a grounded reinvention – it’s a full-throttle embrace…

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Film Review: Lee Cronin’s The Mummy; investigative horror story is unnerving and psychologically potent

Lee Cronin’s The Mummy is not the film you might be expecting – and that’s precisely its strength. Rather than leaning into the sweeping, action-adventure bombast typically associated with the title, Lee Cronin pivots sharply into something far more intimate and unnerving: a slow-burn, investigative horror story rooted in grief, absence, and the uncanny terror…

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Interview: Karl Urban teases the devastating final chapter of The Boys; “Buckle up!”

As the world of The Boys barrels toward its explosive final chapter, there’s a sense that nothing – and no one – is safe. In Season 5, Homelander reigns unchecked, the world bending to his volatile will, while the remaining resistance is fractured, imprisoned, or missing entirely. At the centre of it all stands Billy…

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We all scream for Eli Roth’s Ice Cream Man in chilling teaser trailer

Eli Roth returns to his trademark brand of splatter-soaked horror with the first teaser for Ice Cream Man, and if this early glimpse is anything to go by, summer is about to turn very, very sour. Set in an otherwise picturesque seasonal town where sun-drenched streets and nostalgic laughter mask something far more sinister, the…

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Karl Urban brings “F***in’ diabolical” energy to Luna Park Sydney for season launch of The Boys

The Boys has never been subtle – so it feels only fitting that its final season rollout in Luna Park Sydney went big, loud, and just a little bit unhinged. Prime Video transformed the harbourside amusement park into a chaotic, immersive playground inspired by the show’s twisted universe, drawing more than 500 fans into a…

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Series Review: Margo’s Got Money Troubles; Elle Fanning anchors this modern dramedy done right

The speed at which Margo’s Got Money Troubles has moved from page to screen feels almost miraculous – and even more impressive is how fully formed it arrives. Created by David E. Kelley and based on Rufi Thorpe’s novel, the series lands as one of the most vibrant, funny, and unexpectedly moving shows of the…

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Interview: Nick Offerman and Thaddea Graham on Margo’s Got Money Troubles and exploring the performative nature of existence

From David E. Kelley, the multi-Emmy Award-winning creator behind some of television’s most compelling character dramas, comes Margo’s Got Money Troubles – a sharp, funny and deeply human series anchored by a powerhouse cast including Elle Fanning, Michelle Pfeiffer, Nicole Kidman and Nick Offerman. Based on Rufi Thorpe’s bestselling novel, the show follows Margo, a…

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Interview: Michelle Pfeiffer and Elle Fanning on Margo’s Got Money Troubles, humanizing OnlyFans, and the complications of mother-daughter relationships

Premiering globally on April 15th, Margo’s Got Money Troubles, based on Rufi Thorpe’s bestselling novel, is as provocative as its premise suggests, but far more tender than you might expect. At its centre is Margo, played with striking vulnerability and spark by Elle Fanning, a young mother, aspiring writer, and recent college dropout navigating financial…

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Film Review: Wasteman is a claustrophobic, unapologetically raw prison drama

There’s no easy way to watch Wasteman – and that’s exactly what makes it so compelling. From the moment it locks you inside its grey, suffocating world, director Cal McMau makes it clear this isn’t a prison drama interested in comfort, catharsis, or even conventional morality. Instead, it’s a clenched, nerve-fraying character study that trades…

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Interview: Jay Anthony Franke on Deus Ex, California Dreams, and the art of using only your voice

Best known for his turn as Jake Sommers – the leather-clad lead guitarist who defined a generation of ‘90s teen TV on California Dreams = Jay Anthony Franke has built a career that stretches far beyond the screen. For gamers, his legacy is cemented in a very different space: as the voice of J.C. Denton…

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Interview: Louis Ashbourne Serkis on Out There and finding the vulnerability in violence

The son of acclaimed actor and filmmaker Andy Serkis, Louis Ashbourne Serkis is carving out a compelling path of his own with a performance that is as raw as it is quietly devastating. In Out There, he plays Johnny, the teenage son of a rural farmer (Martin Clunes) who is pulled into a dangerous county…

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Opinion: The most underrated banger of the ’80s lives in Grease 2

There’s a certain kind of cultural blind spot that happens when something is packaged “wrong.” A film flops, critics shrug, and everything attached to it gets quietly filed away as disposable. That’s exactly what happened to Grease 2 – and, by extension, to “Cool Rider,” performed by Michelle Pfeiffer. But strip away the baggage of…

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BOGOSHORTS Returns: Festival and Film Market open for submissions

The BOGOSHORTS – Bogotá Short Film Festival continues to cement its status as one of the world’s leading short film showcases, drawing more than 46,000 attendees to nearly 300 activities and presenting over 430 films across 120 screenings in its previous edition. As an official qualifying event for the Academy Awards®, Spain’s Goya Awards, and…

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Interview: Director John Asher, and stars Emmanuelle Chriqui and Hayes MacArthur on their emotional collaboration A Love Like This

There’s something inherently voyeuristic about A Love Like This – a film that invites us to peer through the cracks of a relationship that perhaps isn’t meant to be seen. Set over one sun-drenched but emotionally volatile weekend in Malibu, the film follows Paul and Leah as they attempt to exist, however fleetingly, as a…

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